Feature Requests

Surprisingly, from the makers of Photoshop, the industry standard graphic design suite, the UI of the Premiere sequencer section is underwhelming. Sequencer (Timeline section):-Many sequencer options, selection tools and editing features, that are standard in other software, require multiple clicks and workarounds in Premiere.-When trying to edit the clips on the Timeline or clear the selection by clicking on an empty area on the track, the selection cursor brackets only render the track with an extra bracket or white background.-The selection Brackets and the Playhead don’t visually align with the precise edit points compared to other sequencers in the market.-When automating clips to the Markers based on Audio tempo, they aren’t evenly rendered in the Timeline, requiring the user to move them back and forth, to finally end up with the correct clip length and visual timeline width for the edit.Recommendation to start using Pro Tools for a while to see the contribution an amazing Seque

Premiere Pro desperately needs a Global Audio Effects Mute button (or an "All Audio Effects Bypass" toggle per track/sequence), functioning exactly like the current Global Video FX Mute feature. Currently, processor-heavy VSTs and track-level audio effects cause severe playback stutter—especially when utilizing the J−K−L keys to edit at 1.5× or 2× speeds.The Problem & Workflow BottleneckFor editors handling long-form content (podcasts, interviews, voiceovers), applying track-level effects like denoisers, compressors, and EQs early in the workflow is standard practice. However, these effects are highly CPU-intensive.When scrubbing through a timeline at accelerated playback speeds to make quick cuts, the audio processing cannot keep up, resulting in extreme stuttering, digital artifacts, and lagging.Why Current Workarounds Fail "Add Effects Last": Suggesting that editors add audio effects at the very end of a project is unrealistic for modern, fast-paced workflows where clients requi

A selective FX mute button for the timeline would be incredibly useful. Right now, we only have the global FX mute in the monitor window, but I'd love the ability to mute only specific heavy effects on the timeline that cause playback stutter, like all Noise Reduction FX for example, while keeping others active, such as my Lumetri Color adjustments.What I’m envisioning is something similar to the Remove Attributes function, but instead of deleting the selected effects, it would let you temporarily disable certain effects on your timeline. Ideally, you could toggle certain effects on and off for the whole timeline at once, like you would for individual clips.

There's a very useful 'replace clip' function that does not have a keyboard shortcut, be very useful if it did, e.g.  'Replace with Clip > From Bin, Match Timing'. As an additional - 'Replace with Clip > From Bin, Match TimeCode' and 'Replace with Clip > From Source Monitor, Match TimeCode' would also be usefulBrief overview of drag behaviour:Shift + Alt + Drag from BinMatches playhead-relative position between selected timeline clip and dragged bin itemExample:If the timeline playhead is 5 seconds into source clip 1, the replacement will begin 5 seconds into source clip 2. If the 2 items start with the same timecode then it is the equivalent of 'Replace with Clip > From Bin, Match TimeCode'2nd+ selected clips → remain in temporal sync with the first (no shot repetition)

A helpful addition to the Project Manager would be to include an option to keep folder structures when collecting files and moving to a new location. So instead of having just one folder with all the media content, premiere pro will output the files into the same folder structure created within premiere. After Effects saves the folder structure. Could Premiere Pro do the same?

Subject: Adobe Creative Cloud User Experience Improvement SuggestionsDear Adobe Team,I am a long-time Adobe Creative Cloud subscriber and professional content creator. Over the years, Adobe products have become the industry standard for creative professionals. However, there are several workflow issues that regularly consume valuable production time and create unnecessary frustration.I would like to share the following suggestions for improvement.1. Improve Adobe Fonts Library OrganizationCurrently, font families are automatically expanded to display all font variations such as Light, Regular, Medium, Bold, Black, and Italic.For users with large font collections, this creates an extremely long and cluttered list. Finding fonts becomes difficult, and users often spend time manually collapsing font families just to navigate the library efficiently.Suggested Improvements: Keep font families collapsed by default. Add "Expand All" and "Collapse All" buttons. Provide better filtering and

Dear Adobe Premiere Pro Team,As a professional video editor, I rely heavily on speed and keyboard-driven workflows. After Effects has FX Console, which allows instant searching and applying of effects using a single shortcut.Premiere Pro currently lacks a similar fast, global effect search and apply system. Adding an FX Console–style feature—where editors can press a shortcut, type an effect name, and apply it directly to selected clips—would greatly improve productivity.This would be especially valuable for editors working with large effect libraries, presets, and frequent repetitive workflows.I strongly believe this would be a high-impact quality-of-life improvement for Premiere Pro users.Thank you for your continued development of Premiere Pro.Sincerely,Tarang Singh

I want to be able to apply any effects whereever I am inside Premiere Pro just by calling up a search bar for effects. For example I do CNTL+Space and a search bar pops up and I simply search for the effect I need.There a third party plug-in from Video Copilot for after effects. Foundry Nuke has the same thing, you just need to press Tab and everything is ready to go.

I would love to see Adobe Premiere Pro's new Color Mode expanded with dedicated film-emulation controls, allowing users to achieve cinematic film looks without relying on multiple third-party plugins or complex effect stacks.Suggested additions:Halation Control Adjustable intensity Highlight threshold Color tint options (red/orange film-style halation) Film Glow / Highlight Bloom Soft highlight diffusion Radius and strength controls Film-inspired optical bloom behavior Film Grain Multiple grain profiles (16mm, Super 16, 35mm, 65mm) Grain size, intensity, and response to exposure Resolution-independent grain rendering Gate Weave & Subtle Film Movement Optional micro-movement simulation Adjustable strength Film Texture Controls Halation Grain Glow Color separation Highlight roll-off Shadow softness The new Color Mode already provides an excellent foundation for modern color grading. Adding integrated film-emulation tools would streamline cinematic workflows, reduce de

Premiere Pro urgently needs a native tool for creating modern social media captions without relying on plugins or MOGRTs.Right now, the workflow is far too cumbersome compared to CapCut. To achieve the caption styles that are now standard on TikTok, Instagram Reels, and YouTube Shorts, users often have to convert captions to graphics, manually animate them, or purchase third-party solutions.In CapCut, these styles can be applied in seconds. In Premiere Pro, the same result requires significantly more time and effort, making the process inefficient for creators who produce short-form content regularly.Features that would make a huge difference include:Word-by-word highlighting. Automatic pop-in and scale animations. Presets for popular Reel and TikTok caption styles. Easy customization of fonts, outlines, shadows, backgrounds, and colors. Automatic emphasis of key words through animation or color changes. The ability to apply these styles directly to generated captions without convertin

We that bought Canon EOS R6 mk3 (many of us) loves shooting in RAW and 7k and Open Gate, etc… But coming to Premiere and not being able to drop it and edit it… Makes me, my team, my freinds and a lot of people question the money we spendon this app while there’re assistants encouraging us to use competitor’s software like DV do transfer it to ProRes and then export it to Premiere… If I need to do that then might as well spend the same amount of money on the other software than this…No hate but please team, work faster… R6 mk3 came out Nov 2025… We are 3months into 2026...

Thank you implementing transcripts in Premiere Pro. It's a very useful feature. Currently, you choose your default language before transcript is executed, then PP transcribes the entire clip. What is your clip has multiple languages spoken within the audio? It would be great to PP auto detect different languages, or at the very least be able to select some text and change the default language for that particular text. Right now I am cutting different sections of my clip in different sequences and transcribing them in the approriate language. It creates a transcript that has timecode that is inconsistent. It would be great if it was possible to toggle the language within a clip / transcript to preserve the time code continuity. Thank you.

Since it’s obvious that Premiere will never get a Warp stabilizer that:will not reset if a stabilized clip length is changed work with a time-remapped footage… it needs a simple but powerful upgrade like this:The new Lock button in Warp StabilizerSince every time you stabilize footage Premiere writes data (you can tell it by the size of the project file that becomes bigger with every stabilization alone), this new Lock button would lock this data preventing Warp stabilizer from resetting with every minor change to a clip. In case you want to unlock the effect you hit this button again (it changes from “Lock” to “Unlock” and back). So locking is a fast (instantaneous, unlike Freezing for Roto in AE) and nondestructive process, it just locks the data of the part of the clip where the stabilization was applied so if you just drag the clip out beyond the stabilization part the rest of it will still be not stabilized but the locked stabilization will remain locked no matter what you do to i

In Adobe Premiere Pro when a text box is created, it can be resized with the mouse by dragging the text box handles. But there is no way to specify the exact size of the text box...For example, the anchor point position can be specified by entering values, but it has no sense if the box size may not be specified...What I'm missing? Is there a hidden setting somewhere outside the "Effect Controls" panel?

The fade handle function was added in the 24.4.1 update.However, when controlling an audio clip with the mouse, you end up grabbing the fade handle when you want to grab the edge of the clip.It should be made so that this doesn't happen by mistake, or it should be possible to turn the fade handle on and off.   オーディオクリップを縮めたい時、フェードハンドルの小さな四角形をつかんでしまう24.4.1のアップデートでフェードハンドル機能が搭載されました。しかしながら、オーディオクリップをマウス操作でコントロールする時、クリップの端をつかみたいのにフェードハンドルをつかんでしまいます。誤操作しないように工夫してほしい、もしくは、フェードハンドルのオン／オフの切り替えできるようにしてほしい。  

Case: I have a video with a shaky camera and a moving object in it. In older cases you would have to mask out the object to make Warp stabilizer ignore it and stabilize the rest of the picture. Since Warp stabilizer though an effect had never had a mask option you would have to add the mask and then nest the clip in order to make Warp stabilizer ignore the moving object. Now that we have a new masking mechanism that can added to effects as a separate masking layer with a set of adjustable tools of its own, I don;t a see any reason why a tracked object or normal mask can’t be added to Warp stabilizer to make it ignore an object without nesting  

Hi Adobe, Can you please iclude an "editors notes" or todo list, inside of Premiere Pro? This would improve the worflow a lot (especially when passing over projects to new editors). Just having a dedicated window for comments/notes (that are saved with the project) seems like a no brainer and should not be too difficult to add in a future update?Thanks in advance!

Feature for basic Text Animation adjustable directly in the Text Properties, without the complicated Key Frame setup for more advanced animations. The Text Properties would include a basic Slide in and Fade in animation, that stays relative to the IN an OUT points of the text clip, when adjusting the clip on the timeline. This would also enable to later resize the Text, without affecting the animation setup or the centred position of the text. Thanks!

I would like to request a specialized Generative Extend feature for Premiere Pro and After Effects designed for interview footage, talking-head clips, documentary editing, corporate video, and other dialogue-based production.A common editing problem occurs when an interview clip contains strong usable content, but the subject restarts a sentence, opens their mouth, blinks, leans back, changes expression, or moves awkwardly near the edit point. Even if the content is good, the last few frames can make it difficult to create a clean transition, dissolve, J-cut, L-cut, title overlay, or cutaway return.Current generative extension tools are promising, but for interview editing the goal is often not to create new motion. The goal is to create a short, usable editorial handle that preserves continuity while keeping the subject natural, stable, and believable.I would like Premiere Pro and After Effects to include a Pose-Locked Generative Interview Hold mode.Suggested workflow:The editor selec

In Premiere, when I export a file, a little blue post-it note sort of window pops up informing me that the export was successful, and displaying the file path where the exported file lives. This is nice, but what I'd really like is to be able to click on that file path (or something like it) and have Explorer or Finder open the folder containing the export. Instead, if the folder isn't already open, I have to manually find my way back to it through Explorer or Finder, which costs time.  This functionality is available in Media Encoder, and it's really handy. I don't always use Media Encoder to encode things, but I'd love to have the same ease of access in Premiere.  

Hello, some basic software UI design conventions for Premiere Pro: -Revert feature would be greyed out until document edits have been made (similar standard to Undo and Redo stack).-Close document dialogue button order would be the primary action Save on the right, Cancel next to it and additional buttons such as Don’t Save towards the left.(Would seem easy to correct here, since the buttons Cancel and Don’t Save are almost the same use case anyway.)Thanks!

Hopefully, Adobe will improve the most basic features for users…. After animating a Text, resizing works fine, since it’s included in the Properties, when the Text is selected. However, the position then moves relative to the animation… The goal for this use case is to align the Text to compensate for the resize.Thanks!

Replace or upgrade the current clip-based Time Remapping rubber band with a dedicated, track-expanding Graph Editor that includes a visual speed/value curve axis and independent Bézier handles. The goal is to allow editors to execute precise, frame-accurate speed ramps directly inside Premiere Pro without being forced to use Dynamic Link to After Effects for standard speed design. Core Pain Points with Current Tool:- Lack of Visual Feedback: The tiny timeline rubber band offers no precise Y-axis percentage scaling, making it incredibly difficult to gauge exact speeds or match curves across multiple clips.- Timeline Destructiveness: Adjusting speed percentages constantly shifts the clip’s internal In/Out points and boundary handles, disrupting the surrounding timeline structure.- Finicky Keyframe Controls: Splitting keyframe markers and adjusting the blue ease handles on a narrow track is notoriously micro-intensive and prone to accidental selection errors. Proposed Features & Funct

Apologies if this comes off as a gripe, but the UI for time remapping in Premiere really needs to be rethought. It is incredibly difficult to use, for many reasons:keyframe adding and adjustment with the selection arrows is non-obvious touch targets for bezier controls are minuscule in the Effects Control Panel, if you move past an edit, suddenly everything disappears as your display shifts to the next clip the height of the relevant UI elements in the Effect Control Panel are all tiny, and need to be manually expanded every time you use it  it is nearly impossible to make smooth speed ramps if you adjust them at all if you adjust the speed of a clip on the timeline, the new length of the clip pushes everything on your timeline aroundI could go on, but hopefully you get my point. Adjusting a clip’s speed is a painful process in Premiere, and I’d love it if some of the amazing brains that worked on the new color process in the Beta version could focus on time remapping.

I think, will be great to add ready aspect ratio in Premiere as an effects, like Avid MC does. Sometimes I need 16:9 or differect aspect ratio and yes, I can use adjustment layer and crop effect or download png file from Internet, But will be cool to have Astect Ratio as an effect and then choose in effect control what kid of ratio do you want in list menu