Feature Requests

Now that we have Object Masks in Premiere, along with the several versions old media intelligence and PRIN files, it’s time to talk about how this stuff is all organized. I’ve made a post about the PRIN files and posted on a lengthy thread about them elsewhere. But it seems the masks have the same problem. And that problem is that in professional workflows we duplicate our project files daily. As such, Premiere creates a new PRIN file with the new filename, and in the case of having mask data, it now creates a new Masks folder with that filename. So every day I’m going to end up with more data to delete? The masks, the PRIN files, etc should all live in some sort of Adobe Premiere Pro Caches folder alongside your Video Previews, Auto-Save, Preview Files, and Video Previews so that we don’t end up with more and more and more floating elements in our nice clean project files folder.So tomorrow when I duplicate this and make a v04, I’m going to open Premiere and it’s going to find the mas

Hello Adobe TeaM!In Avid MC I can use a shortcut “audio/video track” for toggle on and off audio and video tracks in source and program monitor(1 shortcut works on 2 screens). In Avid MC I can select different audio source tracks with the same shortcut as in timeline tracks.avid MC shortcut for source and program monitor selection tracks But in Premiere Program monitor and source monitor has a different shortcuts and especially I can toggle all sourcePremiere shortcut only for all source Audiotracks at once, not seperatelyI can only select or diselect source from A1 to A6, But I cant select, for example, turn off A1 and A2, but source tracks from A3 to A6 still working 

Hello Adobe! Sometimes I wanna turn on or off “toggle sync lock” function on the timeline, but will be great add this ability by using keyboard, as you did with “Toggle Track output fo  all targerted video tracks” 

Does Adobe plan to add the Hebrew languageTo the list of languages that can be transcribed?The workflow will improve on several levels when it will be possible to transcribe in HebrewInside the software! 

The inclusion of a Transcript Translation Feature in Adobe Premiere would greatly enhance the usability and accessibility of the software. This feature would allow users to easily translate video transcripts into different languages directly within the Adobe Premiere interface.   With the Transcript Translation Feature, users would have the ability to import video transcripts and seamlessly translate them into multiple languages. This functionality would not only save time and effort but also enable content creators to reach a broader audience by providing translated subtitles or captions.   The feature could offer a range of translation options, including automatic machine translation as well as the ability to manually edit and refine translations for accuracy. Users would have the flexibility to choose from a variety of supported languages, ensuring that their content can be effectively translated and understood by viewers worldwide.   Having the Transcript Translation

Currently, if you select one of the Crop tools under “Motion”, if you attempt to adjust the crop in the Program Monitor it only allows you to adjust scale. It would be helpful if this acted in the same way as the Crop effect found in the Effects panel, which can be adjusted by the on-screen controls in the Program Monitor.

In After Effects you can turn a layer into a Guide Layer, whereby when you export the layer is ommitedIt would be great to have this feature in PremiereI guess it woul dbe called Guide Track

Adobe should bring the simple Adobe Express video background remover directly into Premiere Pro.Premiere’s new masking system is powerful, but for basic editor needs it is too complicated. A very common task is simple: remove or isolate the background of a person or object in a video layer without manually drawing masks, assigning masks to opacity, dealing with Frame vs Clip, or using separate apps.Adobe Express already has a simple background remover for video. Premiere Pro should have the same tool built in as a one-click effect.Suggested implementation:Add a Remove Background effect in Premiere Pro.It should work like this:Select video clip. Apply Remove Background. Premiere automatically cuts out the subject and makes the background transparent. User can adjust edge softness, cleanup, spill removal, and refine mask. The transparent result should immediately reveal the video layer underneath.This would be especially useful for podcast clips, Zoom interviews, social media edits, thum

A great time saver would be allowing a quick alignment change on a transition from within the timeline utilizing a right click. Have three options - Staring at Cut, Centered on Cut and Ending on Cut. For custom starts, you would still need to dig into the effect panel, but this would be a great and easy addition.

In the new color mode page in Beta currently, the only option is to have the waveform/scopes show when you are working with contrast/exposure (waveform), or Temp/balance/saturation (scopes). I can’t seem to find an option to toggle them on or off so they can “live” on screen like any other NLE offers. As much as I like isolating the graphs, it is also beneficial to see how the adjustment you are making or the style you are auditioning affects the overall waveform/color channels/and your scopes. Maintaining the ability to see your waveform/scopes any time you need to, without manipulating a perameter is still critical to the correction and grading process.

It would be great to be able to change the speed of a clip and then, apply a warp stabilizer effect on that same clip without having to nest the clip to make both effects work together.Also, being able to put a warp stabilizer effect on a clip even if that clip is not at the same resolution as the sequence settings.

Display audio waveforms for nested audio clips

While it does come off as lazy that a whole bunch of highly needed effects and transitions were bought rather than existing tools upgraded and new ones designed, the Film Impact toolset is still highly welcome.    There is a big problem however which is interopability with After Effects. If we have the desire to finish deliverables in AE rather than Premiere it is currently impossible to transfer this data over.   Please port all effects and transitions to AE. I know AE doesn't have transition functionality in the way it works in Premiere. But the way Red Giant Universe tackles it is by making effects able to select another target layer to blend the transition to and you keyframe the transition % slider. This is a perfectly acceptable solution that can be implemented. It won't copy paste from PR -> AE but you can at least manually recreate the exact same data.At the minimum I hope to at least see the effects being ported over.

Hi there,I think it would be great if there will be also Czech and Slovak language transcription in Adobe Premiere Pro. It would help many editors.Do you see chance to add it?Thanks)

Please, a great feature would be Team Projects actually working, instead of preventing from saving locally and online. It really is the most wanted feature I think: we’ve been provided time-wasting workarounds already, but then why use this feature if we can’t even be sure to be able to even save as a normal offline project. In the last month publishing and\or locally save a team project failed 85% of the time, for me and my team, let alone all the copies of the projects we manually have to save around.Please FIX it, or at least let we know where is the problem: is our network? our workstation? something else? I want to keep using and paying for Premiere Pro (as I did for years), but half of my coworkers push me towards Resolve Studio and its Cloud as is consistently more reliable and cheaper. Let us know what to do.

How about a more robust feature set for captions, like being able to highlight single words or add shapes behind to highlight without having to do it manually? An automated feature tied in with the transcript and captioning features would be really useful.

Вставка ключевых кадров на основе анализа звука, например:1) Диалог (на основе конкретных слов, вставка ключевого кадра анимации при произнесении слова «привет»).Таким образом, мы можем приблизить изображение при произнесении слова «привет».2) Выбрать фрагмент музыки, проанализировать его и указать, что ключевые кадры должны быть размещены на этом бас-барабане или бочке. Анализ основан на выбранном регионе, как в iZotope RX 11.

I’m a bit puzzled… There really is no way to smooth masks created with a pen-tool with the help of bezier handles? How come? 

Currently if you have a Production with 2 projects in it and you bring a sequence from Project A into Project B, it comes in as a copy. If you click into the nested sequence on a timeline in Project B, you are working with a sequence that has no link to Project A. It would potentially be better for collaborative workflows if the nested sequence had a link back to Project A. That way if work is done in Project A it would reflect in Project B and vice versa.This would be similar to how multi-camera sequences currently work in Productions where changes made to a multi-camera sequence are reflected anywhere that sequence is used and double clicking into a multi-camera sequence in a project will open the sequence up in its originating project.My team is trying to use Productions with multiple editors working on sequences in many projects that get collated together into one primary sequence and it is sometimes a bit confusing to track where work on a sequence is happening if an editor clicks

Please add an Auto Color or AI-assisted Quick Balance feature to the new Premiere Pro Color Mode. The previous Lumetri Auto feature was extremely helpful for editors who need a fast starting point for correcting exposure, white balance, contrast, and saturation without needing advanced color grading knowledge.The new Color Mode is powerful, but it currently feels very manual for fast-turnaround workflows like interviews, event videos, social content, church/media production, and weekly edits. An intelligent one-click correction tool would make the new workflow much more accessible and efficient for non-colorists while still allowing advanced users to continue refining manually afterward.

It would be useful to be able to move the captions all the way to the bottom of the screen.

I would need a 48fps (HFR) sequence setting and export possibility.It does not seem possible in Premiere pro 24.2

Hi, please add a one-click "Match Sequence to Clip" option for existing sequences (to automatically match resolution and frame rate to a selected clip).Also, allow custom presets inside Sequence Settings (Editing Mode list) for faster switching between formats.This would greatly improve workflow speed.

We need to be able to go from a transcript clips/paper edit to a finished timeline automatically.

We embed captions on the data track of a MXF file in an AVID interplay environment. We encode the MXF in Premiere for faster and more controlled export but the data track doesn't import natively.. Our work around is to export an SCC file from Avid, import into Premier and realign captions.