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I use Lumetri Color all the time and find the Curves charts (Hue vs Saturation, Hue vs Hue, etc.) extremely useful, however I cannot find a way to stretch the curve charts verically to get enough precision. It's virtually impossible to make a setting as small as I need to sometimes. I can stretch the charts horiztally all I want, but that doesn't help much since the settings depend on vertical movements. Does anyone know of a way to do this? Thank you!
I have recently seen that the web version of Photoshop has improved a lot, but there are functions or tools that are too basic and I don't know why they haven't been there since this version came out. I think adding these features would make the program more robust and usable. Honestly, it's very good in terms of AI features, but it's missing those basic features that we love so much about Original Photoshop Some tools needed in the web version:Transparencies in shape fills, uniform color I know it can be done in the layer settings but sometimes we don't need to change the entire layer just the fill of a shape.Gradients in the color picker for shapes and text, Gradients in the color picker for shapes and text, in terms of gradients the program can only put one on the ENTIRE LAYER without the shape filling it which is super bad.Polygon lasso and other lasso variables, The lasso is fine but its friends allowed for more precise mouse-level selections.Adobe libraries, Adobe libraries, Express has them, what happens with other programs?In terms of AI select a third party model In terms of AI, selecting a third-party model could be great and interesting for image editing.
Working with clients who do finishing/turnovers on big projects and their assistant editors have to do a lot of work during conforms and onlining to pass specifically clip information on to to post audio and VFX vendors. It would be great if Sequence Index could report on more attributes like the ones listed below; otherwise they're having to rely on 3rd party tools. SPEED. This is a big one. A lot of editors (especially trailer editors) tend to speed up clips to make them fit (both audio and video) and those changes need to be communciated to finishers so that online clips match. And the current EDL output shows the wrong timecode when speed changes are made (at least in v24). SCALE. Likewise, seeing scale and repo info would help with conforming to online. CROPS. Also good info to note when reporting on clips.
please do add clip skimming option , its very important to speedup editing
I'd like a simple feature to archive specific libraries that I no longer use. Ideally, documents with links to the archived library should still be linked, or there should be a message when such a doc is opened "This document contains linked files to an archived cc library. Would you like to un-archive the library to relink files?" I have tons of libraries, many of which I don't generally use, yet I have to scroll through the whole list of them when I'm looking for the library I want. This would be a very helpful organizing feature.
After Effects should remember the last render output path per project, not globally.Right now it defaults to the last-used path from any project, which frequently misplacesrenders and creates confusion.Please store the render and save destination per project to prevent lost files, mistakes, and wasted time. thx
I hope Lightroom Mobile adds a feature where a user can search for a specific camera model or lens model on Community Tab to find all the photos from other people. For example, I have a Nikon D7200 and I'm starting my photography journey. I want to see the works and photos of other people on Lightroom Community Tab who also use D7200, from that way I'll get inspired and learn more about the gear I have. And also I'll learn some Lightroom editing ideas from them since we have the same camera or lens.
With the addition of Content Credentials, Adobe has taken a first step toward allowing creators to make use of Content Authenticity Initiative features. I'd like to suggest a second. While researching Content Credentials, I found that the CAI defines a fairly extensive set of assertions that can be added to images (see https://opensource.contentauthenticity.org/docs/manifest/assertions-actions/). One potentially interesting set are the "Do Not Train" assertions, such as c2pa.ai_training, c2pa.ai_generative_training and so on, which allow creators to specify whether they want their images to be used for various kinds of AI training and data mining or not. Because of growing concerns about images being used to train generative AI, a lot of creators would probably welcome the ability to express their preferences and 'warn off' AI scrapers from misusing their work. Much as Lightroom allows us to attach copyright information to images (via IPTC), it would be good if we could also add c2pa.mining_training assertions.I see this as something that probably belongs in the export dialog, but it could also be implemented on a per-image basis.
Like the subject implies: ATM there is no way to search through files being shown in a collection.It seems obvious as collections can grow quite large that there should be an option to search. EDIT: My best workaround is to simply try to type the name Im searching, but if there's more than one hit wtih those letters no way to move to next. TY. MC
When I apply a default transition on a clip that has multiple audio tracks it automatically adds the transition to all the tracks - this is great! However, when I want to make an adjustment to the duration of the transition or any other kind of change to the transition it automatically only allows me to select each track transition one by one holding down shift. I would love the option to be able to select my transitions all at once and be able to adjust them all at once. Whether this is a separate pop up widnow that asks me the duration and track layout or if the transition just works like a normal linked clip that I can move back and forth to get the audio transition perfect. Thanks!
I have some suggestions for modifying the text animation presets known as "Slide and Pop In" and "Slide and Pop Out" in Adobe.Firstly, I recommend adding the option to animate "by line" in the dropdown menu of the preset's effect called "Slide & Pop In - Animate by," in addition to the existing choices of "by character" and "by word."Secondly, I propose that the "Slide & Pop Out - Y Position Offset" effect within the "Slide and Pop Out" preset should display a positive value of 94 instead of a negative value (-94), to move the letters downwards instead of upwards. In my opinion, this adjustment provides a more logical motion as it continues the animate-in movement of "Slide and Pop." To help illustrate my suggestions, I have created clear examples of animated text using the modifications: Link 1 : Slide and Pop InLink 2 : Slide and Pop Out I kindly request permission to share my own .ffx files as potential replacement files for the upcoming After Effects update.
Permitir exportar o projeto por inteiro no iPhone assim como para nuvem para que possa ser possível a transferência de forma off-line mais rápido e dinamico para terminar a edição no premiere para desktop
Current LimitationIn the current Curves tool (both in ACR and as an adjustment layer in Photoshop), we can make intricate adjustments to the composite RGB curve and individual color channels (Red, Green, Blue). However, there is no way to temporarily disable the effect of a single channel's curve to see its isolated impact. The only option is to disable the entire Curves layer, which hides all adjustments at once. This makes fine-tuning complex color grades inefficient, as it's difficult to assess the contribution of each individual channel curve to the final result. Proposed SolutionIntroduce an eye icon (visibility toggle) for each channel within the Curves. Key BenefitThis would allow for a much more flexible and non-destructive workflow.Easily compare the before/after state of a specific channel's adjustment.Isolate and fine-tune color casts introduced by a single curve.Understand the complex interaction between different channel curves without having to delete and redraw them. This small addition would significantly improve the precision and usability of one of the most powerful color grading tools.
It is time-consuming to locate Brushes, even when they are sorted into Groups. Having the ability to sort them alphabetically, would be so helpful.Adobe Photoshop Version: 23.1.1 20220106.r.202 060a6d1 x64Number of Launches: 290Operating System: Windows 10 64-bitVersion: 10 10.0.19044.1466
Why don't we have a Saturation Range Mask here yet? 🤨 A separate saturation adjustment tool would help us quickly target and fix oversaturated and undersaturated areas, without navigating through multiple tabs and other sliders.
Many people have beautiful, natural freckles that often get softened. Manually enhancing them in Photoshop (with dodge&burn or channel masks) is effective but time-consuming. Add a one-click "Enhance Freckles" filter within Adobe Camera Raw. Smart Auto-Detection: the filter should intelligently identify and select freckle patterns.Adjustable Sliders: Lightness, Contrast, Hue, Saturation. A wide range of values should allow us to do everything from boosting freckles to mostly eliminating them. This would provide a fast, intuitive, and non-destructive way to accentuate a subject's natural character.
Great idea, that of detect and offer render/replace within Premiere or maybe MediaEncoder! That should get posted over to the Ideas section of this forum ... @Ann Bens could you move this post as an Idea?
When saving an Illustrator file, I would love to see an options button as you do with InDesign (to avoid the next popup panel stage) and an option, rather than just a warning, about resolution to allow you to toggle raster effects on save instead of having to save, edit setting and then resave.
I would love to see modern web formats added like "webp" to Automate/Generator Plugins/ Image Assets. I use this feature all the time but I always need to take anotrher step to get Webp formatted! Please add this :-)!!!
Alt + Shift + Drag works perfectly if you do it one clip at a time. If you do it for a batch of clips, Premiere decides it's time for a timecode rodeo and you're the one riding the bull. Only the first syncs properly, then for the rest of the clips all bets are off. Hours of work wasted, grey hairs multiplied.For the love of all that I love, why? Why would it work one way for one clip, then a way NO ONE NEEDS for a batch? Why have this work for batches at all if the only result is betrayal and heartache?Please, have it just repeat the EXACT SAME process as for one clip when you ALT + SHIFT + DRAG to replace a batch. We don't need this kind of unpredictability in our lives.
I share my Substance Painter projects with others via cloud drives, and we keep the files alongside the mesh files (typically FBX) in the same folder, or in a neighboring subfolder. But reloading the mesh file after it's been changed often requires going the long way of Edit menu > Project Configuration. This is instead of simply hitting Ctrl + Shift + R to reload the file, because the last person who edited the file don't have the same absolute path to the mesh file. Could we have an option in project creation, and in Project Configuration to store a relative path in the project instead? Example absolute paths..."C:\Users\me\Nextcloud\Bridge House Materials\Mesh\BridgeHouse.fbx""C:\Users\them\Nextcloud\Bridge House Materials\Mesh\BridgeHouse.fbx""F:\Nextcloud\Bridge House Materials\Mesh\BridgeHouse.fbx" Relative path for all:..\Mesh\BridgeHouse.fbx
At the moment there are 7 color options for layers. Colors are useful for visually separating layers. It would be nice to have the option for users tp use a color wheel or equivalent to pick whatever color they want.
@R Neil HaugenI don’t disagree (read that as mostly agree also). I'm not suggesting anything fancy for VFR support - but rather something as simple as a way to detect VFR and alert the user to go and deal with it.... and a little better, right click, and render replace without VFR. I don’t think I would want VFR support to be built in past the 'render and replace' (on import) approach. The costs of developing it are likely lower than the costs of addressing the problems with support - or the 'negative' aspects that people walk away with without even knowing what the core issue is with VFR. With that said, there are so many people using it for game recording, and OBS etc - this is a new workflow that is big enough that I think adobe needs to address with at least an alert in import - and better yet a way to convert to VFR on import. Feels like we are at the point where we can’t hide from VFR issues as there seems to be so many valid ways to create it. Now, I don’t use, and have never used VFR or OBS, and maybe there are ways to turn it off in OBS and force CFR - but again, if at the very least on import an alert that VFR was detected - would cause people to think about how they record next time. Also feels like the fact that VFR has the potential to cause all sorts of other issues - Adobe would save on support costs, users would likely have less surprises too.... Feels like we are at the point we cant hide from VFR issues as there seems to be so many valid ways to create it. Now, I dont use, and have never used VFR or OBS, and maybe there are ways to turn it off in OBS and force CFR - but again, if at the very least on import an alert that VFR was detected - would cause people to think abotu how they record next time. Also feels like the fact that VFR has the potential to cause all sorts of other issues - Adobe would save on support costs, users would likly have less surpirses too....
When you are coding effects at the level that Premiere does, you can't compare to the prosumer stuff. Even though a couple of them now have a few pretty spiffy/splashy things they do, everything that Premiere does would have to be set for the odd processing involved in VFR. And VFR is a capture thing ... it cuts down on the frames needed to be encoded to the file, just like the long-GOP process cuts down on the pixel data being encoded to file. And in both cases, the playback device then does a ton more work to make it not obvious. So ... can it be done? I would expect it could. But the next question ... given everything else that people want Premiere to start doing, and the constant upgrading to work with newer hardware, dump code for older not-used hardware, all that constant never ending process ... priorities are needed. And would handling VFR better take precedence over 55 or 60 other things? For some users, yes, of course. For the majority of the user base ... maybe not so much. It's rather like a lot of the upper-end colorist stuff I would like to get in Premiere. Yes, the devs know that for a few of their users like me, it would be an awesome addition. But the vast majority of their users, they'd never use it ... so ... I've been told it wouldn't be wise to hold my breath even for something really awesome for some higher-end workflows. As a long-time self-employed business person, I had to make a lot of decisions I did not like making at all. But the data were clear, and I needed to make changes at times dropping a photo style I loved doing. For instance. But things change all the time. So ... maybe at some point, VFR would be a natural fit and welcomed by enough users to be worth the major effort it would take to fully support it 'natively'.
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