Photoshop

There are so much types of frames.

Hi, I've been exploring firefly 2 through the web and using style references that it provides to generate novel images, which work really great. Is there a way to do the same for the in-Photoshop Generative Fill feature? Prompts to mimick what the style sheets do seem to go in all different directions (and I know how to tweak it so I don't get a bunch of oil paint blotches, for example). What I'd like to do, is use my own image with the style sheets available in firefly to generate the same variations that I can generate via style sheets with the AI images it creates. I also tried out using neural filters with downloaded images in the styles I liked from firelfy, but that didn't help much either In firefly, I prompted a photo of the "president of the United States" and it gave me 4 faces that I then made variations of using the styles in firefly. They came out really cool to say the least. It would be really helpful to artists / illustrators to generate images in a

Would love to see some kind of AI feature to correct glare in eye glasses! ❤️

If the object finder tool in Photoshop could detect areas that do not have such a high contrast difference.  Such as railings and other substrates on a building, would be a huge time saver for rendering purposes.  

Right now the only option to transfer PSD files from the Adobe Cloud is to open every single file in Photoshop and select "Save As"... When running out of drive space, or to just have the files backed up on another drive, this makes bulk transferring impossible, and calls for even a full day dedicated to just transferring files to a local drive. Adobe NEEDS to add the ability to bulk transfer Adobe Cloud files out of the Cloud. For people who say "just use file explorer", the issue is that the files are not availible in file explorer. Where the files would be, there is only a link to assets.adobe.com/cloud-documents, which gives you four options for files: Move, Copy, Delete, and Rename. Move and Copy only let you move and copy the files within the cloud documents (lowkey rendering those options useless.)Please adobe add the ability to get Cloud docs out of the Cloud in bulk, please.

I propose a new tool that would be in the same category as the "Dodge" and "Burn" tools and would increase the contrast of the affected pixels, or if the "Reduce Contrast" mode is enabled, would decrease the contrast, the same the Brightness/Contrast adjustment works, but applied locally via a brush that can be softened, rather than globally.Alt-clicking a color will set its grayscale value as the "middle point", meaning that colors brighter than it will get lighter, while colors that are darker would get even darker, increasing ease of use in over- or underexposed images.It could also have a dropdown menu that lets users customize how the lightening/darkening is done, including modes such as "Multiply/Screen"; "Darken/Lighten"; "Dodge/Burn" and "Reduce Contrast". How this could be useful:While it is possible to make a Brightness/Contrast adjustment layer and paint the mask to only affect the image locally, these are way too many steps with too much configuring, and yet it doesn't

Then you add 3 party filter they will be destructive most of the time. My idea is change hove 3 party filter adds to Ps so they will be nondestructive as Parametric filter. 

Is anyone else frustated by the latest update  in Camera Raw. The adjustment sliders have been reorganised and im finding it far worse in terms of workflow, Adjustments that were previously part of the 'Basic' dropdown are now moved into different drop down catagories, for example 'dehaze and texture are now in  'Effects' where they were previously in the 'Basic' section dropdown. As it does not seem possible to have more than one dropdown open at any one time it is a much more cumbersome process.Why the change for the sake of change?

Adobe, make the Shift edge option predictable, moving ANY edge by an equal amount. I decided to check Select & Mask - Shift edge option on 2 simple masks to understand how it actually works.I can't effectively use this in my workflow, because it has almost no effect on my masks and now it’s clear why... So, I created two solid color layers, the top one with a mask of 2 simple shapes done with the same Brush, Hardness 0 and 100. Let's open the mask in Select & mask window and Shift the edge to -100%.Boooom!hard edge has remained almost unchanged, soft edge has become half the sizeboth became semi-transparent (not neutral 128, but close to it) Let's undo and Shift the edge to +100%.Boooom!hard edge remained almost unchanged again, soft edge became twice as large As we see, the Shift edge option is very specific - it's more effective for the soft edged masks and useless for hard edges... Since I often use the Pen tool for cut outs, I find this a probl

I need to be able to export indiviual files from lightroom cc (web) to photoshop cc (web) edit them and have the changes save in lightroom cc (web) but thats only available using the actual desktop apps. This type of functionality would be a game changer!

I haven't used Adobe Firefly extensively, but I noticed the tip "convert my sketch to vector artwork". But, it is not clear where or how to do that. I had a look at Adobe Firefly, and added an "image to match", several of pixel art, and one of a sketch drawing of mine, and asked it:"convert my artwork to a digital painting style, with the help of watercolors"What it came up with was not even remotely like my original image. From a nature scene, I got a girl sitting and drawing mostly, maybe with a pet, or a single pot plant. If I'm going about the process wrong, it's not clear how to do it correctly.I tried the same thing with generative fill in Photoshop. Highlighted an image of pixel art, and asked it:"convert to digital painting style"What I got was blurred paint sploshes all over the screen. At this point, it's not very clear to me how to use the AI to get the kind of use cases I want, so here are things I would like the AI to be able to do, to make it useful to me, and for it

Please make it possible/easier to exchange text, vectors and pixels (rasterized content) between Photoshop, InDesign and Illustrator. It turns out that it takes an enormous amount of time to put a simple layout from Photoshop with pixels, some vectors and text into InDesign, and it usually ends up having to recreate it completely. Simply placing .psd-file makes text not editable, vectors do not become vectors in Indesign etc. It's possible to always start a design in InDesign. But the problem with starting in or switching to Indesign early is that you may still want to adjust the Photoshop (photo)composition, ie. with several transparent photographic elements. When placing text, you then have to keep switching back to Photoshop, and adjust your composition there. Then again you can't see what happens to the text because that is already in Indesign. In this age of AI, why should it be so difficult to convert those to another format? They are just pixels and vectors and te

I think having a smoothing slider (not the hardness slider, stroke smoothing)just like the one in the brush tool would make precise selections with lasso tools much easier. Yes there is already a pen tool to select accurately but using lasso can speed up the process a lot when using a tablet.

I suggest adding a tiny info panel for the Eyedropper tool (so that we don't need to open the main Info panel and look across the entire monitor back and forth). Would be very handy.  Here's how users are checking the values now without the feature.

Moin, die vollwertige native Umsetzung von Photoshop für Android / Tablet Geräte (z.B.: Tab S8 Basic / Plus / Ultra) wäre ein fantastisches Feature.

My suggestions for the Select & mask Brush tool 1. Add the Opacity slider.We can just choose the Hardness, but the Opacity is always 100%.Not good for precise work as some areas may need a bit of transparency. 2. Add the Blend modes.Pro editors often use the Soft light & Overlay modes for mask adjustments.It preserves the darkest/lightest pixels and helps to clean up the mask easier & faster. P.S. Yep, those manual adjustments can be done outside the Select & mask window, but since there's a Brush tool, why not to have its full functionality? 

It would greatly enhance the functionality if users had the option to convert a "Smart Filter" into a separate layer, just like the existing "Create Layer" feature for layer effects.

Is it possible to remove the descriptions that pop up when using every single toggle in the liquify tool? It's to the point where it blocks the U.I, these huge beige boxes with generic self explanitory descriptions.

Hello Adobe...the share icon to airdrop from Mac to iPhone has been removed in the 2024 version of PS. That single feature makes the life of Mac users stress-free. Kindly return the feature, I am begging you in the name of God. 

It would greatly enhance the functionality if users had the option to convert a "Smart Filter" into a separate layer, just like the existing "Create Layer" feature for layer effects.

can introduce ai based colour/light exposure in camera raw setting

it would be very useful an option in the auto-align layers menu which allows you to choose kinda "locked layer" so that the other layers align to it without changing its dimensions and perspective.

In the past hour I have accidentally deleted a preset in camera raw three times because the trashcan icon is sitting over on the right side of the presets. Can you please either remove that and make it so you have to go into the menu to delete them, or can you make it ask if I am sure I want to delete, or can you please keep a trashcan history of previously deleted presets? This has been super frustrating. Thanks!

Does anyone know if it's possible to change the color of the Replacement Tool cursor in Photoshop CC 25.1.0 I would prefer a different color than the violet / purple that's default. Also the color seems to be more pastel in the latest version and is sometimes hard to see. Thanks for your help.

It would be great in Photoshop if it had the After Effects Corner Pin function.