Photoshop

Great app! I have noticed in "content-aware fill," that the app reads the surrounding area automatically which can be problematic when a given area already has a purpose. The auto reader tends to misread what is being asked. i.e. I had a blank t-shirt that had watermark writing, in the removal process, it elongated the t-shirt sleeves instead of simply removing the writing. The idea would be if the app could ask the user if they would like to provide a given area to read from to fulfill the generative fill area. It could be a simple box that you can elect to go away, and within that box could be where you simply click "ok" or "complete." In one day of us, I would have used this type of function dozens of times. I figured out a three-step process to complete the task, but this idea would allow for a one-step process that would have multi-faceted implications for users.

Have the ability to place push pin anchors along an item that you would like to be straight and then perform an action that will align all of those anchors into a straight line between the two furthest extremes of anchors. This will allow you to take something that is distorted or wavy and straighten it out visibly. 

Currently, to white balance areas of the image, it takes many more steps to go into color filter, sample an area, then reverse the LAB colors to pull back or neutralize an area with color cast from a light source. A simpler route would be greatly appreciated. 

Color Warper is More Advance and So easy To change Hue, Luminance, and Saturation at One Click and Drag... Photoshop  Add this Feature and Make More Advance Photoshop...  I don't know why photoshop is not adding this tool whereas this type of tool is very much needed to make photo editing even easier. Photoshop should give a place to a tool like color warper and must add such a feature... like 3D Luts Creator and Nobe color Remape, and that's why this software is very well used.

Dear Adobe Support Team, I hope this message finds you well. I am writing to kindly request an addition to the lens profile category in Adobe's software. I have been a devoted user of Adobe's photography software and greatly appreciate the comprehensive range of features and capabilities it offers. However, I have noticed that the lens profile category does not include the complete lineup of Panasonic lenses. As a photographer who extensively uses Panasonic lenses, it would be immensely beneficial to have accurate lens profiles for my specific equipment within Adobe's software. Lens profiles play a crucial role in correcting distortion, vignetting, and chromatic aberration, enabling us to achieve the best possible image quality. Panasonic lenses are widely acclaimed for their exceptional optics, and they have gained significant popularity among photographers. Given their popularity and the growing number of Panasonic lens users, I believe it would be highly advantag

Working with multi-layered documents, I often need this. Certainly, we can use an existing command "Stamp visible layers" (Ctrl+Shift+Alt+E).BUT we have to turn off the visibility of all the layers above... and then turn them on again. It's a bit time consuming, esp. if we've got many layers and not all of them should be on (so we can't just click once and move the cursor up or down along all the eyes icons). 

I'd love to have a separate Liquify tool that sits in the standard toolbar that allows for the basic options of Liquify to be used on the canvas without opening a new window.Using the Liquify feature in Procreate is very convenient, and it's nice to not need to set any view settings. You simply stay on the canvas and immediately see results.I think this would be a great addition to have while still keeping the current Liquify filter for other use cases.

As an avid user of Adobe Photoshop, I have always admired the power and versatility of this industry-leading software. However, there is one aspect that I believe could greatly enhance the editing experience, particularly when working with large photos or graphics in raw or lossless formats. That enhancement is the implementation of Level of Detail (LOD), a technique widely used in modern 3D video games. I've listed several of the potential benefits that incorporating LOD into Photoshop could have, and how it could revolutionize the editing process for professionals and enthusiasts alike. 1. Improved Performance:Working with large, high-resolution images can often be a challenge in Photoshop, as the software needs to load and process every pixel, even if we're only viewing a small portion of the image. By implementing LOD, Photoshop could dynamically adjust the level of detail based on the zoom level and the area of the image being edited. This would significantly improve performa

It makes no sense that ctrl-J (on the whole or on a selection) will not work on a locked layer. In no way does ctrl-J alter the contents of the locked layer, so why can't you make a new layer from the selection? To do so, you first have to go unlock the layer and relock it (if you so choose) after you Ctrl-J. Tedious and not intuitive. 

I'll be honest, im working on vector illustration and then porting it to photoshop to create water colors using filters. it woul dbe cool to make brushes that habve pressure mapping so you can making density rings that are organic and relate to the pressure of your digital drawing pen.

Have a cursor option in the Cursor preferences menu to have an icon in minature of the tool offset from the crosshair or brush outline. This helps for those who switch between tools often (i,e, clone stamp, eraser, paint brush) to know at a glance what tool you are working with, since the appearance between all those look identical. As an option, so that this graphic doesnt get in the visible way, it may disappear when you engage with the tool by clicking and dragging, since concievably you know which tool you have engaged by that pont so no need to keep it visible. This is indicative of how capslock can change between cross hair mode and tool cursor outline mode. 

Whenever the user performs an action, alert them when that action does not perform any visible or tangible affect. I can not tell you how many times I have tried to paint something in and didn't realize I was painting completely outside of the selection, because the selection was hidden. This causes disrorientation, because you think something isn't workng properly or you set some function that isn't visible, but in reality you did something that had no affect. 

Using Camera Raw there does not appear to be a hotkey for the filter by buttonIs there a keyboard navigation to get to this point? 

Could a future Photoshop please make the sponge tool to lighten a specific color? 

Animation is the main thing I use Photoshop on. I’d love to able to do animations  on my iPad like I do with my desktop with Photoshop.

The generative fill comes with a layer mask, however, doesn't automatically select what's been generated, you have to then select the generation and then mask out what AI tried to blend in. For the most part, the generations are great but the blending it does isn't always the best and you just want the creation, not the blending of the background because this makes it hard to apply this effect to a series while keeping the same look. It would help if AI is going to blend the background and add shadows/etc., that it automatically selects the subject in the mask.

Es wäre gut wenn man die Bilder aus lightroom importieren könnte, ohne dass man es zuerst herunterladen muss. Ich sehe es nicht ob ich es machen kann und wenn es möglich ist, wo findet man das? Eindeutig ist es nicht. Bis jetzt muss ich das Bild von Lightroom ins Photoshop aufmachen. / Danke

It would be great to have the magic wand tool in the Select and Mask workspace. There are often times when the smart selection misses holes or other areas that would be easily selected by the Magic Wand. Unfortunately, the magic wand is not available in the Select and Mask workspace. 

I have two side by side artboards for a before and after photo composition. Need to add a cerntered watermark, half on one photo, half on the other without merging layers/artboards.

It's time to update some of the icons in the tool bar. The icons for certain tools are virtually identical - see [Quick Selection and Brush] and [Spot Healing Brush and Remove tool]. The icons are supposedly there to make it easy - instead of having to memorize a gazillion keyboard shortcuts or setting up actions. Maybe color coding the icons could help.

Hi everybody, I work on a 15" MBP and screen size is persistently a thing. One item in Photoshop that has not overgone any change in change since...I think I've used it it is Layer Style panel. There is so much dead space in this window that covers canvas and other settings while making adjustments to layer styles. It would be really nice if Adobe took some time to economize this window some. Off-hand, there are few things they could nip and tuck in this window to make it less cumbersome. e.g. the space on the right of the style buttons as well as the style settings, and a whole row of space at the top dedicated to the name of the layer/folder (which doesn't really need to be there). If Adobe could make this window more laptop-size friendly that would be really nice. Thanks for reading.

Once an object/content is created by the AI, it could be interesting to have an easy and quick tool (maybe in the regulations panel) to easily adjust saturations, tone curves, and so on.

The jpg artifact removal neural filter does a wonderful job, but it would be nice to have a preview.As it currently behaves, as soon as you turn the neural filter switch on, it automatically starts processing at the highest strength.  If I want to compare the results of each strength, I need to run them all separately, and perhaps output them all to their own layers, and deleting the two that aren't the best. Ideally, the user could select an area of their layer to preview, and photoshop would remove artifacts from just that area, and ask which strength to complete the task with.  This would save me a great deal of time; running this filter on a M2 Ultra mac studio can still take a minute or longer, depending on the size of the image.  Currently, if you wanted to run the filter on each strength and choose the best output, you'd need to wait at least three minutes to do so.  That really breaks my flow when I'm using the program.Furthermore, it's easy to break ph

I was never really sure what the "Smaller File (8-Bit)" option did in the Export As window until I read up on the PNG format. For the longest time I was confused becuase I assumed the "8-Bit" there meant 8 bits/channel, which is usually what people mean when they say that. And also many people see the 8 bits/channel mode in the Image > Mode menu. I would never have guessed that it meant 8-bits worth of color indices in a palette, therefore only 256 colors total. Even after reading how PNG has a few modes such as indexed pallete vs TrueColor, the "8-Bit" wording is still confusing. And the "smaller file" wording implies a kind of compression, and doesn't nearly convey the magnitude of the change, going from 16 million colors to just 256.  The current wording also doesn't make it obvious why semi-transparent pixels are changed to opaque. Changing it to say "256 Colors" should solve all of these and make it immediately obvious what the option does. And I came across