Questions

I would like to propose a powerful feature enhancement for Adobe Premiere Pro that can significantly improve workflow efficiency for modern content creators and agencies.Feature Name: Auto Multi Video GeneratorOverview:A tool that automatically converts one long form video into multiple short form videos optimized for platforms like Instagram Reels, YouTube Shorts, and TikTok.Problem:Currently, editors manually create multiple short videos from a single source. This process is time consuming, repetitive, and limits content scalability especially for creators and agencies producing high volume content daily.Proposed Solution:Introduce an AI powered system that:Detects key moments, highlights, and engaging segments Automatically splits long videos into multiple short clips Generates multiple variations with different hooks and cuts Applies dynamic zooms and framing for vertical formats Adds captions and basic styling automaticallyKey Features:Smart scene and highlight detection Automatic

I want to make a gradually decaying size bounce effect to apply to a small logo on the corner of a video to call attention to it once in a while.That means the logo would become larger, then smaller, then larger (but not as large), then smaller (but not as small), a few times and then settle to its original size.I manage to do it using FI pop motion impact but it is tedious. A demo video is attached. Because the transition causes the size of the logo to start from zero, I have to nest it and cut off the first few frames so it starts from slightly larger than the logo original size.Is there a simpler way to do this, without having to nest and cut off a few frames?

Hello, I’ve been using Premiere for almost a year now and feel very comfortable using it (I haven’t fully mastered color correction though.) I do want to get certified in Premiere and After Effects. I plan on taking the Premiere Certification exam in another month or 2. Do you all have any advice or coaching tips that could help? I want to make this a career. Any and all feedback would be greatly appreciated. Thanks, and have an awesome day everyone!!!!!!!!!!!

Bug Report: Missing Mask Tools (iOS) Problem: The Masking tools (Ellipse, Rectangle, Pen) have completely disappeared in Premiere Pro 2026 on iOS. Location: Missing in both Opacity and Crop effects, across all tabs (Source and Clip settings). Comparison: In the 2025 version, these tools worked perfectly. In the current 2026 version, the icons are gone. Customer Feedback: I am a paid subscriber, and encountering such a major flaw in a paid product is a huge disappointment. I feel misled by this update. Expectation: Restore the Mask selection (Pen/Shapes) icons in the Effect Controls immediately.  

I exported a project and upon review there are several cases of incorrect footage being exported.  I dug further into the file and for the files that were not exporting correctly then took them offline.When I look at the source window in the upper left, the offline media shows up as a green screen, it knows that it is offline.However, in the timeline clip (and what is being exported) is an entirely different file.  The project should be showing me a blank screen with no footage but it’s gone ahead and found some and just stuck it in.  Does anyone know what is happening or how I might fix it?

I am working on a script that can change selected multicam or sequence video frame size settings.Gemini Ai is not being as reliable as I would have hoped, so maybe some can tell me where I am going wrong.Thank you 

Hey all, Quick question — screenshot attached.  IMG_4403.MOV is an iPhone 16 Pro Max clip In all my sequences, its audio behaves normally: both channels show on A1 (single track) I synced it with a DJI lav on A2, sliced the beggining and end, and created a Merge Clip. Problem:The merged clip splits the camera audio as follows: A1 = left A2 = right A3 = lav  I am trying to get the Merged Clip audio to follow the original format: scratch audio on A1, lav audio on A2.  I’ve tried to look into it on my own but I can’t figure it out. Please and thanks :) Screenshot:The clip on the left shows the highlighed clips that were selected when I clicked Merge Clips, as well as the dialog popup as it appeared before I clicked OK. Then, further to the right on this timeline, I pulled the Merged Clip in to show the audio track issue.  

Has anyone figured out why Premiere Pro doesn't seem to recognize the "Creation Date" metadata for DJI Mic 2 files, despite MacOS recognizing it? (see pics that show the discrepancy). Is there is any fix for this? As of now, Premiere just shows a blank metadata field, and I am trying to fix that. Thank you folks! 

I am beaten… I have been grappling withe a video which keeps exporting blank. After doing more tests than I can name. I have got to the problem being the caption file i am importing. if I export with no captions it exports fine. If i import an SRT file with no bot or with bot the video renders and publishes blank, splendid audio though. The project is important and I have exhausted all i can think of. I have to say, I have never known such a difficult video to publish. Doe any one have any ideas? I have tried hardware encode and software encode, all the same. 

Hi, i’m currently working on a small sized premiere pro project. 768x128 pixels (15 second duration)  with just moving texts and video assets downloaded from vecteezy.  Premiere pro lags and is very slow, like simply moving the text or playback would take 20-30 seconds to actually do its thing. i’m not sure what the issue is. My premiere works ok when handling 2k to 4k video resolution so i’m not sure why it’s very slow on small projects. system:Intel i5 14450HXRAM 64GBGPU RTX 4060

Another day, more errors. Everything was working yesterday, but today there's another error. I've already deleted the files that were causing it to freeze, but now it's starting to freeze on other files.

Just updated PR and the new masking scenario is confusing - I am unable to animate keyframe track mask. I start one first keyframe, draw my mask, next keyframe I move points, but then go back to previous keyframe and my initial position is gone and the shape of the second keyframe what’s there. How do I get my old way back where I can keyframe masks quick?? I am also missing these buttons  

In this project I'm on, I'm working with 3 video angles and 3 audio tracks and some graphics layers as well.  I can't find a way that lets you select the clips that are under the playhead.  Not to the right or left of the playhead, just everything that's at the the playhead. Is there a quicker and easier way rather than just dragging the mouse down across the width of the timeline?

I am trying to put a black box over the eyes of children to disguise them in photos. I want the box applied to the photo itself, not a matte that sits on the track above. I plan to add motion to the photos once I get this resolved. I don't want to nest either.I don't know if there is something wrong with my copy of Premiere, but I've been trying to figure this out for the past two hours using Gemini, and the things suggested just don't seem to exist in my version. As far as I know, I have the latest version (26.0.2) but when I apply things like Gaussian Blur, I don't get the circle & square icons to use for creating a matte (not that I want to do a Gaussian Blur, just using it as an example as I've lost track of all the things I've attempted so far). I just am NEVER finding the circle & square icon under effects in Effect Controls panels when they are applied to clips. Yet when I look at YouTube videos, this seems to be how it works. Any ideas as far as why it's not working, or

I have a color theme that I use inside of Premiere Pro, to which I’ve imported to Libraries, that I use to quickly apply color variations to captions in Essental Graphics via eyedropper.Typical behavior: When I have text highlighted, I hit the eyedropper icon next to Appearance > Fill inside the Essential Graphics panel and choose a color from my color theme.Irregular behavior: I had a power outage blip, and since returning online with my computer, the color is now desaturated both visually, and when I use the eyedropper. It picks a completely different color than what the HEX code states. Meaning, the HEX is still correct, but the eyedropper does not choose that color.It is like the Libraries tab is on a different color profile than the rest of the application. My yellow is #FFD800 where the HEX is correct still in the color profile, but eyedropper chooses #F9DA42 for some reason.Any idea what’s going on here?Issue with image:Green is #A8FF00, but eyedropper from ‘Fill’ chooses #B9

When will Premiere pro natively accept R3D NE RAW files into its workflow for INTEL based macs? Alot of people switching to davinci to get around this, but I’d rather not.

Bonjour, Je rencontre un problème avec l'effet flou gaussien. J'ai un mac M3 avec une carte graphique metal 4 et j'ai uniquement le Flou gaussien hérité. Premier est a jour, j'ai déjà effacé le cache et réinitialiser les préférences, je ne trouve pas de solution. Quelq'un peut m'aider ?  Merci d'avance. 

Cannot find my previous topic about this issue, so I have to start a new one, and I have an update.The issue: when inside a multicam if you try and change settings in the Lumetri color panel for some of the tracks there, the active window looses focus as soon as you do it, and the Effect Controls window will say “Multiple clips selected” though you select only one clip, obviously. This is how it looks:restarting Pr, applying another instance of a lumetri, deleting cache, resetting preferences - nothing helps, or helps for one second. The issue always comes back. This issue started to happen in Premiere 25.6.x, goes on in the current 26.0.2Steps to reproduce: start a project, import your files create a multicam sequence. I used 2 cameras + external sound in wav. start working with multicam.  go inside multicam (ctrl+click), apply colorgrading to the video tracks, apply a podcast preset to the external mic audio track. At this point or later when you adjust the colors in the Lumetri tab

Hi, I am very confused as to what settings need to be adjusted in Premiere to be able to use my iPhone 17 Pro Apple Log 2 HEVC footage (4k 60 fps) and apply a LUT via Lumetri. Scouring the net and AI none of the settings are worded as they are in the application and I have played around with no luck.I’ve been using Premiere for many years but this is my first foray into using Log footage. I understand the concepts but can’t get the correct combination of setting in Premiere.Please forgive me if this has been asked before. George

¿Me pueden ayudar? No se porque no me deja eliminar las pausas, tengo la ultima version de premier pro y tambien la beta. Adjunto imagen

Hey forum,Searched high and low for a solution for this - seems like Mac people had this problem but nothing in stone fixed.After using Premiere for a few minutes the mouse cursor will "stick" to a cursor.For example between switching the Arrow, Razor and Move tools the mouse cursor won't change.Image below shows what I mean, since it should be showing the razor instead of the default mouse icon.One thing that instantly fixes it for a minute is switching between workspaces - though it comes back very shortly.It's not a program crashing bug, but extremely infuriating since I keep messing up edits since I don't know what tool I'm using.What I've tried:-Resetting cache and prefs while booting Premiere.-Uninstalling and Reinstalling using the Adobe Uninstaller tool-Create new workspaces-Create new keyboard preferences-Disable Import WorkspacesUsing:-Windows 10 64 Bit-Premiere Pro CC 12.1 KentosAll the best.Example Pic:

Guten Morgen,Seit der Version 26.0 habe ich ein für meinen Workflow sehr störendes Verhalten beim Speichern von Projekten festgestellt.Adobe speichert neue Projekte bzw. Änderungen standardmäßig nicht mehr im ursprünglich vorgesehenen Projektordner, sondern automatisch im zuletzt geöffneten Ordner. Dieses Verhalten weicht deutlich von der bisherigen Arbeitsweise ab und führt in der Praxis sehr schnell zu falsch abgelegten Dateien.Zwar lässt sich das über „Speichern unter…“ manuell korrigieren, allerdings ist das im täglichen Arbeiten unnötig umständlich und fehleranfällig – insbesondere bei vielen Projekten oder hohem Zeitdruck.Daher stellt sich für mich die Frage:Handelt es sich hierbei um eine bewusst eingeführte Änderung in Version 26.0 oder um einen Fehler in den Programmeinstellungen bzw. ein mögliches Bug-Verhalten?Für eine Klärung bzw. eine Option, den Standard-Speicherpfad wieder fest an den Projektordner zu binden, wäre ich sehr dankbar, da das aktuelle Verhalten den Workflow

Ich habe jetzt in kleineren Projekten die Beta Versionen von Premiere ausprobiert, ein nerviges Problem, wenn man den Enkoder neu installiert hat, steht beim Renderer “Mercury Playback Engine GPU Beschleunigung (Cuda), in der Konfiguration redert er dann übergebene Clips. Schließe ich den Encoder und öffne ihm im gleichen Projekt  den Encoder wieder dann steht beim Renderer …… Software. Da hilft nichts mit irgendwelchen Vorgaben, die Zeile ist ausgegraut. Es ist ein Win11 AMD System 64 GB Geforce 3080TI. Auf einem zweiten Rechner win11 48Gb  AMD Geforce GTX 1060 rendert er ohne Probleme über die GPU

Hi everyone,for a while now I’ve been running into a problem with Sony S-Log footage in Premiere Pro.My usual workflow was: Import Sony S-Log footage In the Project panel: right-click the clips → Modify → Color Enable Override Media Color Space Select Sony S-Log3 / S-Gamut3.Cine This always worked fine in the past and immediately converted the footage out of the flat log look.However, this no longer works at all: The override is selectable, but nothing changes visually Even if I intentionally choose a completely wrong color space, there is no effect Restarting Premiere, new projects, different clips – same result So it seems the Override Media Color Space is being ignored entirely.Has anyone else experienced this?Is this a known bug or a change in Premiere’s color management?And if this function is broken now: what is your current, technically correct way to convert Sony S-Log3 to Rec.709 in Premiere Pro?What confuses me most is that I can barely find anyone online describing

after the last update of premier pro there is no longer the option to crop a clip/image/video with handles but only with % (right, left, bottom, up). when applying the crop effect and using the pen mask tool, i can use handles but i can’t succeed to get to the result that the cropped area is left and all the rest is erased. it weas so much easier before, why did you change it? how can i set an area manually to be cropped easily?