Adobe Premiere

For anyone going to NAB/2026 in Vegas next week, I’ll be there and would love to meet up. Private message via the forum works well, but also, if you check in with the Adobe booth, normally they can tell when they’ve seen me recently. Neil

you recently moved masks from the effects panel to the toolbar.please don't do that. We have workflows that get interrupted when you do dumb - like this. When you improve/upgrade something, leave its location alone or at least have an option to leave it where it is.It’s so annoying to be in the middle of a project and have to relearn how to do something because your designers got cute. Mod note: Edited for language. Please keep posts free of profanity. See Adobe Community Guidelines: [link].

I am trying to create a sequence with the same source clip in two regions of the screen in a sequence.  I want to show one with no LUT applied and another with the LUT applied.  I’m trying to create a video that compares LUTs for the same input.  Whenever I select either “None” or one of the LUTs, it applies it to both source clips.  I can apply different color settings under the “Edit” tab of the Lumetri Color tab and that works.  But when I select a LUT, it applies it to all the source clips. Maybe this is what I’m messing up: I am not sure how the controls to the left of each clip in the Sequence panel works.  Here is my current selections:  What do the “V1” and “V2” buttons do?  Toggling them on and off doesn’t change the sequence as far as I can see…  

Hi Adobe Exchange Support Team,   I’m currently developing a CEP extension for Adobe Premiere Pro and need urgent guidance on digital signing and certification for distribution. We’re running into a widespread issue: all major certificate authorities have recently restricted the ability to export .p12 and .pfx files due to private key security protocols. This has effectively blocked traditional signing methods required for Adobe Exchange. We are now exploring cloud-based code signing options as a potential workaround — and possibly the only viable path forward. If Adobe has any officially recommended providers or documentation on how to sign CEP extensions using cloud signing infrastructure, we would greatly appreciate direct links and guidance on how to proceed. Our goal is to get this extension signed and approved for Adobe Exchange as soon as possible. Any help you can provide to expedite this process would be incredibly valuabl

I've spent an hour searching through forums regarding this issue. It appears as though Adobe has decided that duplicate media isn't a big enough problem for their software engineers to solve. Instead, Adobe would rather spend time implementing AI and other features that lends themselves more towards marketing bylines than to fix long standing issues. I have tried every solution I have come across, and Premiere continues to import duplicate media when importing XML files. This is insanely frustrating and a massive waste of time. Plus, there's no way to consolidate the duplicates. The "Consolodate Duplicates" command does nothing. In all the advancements made to Premiere Pro, it somehow can't tell that two clips sourced from the exact same file in the exact same directory are, in fact, THE SAME. Davinci Resolve can do this. There are literally HUNDREDS of posts across many forums - both Adobe sponsored and not - asking for a solution to this issue. This post go back well over 1

The Apple ProRes 422 Proxy preset that I usually use on my footage is locked into a color space which doesn’t work for the footage. If I make proxies like that, the overexposure gets baked in and whatever Color settings I have on source clips or sequence settings will fail to right them. This is especially crucial because I’m working in a workflow where I will hand the project off to the editor with proxies only for them to cut (low budget project, all of the footage of the feature cannot fit on one drive) The overexposed look baked into proxies using the preset Apple ProRes 422 Proxy with dimensions downscaled to 1,280x675. The only settings that allow the export color space to be changed are the non-proxy presets meant for transcoding. IE this Adobe Stock 4K DCI with Audio (Apple ProRes 422 HQ), where I change the Export Color Space to Rec 2100 PQ to get the raw, flat look (which then creates a proxy which works better with the Auto Detect project setting in Lumetri Color). Even when

When I go to the export screen, the whole editing interface goes black. The buttons are still there and I am able to export by remembering where the "Export" button is from past projects, but I have no visuals to see where it's exporting to, what quality etc. I have tried everything including uninstalling and reinstalling Premiere, with no luck so far. 

One of our editors updated a project from 2025 to 2026 and nothing using mp3s works. I've encountered this problem quite a few times over the years as well. Can't relink any MP3 files or drop new ones in - "the importer reported a generic error"  

Several transition effects are now showing a red line with the message that the effect requires GPU acceleration. It's strange that it doesn't appear in the timeline, but in the exported video, the darn red line indicates GPU acceleration. I'm using the latest Studio driver, version 595.79, for my RTX 5060ti.

This is on macOS Tahoe 26.4 with the latest version of Premiere (26.0.2). I routinely shoot on Canon EOS Cinema cameras that generate a lot of sidecare files for metadata purposes, primarily XML and CPF files that Premiere should just ignore when the folder of footage is dragged into a bin so that I don’t have to click out of the “File Import Error” dialogue box every single time. It’s a minor annoyance for sure, but I can also see how it would be concerning to newer users.Premiere should be intelligent enough to realize these are merely sidecar files with metadata it is going to apparently ignore and not worry about it, or at least make it an option I can toggle on/off.

The preview export screen has disappeared. It was there two versions ago, but now I get nothing on that screen. I cant even choose in and out points on that screen.

In Premiere Pro 26.0.0, several dropdown-menus are occassionally empty. Here’s a recording of the Project manager:The Dropdown-menu only populates when pressing Ctrl+Shift+Win+B to reset the Graphics driver. The populated menu only lasts for one click, then it is empty again. Empty dropdowns are found all across Premiere, Effects Panel, Options, everywhere. -------------------------------------------------------------------Windows 11 25H2, Build 26200.7462Nividia RTX 4090, Studio Driver 591.74Single 4K MonitorAMD Threadripper 3970X, 128 GB RAMPremiere Pro 26.0.0

I have to work with small masks and every time I try to in premiere pro, it doesnt give me the little open hand symbol to let me move it around, even if I zoom in to like 400%. I press the shortcut "v" to get to the normal mouse, and go try and move the mask and the only two options it gives me is to move one of the points with the little "o" sybol next to the pointer or it gives me the option to make a new point with the pen. It gets real annoying when I have to open After Effects and link a file when premiere pro is supposed to be a profesional editing program. Either tell me how the hell to move tiny masks or FIX THIS

================================================================================ADOBE PREMIERE PRO 26.0.2 — BUG REPORTScrubbing lag caused by progressive session-state degradation — page fault storm on memory-mapped proxy files================================================================================DATE: 2026-03-31SYSTEM SPECIFICATIONS---------------------OS:         Windows 11 Pro 25H2 (Build 26200)CPU:        Intel Core i9-14900K (24 cores / 32 threads)RAM:        32 GB DDR5 — 2x 16 GB Corsair @ 4800 MHz (XMP: 7000 MHz)GPU:        NVIDIA GeForce RTX 3090 — Driver 559.97System SSD: WD Black SN770 1TB NVMe (C: drive, OS + Media Cache)Proxy SSD:  Samsung 990 PRO 4TB NVMe (G: drive, proxy files)Media Cache: C:\Users\Owner\AppData\Roaming\Adobe\CommonPREMIERE PRO CONFIGURATION--------------------------Version:              26.0.2Playback Engine:      Mercury Playback Engine GPU Accelerated (CUDA)Source media:         Offline (proxies only workflow)Proxy codec:          Apple ProRes

CRITICAL Memory Leak: Premiere Pro v26.0 on macOS 26 (Tahoe) - 89GB+ VM_ALLOCATE Exhaustion Summary: I am reporting a severe memory leak in Adobe Premiere Pro 2026 (v26.0.0.72) running on macOS 26.2 (Tahoe). The application progressively consumes all available physical RAM and exhausts swap space until the system becomes unresponsive or forces a hard crash.This is not a standard "high usage" scenario. System logs confirm that Premiere is allocating untagged virtual memory without releasing it, forcing a SIGKILL or manual termination.System Specifications: Hardware: Mac mini (M4 Pro) Memory: 48 GB Unified Memory OS: macOS 26.2 (Build 25C56) Premiere Pro Version: 26.0.0 (Build 72) The Issue: While performing standard editing tasks (proxy workflow, no heavy VFX), Premiere Pro's memory footprint expands uncontrollably. In my most recent crash, the application reached 89.14 GB of memory usage on a 48GB machine, forcing the macOS kernel to create an 80 GB Swap file. Technical Analysis

This is not really a question, but an answer. My answer, anyway. (Dammit - Had an even longer explanation of all this but Adobe wiped it all out when I went to “edit” it. Grrrr. So here goes a shorter statement...) When exporting using Media Encoder video looks washed out. When NOT using Media Encoder, video looks the same (as what you see in your Program Monitor.) This problem IS real. It’s subtle but clear and often UNACCEPTABLE. And there is no “fix”. It is very apparent when using QT for playback, and, more critically, for me, as videos show/play on Vimeo. I had for a time applied a Gamma Correction LUT on export to restore some of the contrast which had been lost (adding it under EFFECTS in the export settings.) I didn't like it, but it seemed to fix the problem. But what was it doing to everything else? I don’t know, but it probably wasn't good. I stopped using it over time, thinking, I guess, “Adobe must have fixed this problem by now.” But no...) After many hours / days / month

Premiere Pro is the only software I've had this issue in. The issue manifests itself in slow scrolling speed in its windows and tabs. Below are video illustrations of one scroll movement up and down.- Project bin (1,5x as slow) - Graphics templates (2x as slow) - Effects (2x as slow)- Audio mixer (1,5x as slow)- Lumetri (1,5x as slow)- Metadata (2x as slow)- Export (2x as slow)In comparison After effects has the scrolling speed as it is in the Windows, and Premiere's timeline is also of the same speed:In the x1,5 tests you may think it's ok, but it's not - there still is a distinct difference between AE, Premiere Pro timeline, OS windows scrolling and those tabs seen in these tests.Surely I know I can bump up the mouse speed in the OS settings and that leads to higher speeds everywhere - the browser scrolling becomes too fast too as well as any other scrolling including AE. My OS windows scale is 100%, the mouse and everything have the default settings, so it is Premiere

Title:Transcription fails on all projects after latest Premiere Pro update (worked perfectly before)Issue:The transcription (speech-to-text) feature is no longer working at all after updating to the latest version of Premiere Pro.I have been using Premiere Pro for many years, and the transcription feature has always worked reliably for me in previous versions. I have never had any issues with it until now. It is really wasting my time!Since updating, transcription fails every single time across all projects.Steps to Reproduce: Open Premiere Pro Open any project (existing or new) Select a sequence with clear audio Go to the Text panel Click Transcribe Sequence Expected Result:The sequence should transcribe normally, as it has consistently done in previous versions.Actual Result:The transcription does not work. It fails to generate a transcript The feature does not behave as expected This happens across all projects Additional Context: This issue began immediately after updat

I started yesterday to work on Premiere Pro 2026 and have been experiencing the following issue: when editing with headphones, the audio track on channels 1 and 2 come out only from my left headphone, and channels 3 and forward are muted even if the “M” button is obviously off. Without headphones the problem doesn’t exist. I have already checked the settings on “Audio Channels”  and it is set to Stereo L+R, so the issue really doesn’t make sense.I am not experiencing this issue on the 2025 version or on the Beta version, while using the same settings.Applying audio effects such as Fill also doesn’t work - and even if it did it would be highly impractical to apply an effect to each audio track for this purpose. I have also checked with colleagues and compared settings - mine seems to be an isolated case. Is there anyone who could help me fixing this? It is really a drag. Thank you!

HelloEngaged in learning Flexbox using Udemy courses.Needed to create one page two columns full article to the left photos with complementary text to the right.The page needs adjustments so that it has a good fit using Flexbox and styles.The text needs to be improved upon. I don't know how best to create that style -though I have made a few attempts to work with textual styling.I am working on two paths :\public_html\meherbabaarchives\babalist\list_u\public_html\meherbabaarchives\images\Baba Screens\upasnifin\upasni00_0003.jpgThe first instance when I did a FTP upload the page look as a draft as expected; text to the left: photo to the right.As I continued to work with this page after uploading the revised drafts the photo was no longer visible. In Dreamweaver I use Properties. Browse to source. Photo is visible. Upload via FTP photos is no longer visible.The issue is with the photo. In Dreamweaver the photo is there - with the src: <div class="image-box">    <p><img src

Preference/Setting; Media > Default Media Scaling > Scale to Frame Size doesn't seem to work anymore starting version 25.Set to Frame size has become Fit to Frame; which is fine. But Scale to Frame Size just does the same as 'None'.It works as expected when using the fly out menu in the timeline btw.My suggestion would be to remove it altogether... 😉 'Fit to Frame' is always better in my opinion...

The caption is exporting the top layer, not regarding if it’s hidden or not. I have 4 layer of captions. I hide layer C1, C2 and C4, and try to export (using file - export - captions) the captions, and it export C4 instead of C3 (that is the only one not hidden).

Recently, I switched from an RTX 3090 to an RTX 5080, mainly because of 10-bit support, as I work with this kind of footage on a daily basis. After installing the card, I did a test render and found that render times were 6–7 times slower than on the 3090, which was really weird. I tried everything I could think of to fix it, and I even formatted the C drive, but nothing helped. In general, Premiere Pro (26.0.2) uses only about 5% of the encoding capacity, while an older version, such as 25.2, uses about 11–12%. I also tested HandBrake, and there the GPU was being used to its full potential. The same raw clip took about an hour to render in Premiere, while HandBrake finished it in 7 minutes. Timeline performance is also significantly better on the 5080 than on the 3090, and I pretty much no longer need proxies. However, when it comes to final rendering, my iGPU can now render faster than the 5080. Do you have any idea why that might be?Specs:CPU: i9 13900KRAM:128GB DDR4 3600 MHzGPU: RT