Announcements

In Premiere Pro beta (starting with 23.1x61) you can now upgrade your captions to graphics! We'd love your feedback!   (How do I install Premiere Pro beta? In the Creative Cloud desktop app, select Beta apps in the left sidebar of the Apps panel. Then select Install for Premiere Pro. You can run beta builds side by side with the release versions of Premiere Pro.)     Why would you want this?  You want to animate your subtitles (animation is not supported for captions)  You want to add effects to your subtitles (effects are not supported for captions)  You want to create overlapping subtitles on different tracks for multiple speakers (for captions only one track can be visible at a time)  You want to create different styles for your subtitles (a caption track can only have one style)      Here some basics:  You can upgrade captions to graphics through the menu command Upgrade ca

Back by popular demand you can ripple delete one frame at a time with your preferred keyboard shortcut. To use it, set up a Keyboard Shortcut (Option-Command-K) and search for “Ripple Delete Head Frame.” Once you have designated your KBS, position your playhead before the extraneous frames, press your chosen KBS and delete one frame at a time until you land on your ideal first frame. Try it out and let us know what you think!   Please note that this is using my KBS but you can choose your own.  

We now have PQ export as an option available for XAVC Intra and Long GOP in the export panel. This allows the XAVC Intra and Long GOP Source Clips having Rec. 2100 PQ color space to be exported in the same codec and color space.                             For XAVC-I, the previously used "Hybrid Log Gamma" checkbox is now replaced with "Export Color Space" dropdown having options to export in Rec. 709, Rec. 2100 HLG and Rec. 2100 PQ. For XAVC-L, "Rec. 2100 PQ" export color space option is now added to the "Export Color Space" dropdown along with Rec. 709 and Rec. 2100 HLG.   We want to know what you think.  Please join the conversation below.

We have added Danish to the Transcription Panel in Premiere Pro Beta. Since I don't speak Danish I would love to know how well it is working for you. Please try some of your footage and let us know:   What kind of content are you transcribing? (zoom call, promotional video, YouTube DIY tutorial, Netflix documentary...)  Does it do better with certain dialects? If there are regional dialects that it doesn't handle as well, be specific about the names of the region, accent or dialect. How accurately does it transcribe numbers? (1984, February 1st) How accurately does it handle pop culture (movies, current events, famous people)? Will you use it in its current state?    

This feature is now shipping in the October 2022 release of Premiere Pro. Questions or comments about it should be posted to the main Premiere Pro forum: https://community.adobe.com/t5/premiere-pro/ct-p/ct-premiere-pro.  ---------- Exporting Advanced Authoring Format (AAF) files is now available in beta for Premiere Pro customers using Apple silicon Macintoshes. Previously, customers had to launch Premiere Pro in Rosetta mode to export AAF files. We’re eager to get feedback on this change: the work we did to make AAF export work on Apple silicon also involved an update of our AAF support to a newer version of Avid’s format. Regards, Fergus

This feature is now shipping in the October release of Premiere Pro. Questions or comment about it should be posted to the main Premiere Pro forum: https://community.adobe.com/t5/premiere-pro/ct-p/ct-premiere-pro.  -------------------   (Ann Bens, this one is for you. And hopefully not just for you.)    We have added directional strokes to the Essential Graphics panel for titles, that means you can now choose between outer, inner and center strokes. Yay!  We also refreshed the UI of the Appearance section of the Essential Graphics panel a bit      The feature should hopefully just work as you expect, but here some details:  The new default is outer strokes for both text and shapes  Outer strokes grow from the edge of the shape/text outwards  Outer strokes draw the stroke behind the fill    Inner strokes grow from the edge of the shape/text inwards  Inner strokes draw the stroke over the fill  &nbsp

You can now collaborate without conflicts using Team Projects in Premiere Pro. You can share your project and hand-off your changes to co-editors, assistant editors, producers etc. without having to worry about conflicts.   Once you perform any edit operation (trim, move a clip, delete etc.) on your sequence in a Team Project, the sequence will be locked and only you can edit that sequence till you publish your changes. Your collaborators will have view-only access to your sequence and can playback/seek/scrub, copy and paste clips, and duplicate your sequence. However, they cannot edit your sequence while you are editing till you publish your changes.    The sequence above shows that you are editing a sequence and can publish once you are done editing   Your collaborators in Team Projects can see that the have view-only access till you publish your changes   You can also see who is editing a sequence in the Project Browser   Once you publish your change

The new Fade Position slider lets you adjust the position of fades when applying Auto Ducking.   Ducking is a great feature of the Essential sound panel that allows you to automatically reduce the level of music when dialog is present (or any other combination of audio types).  This is a common task when balancing audio and it can take a long time when done by hand.  Auto ducking automates this process and does this for you very quickly.  But to make the fade sound really smooth it’s common to have the music fade overlap with the dialog a bit.  Now, this can be automated too.   With the Fade Position slider, you can choose where you want the background audio fade to land in relation to the dialog – outside the dialog, inside, or in the middle.   Of course, you can manually adjust the results of individual fades after performing Auto Ducking, but this way you can get closer to what you need faster.   We want to know what you think.  Please join t

New in Premiere Pro Beta 15.2 (Build 9) is a refined workflow for controlling how label colors and clip names are displayed in the timeline. Previously you could use a checkbox in the Project settings called “Display the project item name and label color for all instances” to control if your timeline clips used their own independent name and label color or matched the source clip in the Project panel. Now, this option has been removed from the Project Settings and can be found as a view option in the wrench menu in the Timeline panel called “Show Source Clip Name and Label”. This change means you can easily toggle this view setting via a keyboard shortcut. Additionally, if you are working in a Production you now have a way to control this setting and decide if you want your clip name and label colors to be unique to the timeline, or reflect the source clips. Let us know how this feature is working for you!    

This beta feature has been removed.  We decided to take a different approach.  You will no longer see this behavior in beta builds.   We now provide an option to delete media cache files when upgrading a project created in an older version of Premiere Pro. This can fix stability and playback issues.        How it works: Launch the current version of Premiere Pro (22.5 at the time of this writing) Open a project created in the previous major version of Premiere Pro (version 15.x) You will be presented with the project upgrade dialog you are probably already familiar with The new “Clear media cache files . . .” option is checked by default Hit ok The entire media cache is cleared The old project is converted into a new project and that new project will be saved Premiere Pro will quit You need to manually relaunch the app and open the converted project   *Project files are compatible across the entire major version Project from 22.0 opens in 22.

With the latest Adobe Premiere Pro Beta build we have enabled Hardware Accelerated Encoding using INTEL GPU cards for 10 bit 4:2:0 HEVC in Rec 2020, Rec 2100 HLG and Rec 2100 PQ.   What does this mean for you? Export times for 10 bit 4:2:0 HEVC in Rec 2020, Rec 2100 HLG and Rec 2100 PQ are significantly faster on supported Intel hardware.    HEVC 4:2:0 10 bit encode is supported on Intel 9th, Intel 10th, Intel 11th and Intel 12th Generation Intel® Core™ processors. If you have any of these Intel processors on your Windows machine, you will be able to use this feature.   To enable this option, select HEVC from the Format drop-down under Export Settings. Then under the Video tab, go to Encoding Settings and set the Performance to Hardware Encoding.  This feature is enabled in Adobe Premiere Pro Beta and Adobe Media Encoder Beta.   Please try it out and share your feedback!

We are rolling out Color managed proxies for HDR clips. With this, proxies will now be created in the color space of the original media (for Rec. 709, Rec. 2100 HLG & PQ). For Log clips, Premiere will create Rec. 709 proxies without any color conversion. This way, users will get the same color correction and LUTs effect on the media as on the proxy.   Proxies can be created in Premiere Pro in 2 ways. By right clicking on media in Project Panel and choosing Proxy > Create Proxy During Ingest. File > Project Setting > Ingest settings   In the recent versions of Premiere pro when users would import HDR footage (Rec. 2100 HLG/ PQ or Log clips) and create proxies they would see color difference between the original media and proxies. This was because proxies did not respect the color space of the media and were not color managed themselves.   With the new update in Beta, this is fixed. H264 & QT Prores proxies are color managed and are created in the same c

We’ve improved the ability to determine the state of proxies in your project!    Quick Proxy Recap:     What is a proxy?  A proxy is a low-resolution version of your video file used for the editing process (i.e. trimming, rearranging, adding, etc.).     Why create proxies?  To have a lightweight version of media assets!     How do I create a proxy?  Project Panel: Right click on clip or multiple clips in the project panel à Proxy à Create Proxy  OR  Project Panel > Media Browser > Click the wrench to the right of the Ingest check box to open Ingest Settings > Find “Create Proxies” in the drop down menu.    The proxies automatically attach to source clips upon creation.  Learn more about proxies in Premiere Pro on our Helpx page on proxi

Proxy Indication: Proxy Badge in Timeline   We’ve improved the ability to determine the state of proxies in your project!   Quick proxy recap: What is a proxy? A proxy is a low-resolution version of your video file used for the editing process Why create proxy? To have a lightweight version of media assets that is fast to play back! How do I create a proxy? Project Panel: Right click on clip or multiple clips in the project panel –> Proxy –> Create Proxy OR Project Panel –> Media Browser –> Click the wrench to the right of the Ingest check box to open Ingest Settings –> Find “Create Proxies” in the drop down menu. The proxies automatically attach to source clips upon creation.   Learn more about proxies in Premiere Pro on our Helpx page on proxies.   ***NEW in Beta Now*** Proxy Badge on Clips w/ Proxy in the Timeline As of Premiere Pro Beta 22.5 build 008, upon creation of the proxy, you can now tell the state of the proxy for each clip by referring

Today we’d like to offer you early access to a much-requested feature for Motion Graphics templates and Essential Properties (formerly Master Properties) in After Effects: the ability to replace images or videos in your motion graphics. We are looking forward to your feedback!    You can create multiple variations of a template with different media, enabling a wide array of new uses for MOGRTs, from news and social graphics to animated slideshows and customizable logo templates. To get you started here a very simple MOGRT which contains a logo and a background to replace: https://www.dropbox.com/s/wib8o2d13pdd9ad/Miami%20Moon%20Intro.mogrt?dl=0   Important: Different than with other beta features, you will need to manually enable Media Replacement through the new Beta menu. The reason behind this is that enabling this feature in Premiere Pro will cause Beta projects to be incompatible with the current shipping release. This is not the case for After Effects.

Hello Beta community! I am excited to announce the addition of a slider for the Auto Color* feature in Basic Correction section of Lumetri. This allows you to dial up or dial down the intensity of Auto Color.    If you haven't had a chance to test Auto Color yet, give it a spin. We did some user testing where 80 people tried it on their own footage. We learned that the new "Auto" button shows vast improvements in both enhancing and correcting footage. Do I think this feature will supercede your full color workflow? Heck no! Do I think it will help you leapfrog over some tedium so that you can add your own style and creative flair in other parts of the Lumetri panel? Heck yes! Will the slider speed up tedium a little more? I hope so and I eagerly await your feedback.    When you click "Auto," the slider will automatically set to 50%. If you move the slider to 0%, all color settings default to the middle again, as if you hit "Reset" on the "Auto" button. Mov

    We made some changes to the header bar and received some feedback from the beta community that has now been addressed.  Follow the original thread here: https://community.adobe.com/t5/premiere-pro-beta-discussions/discuss-redesigned-header-bar/td-p/12128985   There are three main issues that we believe we have solved with this change: Show the workspace you are currently using Switch workspaces with 1 click, not 2 Retain double click to reset the workspace   Here are the options You now have two different options for showing workspace names, just the active one, or all. The default is still to not show workspace name.   Show workspace label Just shows the active workspace name Change workspaces from the dropdown menu Double click workspace label to reset to saved layout   Show workspace tabs Show all your workspaces in a compact view The active workspace is highlighted Click on a workspace to activate it Double click to reset Scroll the vie

It is my distinct pleasure to announce that Remix, a favorite feature in Audition for several years, is now available in Premiere Pro (Beta) builds.       Remix is a feature powered by Adobe Sensei that quickly and smoothly re-arranges any musical composition to a new duration, saving hours of cutting, rippling, adding fades, previewing, then undoing and starting again, trying to cut a piece of music to fit the length of a scene.  Whether your music clips come from a favorite stock audio service like Adobe Stock, your personal or commercial libraries, or even your neighbor's garage band, Remix will find the ideal cut points or loops, contracting or extending the length of your songs almost instantly.     How does Remix work?  Great question.  When you first enable a clip, Remix takes a few seconds to perform an analysis measuring several qualities of each beat in a song and comparing them to every other beat.  When you specify a new t

I’m pleased to introduce a newer, fresher version of the “Auto” button in the Basic Corrections section of the Lumetri color panel. Now called “Auto Color,” it provides a fast track for intelligent color correction.   Note: this was originally introduced as "Auto Tone" and has now been renamed to "Auto Color"   We sat down with an exclusive set of users to test the new version of Auto Color, from novices to color experts. We learned that everyone (even the experts) need a jumping off point for color. Auto Color accelerates the first phase of correcting and enhancing color, while allowing you to tweak the parameters to reflect your personal style.      If you are a new user, the Basic Corrections panel is a great place to start. Hit “Auto Color” and start adjusting the sliders to get to know:  Temperature  Tint  Exposure  Contrast

Importing media is now 3 to 5 times faster in Premiere Pro.   As of Premiere Pro Beta 22.3 Build 94, if you are importing multiple clips at the same time, Premiere Pro now imports your media asynchronously instead of queuing.    Based on timing tests across operating systems, async import makes getting media into Premiere faster than ever!    Try it out today!    We want to know what you think.        

This post has been updated. Speech to Text is only on-device in Beta for all supported languages.    Check out Speech to Text, which is now running on device instead of using a Cloud service. Not only does this allow you to work offline, but we are also able to provide some performance improvements.     Tell us about quality, performance and accuracy by using this feedback form: https://forms.office.com/r/VX8rZA0qR7   You can also post in this thread: Machine specs  How long were the transcriptions (minutes, seconds) How accurate is it? How good was performance and stability? Were there any transcripts that worked worse than others (kids, accents, multiple voices)? Would you want profanity to be flagged or omitted for any reason?

Now available in the latest Premiere Pro (Beta) build, filtering markers by color in the Markers panel applies to the entire application.   Quite often your sequence or clips may have many markers with many different colors added to it.  Marker colors usually have different meanings associated to them, such as Editorial, VXF, Sound Effects and so on.   You can now go the markers panel and select which marker colors you want to see by checking the color boxes at the top of the panel.      Each checked box will display just those colors in the markers panel, timeline, program monitor, source monitor, reference monitor and effects control panel.  If no boxes are checked, then all makers will be displayed.   Keep in mind, this does not remove the markers, it only hides what is not checked.  You can always display hidden marker colors by additionally selecting the desired color, or unchecking all boxes.   Certain marker commands will

Our team has been hard at work getting Premiere Pro and Media Encoder ready for Apple silicon and we'd like to give you an update on our progress.   All core functionality of the application has been ported, tested and is working well in our latest Beta versions. You can import footage, edit sequences, dial in your color, sweeten your audio, use effects, and create titles all at the speed of the M1 chip. Premiere Pro is working so well that we're proud to share benchmark results in a recent Pfeiffer Report. These results show just how fast Premiere Pro is on Apple M1.   Our SDKs have been published so our third party partners can update their effects, plug-ins, and panels to work with Premiere Pro on Apple M1. Check with your plug-in maker to see if they have a version ready for Apple silicon.   The following list of features are not currently available in the Beta version of Premiere Pro on Apple M1. Finalized documentation will be provided when the release version is r

We are pleased to announce that we have enabled Nvidia Hardware Accelerated Encode for 10 bit 4:2:0 HEVC!   What does this mean for you? It means that export times for your 10 bit 4:2:0 HEVC footage are significantly faster on supported NVIDIA hardware! If you have Nvidia GPU card that supports 10 bit 4:2:0 HEVC encode on your Windows machine, you will be able to use this feature. To check NVIDIA GPU capabilities, please refer to: https://developer.nvidia.com/video-encode-and-decode-gpu-support-matrix-new   To enable this option, select HEVC from the Format drop-down under Export Settings. Then under the Video tab, go to Encoding Settings and set Performance to Hardware Encoding.      This feature is enabled in both Adobe Premiere Pro Beta and Adobe Media Encoder Beta.   Please try it out and share your feedback! 

Our team is working hard on a version of Premiere Pro that will run natively on Apple’s new Apple Silicon based M1 processor. The first public Beta is available today and we invite you to test it out! Your feedback is welcome. We will be updating the Beta frequently as new builds become available.  Please see the notes below.           For more information on Adobe video and audio apps for Apple M1 systems, please see this blog post  https://blog.adobe.com/en/2020/12/21/now-in-beta-premiere-pro-premiere-rush-audition-for-apple-m1-systems.html#gs.o4izbf   The Beta processes Since Premiere Pro is built on a large codebase with support for a wide range of media and workflows, we will implement native support for Apple M1 in phases and some parts have not been ported yet.  This phased approach allows us to validate performance and functionality for specific parts of the application before we add new components. And it also allows you to start