Feature Requests

​  Right now (and it has always been) when you apply time-remapping to a clip where any parameters were animated, the keyframes become time-remapped too. Say I want a time-remapped picture to gradually scale up or move - the parameter change will speed up too where the time-remapping is applied even though the last keyframe was placed past the end of the speed change:This is way inconvenient because to make the animation even you have to set additional keyframes and move the last keyframe farther\closer to compensate for the speed change. Or use other effects like grow\shrink\move that may not do the job, or nest which totally ruins the quality because nesting resamples the image.Plus if a keyframe is set in the part where the speed was changed (at the beginning of the clip a remapped the clip speed to 50%, the keyframes are ignored at all: What I request is either make it final or add a Preferences option for keyframes to not be influenced by any speed changes made either with the tim

SummaryAdd a tool to Premiere Pro and After Effects that detects the individual elements in any still image (people, body parts, held objects, props, background) and separates them into independent layers. These layers are placed in a nested sequence (Premiere) or pre-comp (After Effects) in the same spot as the original image.The ProblemEditors often work with flat images, especially AI-generated ones, that contain several elements. To animate those elements separately (a character's arm, a floating object, the background), we have to leave Premiere or After Effects, open Photoshop or Illustrator, cut each element out manually, export the layers, and re-import everything. This breaks the workflow and wastes time.Proposed SolutionRight-click any image on the timeline and choose "Separate Elements" (or "Break Down Image"). The tool would:Detect and segment the objects and figures in the image.Cut each one out as its own transparent layer, with the background filled in behind them.Replac

Across Windows apps, and also macOS apps, shift + mousewheel is the default way to scroll horizontally. Premiere doesn’t follow this, yet it has a critical function where you need to scroll the timeline very often. I just can’t wrap my head around why it is ctrl + mousewheel to horizontally scroll; it doesn’t even make sense. Please give us the option to use shift + mousewheel to horizontally scroll the timeline. You can make it when our mouse is hovering over the timeline area, like strictly within the timeline area, not including the timeline panel outer layer, we can scroll horizontally with shift + mousewheel.  Thank you

I’d like to suggest a small but very useful improvement to the Premiere Pro timeline UI.As shown in the screenshot, the track header area on the left takes up a significant amount of horizontal space. When working with multiple video and audio tracks, this reduces the amount of space available for the actual timeline and makes it harder to see more of the sequence at once.It would be great to have an option to collapse or minimize this left-side track control panel when we’re not actively using it, similar to how some other panels in Premiere can be collapsed.Ideally, there could be a small button or shortcut that would toggle between:Expanded: showing all the current track controls (lock, visibility, track targeting, mute/solo, etc.) Collapsed: showing only a minimal strip with the track labels or even just the track numbers.This would be especially useful when working on large timelines with many tracks, where horizontal screen space is extremely valuable.It could also be implemented

I’m pulling selects from an hour-long multicam interview and using markers to guide me. The problem is that my marker notes keep disappearing whenever I briefly switch to the timeline.It would be great to have the option to keep the Markers Panel focused on the Source, similar to how the Text panel lets you switch between Active and Fixed focus.

The Sequence Index window is a great addition to Premiere, thank you for that innovation. However, the reason I found out about it was because I was looking for a way to identify all clips in my sequence that I had scaled past 100%, so that I could upres them specifically to maintain quality.However, I was sad not to see this as an option.I think it would be very useful for productions. Thanks for your consideration

Please add adobe podcast right into premiere pro. The ehance speech just ins't the same as podcast, its much slower and honestly doesn't do as good as a job. And it's just tiring having to export the audio, throw it into podcast, then put it back into premiere. It's an extra step that could and should be streamlined.  

Please add the Ukrainian language to the Transcription library. This is a very useful tool that, unfortunately, Ukrainian users cannot take advantage of. We have been waiting for a long time, and with the update, you're rolling out an "improved" mosaic. Meanwhile, this has been implemented in DaVinci for a long time...

There is no HDR setup, no HDR colour correcting and no in detail HDR Export

I want to put in a request as I just saw that the linear wipe effect has now been labeled “legacy” which i’m assuming means that it will no longer be updated and will eventually be removed. I often use this effect as a way to crop a slightly out-of-level video clip to a precise percentage in order to create completely vertical and horizontal elements in my videos. I understand that there is the native crop option, but there is no way to change the angle of each side of the crop so this does not work. I also understand that I could use an opacity mask but this method seems cumbersome. Not sure if anyone else uses the linear wipe effect this way, but it has been a huge help to me.

Add remote render monitoring to the Creative Cloud mobile app for Premiere Pro and Media Encoder: live progress, ETAs, failure/completion push notifications, and pause/cancel controls on desktop exports while away from your workstation.

In a multicam edit, the timeline labels each clip with its active angle ([MC1], [MC2], and so on), but Find in Timeline can't search for those labels. Searching "MC1" with Search set to All or Name returns nothing, even when the label is visible on dozens of clips. The angle label seems to be a display overlay, not a searchable clip property. Why this mattersAfter a multicam cut on an interview or panel, I often need to act on every instance of one angle at once:Apply a color correction, crop, or punch-in to only the B-cam cuts Swap every MC1 cut to MC2 when a client decides against an angle Check angle balance across the piece (am I sitting on the wide too long?) Find and fix every cut from a camera that had a focus, exposure, or sync issueRight now the options are to scrub the whole timeline and Cmd-click clips by eye, or search by the source clip name for a given angle. The second only goes so far, since a single angle can span many different clip names (card spans, multiple days, c

Please add the following settings1. Ability to disable zoom on the program window or change mouse scroll wheel behavior. While scrubbing on the timeline with the mouse wheel it's prone to accidentally moving the cursor over the video and unintentionally zooming causing a frustrating experience.2. Setting to disable the nodes on audio transitions in the sequence timeline. They make it more difficult to make edits in the timeline.   Mod note: The title was changed slightly

Currently the AI assistant in Beta is proving to be fairly useful to me for automating graphics via After Effects MOGRTs, but there is one big limitation - it is not able to read or set text values for source text essential properties.Letting it read and write text values would allow the assistant to automate titles, subtitles and captions by using MOGRT templates, without additional plug-ins.

For projects where assets are downloaded throughout the edit, this feature would automatically import any files within a locally stored project folder.For example if I have a folder - “Video A” - where all the rushes and assets for the video are stored, I could tell premiere to import anything added to “Video A” or any subfolders so if I download another asset mid-edit and it’s in “Video A”, it gets automatically imported.

Since the built-in speech-to-text transcription plugin in Premiere Pro is only ~65% accurate (if you count the punctuation mistakes) — which in mid-2025 (the age of reasoning super AIs is quite unprofessional for such a large company), why don't you switch to using Open AI's free Whisper API app? All the processing is done on the user's computer too.Free instructions on how to use it:https://www.youtube.com/watch?v=ABFqbY_rmEk You Could (but don't have to) also add an option to occasionally use the Cloud (like you do with the option in Photoshop to use local or Cloud-based Generative AI whenever it's needed) for more demanding audio transcription jobs.

The new masking options are great, but the stand alone mask files not so much! Especially in a professional environment where multiple editors are exporting projects and picking them up on a different machine. Right now if I export a selection as premiere project I have to manually copy the mask files to the save location. It would be amazing if the mask files were automatically collected for that sequence and copied to the save destination so you don’t have to track down mask files saved in a location that may not be obvious, or if they were saved locally on another editors machine inaccessible. Alternatively, this could be built into the project manager as a mask only collect feature.  

MELHORAR O ASSISTENTE DE (IA) COM RECURSO DE TERCEIROS COMO: GEMINI, CHAT GPT,CLOUD ETC E POSSIBILITAR APLICAR EFEITOS NAS FAIXAS MIXES DE FAIXA E MANEJAR CORREÇÃO DE COR DOS TAKES E DA SEGUENCIA 

When editing via a sequence opened in the Source Monitor and/or as a Source Sequence, it would be a great addition to have the option to enable the Multi-Camera view. Right now, it is greyed out (see picture below) and the only way to view more than one angle from my derushed sequence is to open the sequence in the program monitor or match framing to the original multicam clip. My workarounds a this moment :Editing with the copy/paste function from a derushed sequence opened in the program monitor, but this way, you can't have both the source and program monitor opened AND edit with the insert and overwrite function, the later being my preferred way to edit for track patching reasons.Setting a picture-in-picture effect to view multiple angles when which is not great for clarity of image and it gets time consuming on the long run to removed the effect - if edited. Editing from a source sequence is a huge time saver when assembling and/or revisiting a curated selection but

いろいろなパラメータを矢印キーで変更したいですintel macのpremiere2026では変更しても、いつの間にか変更前の値に戻ってしまいます（Apple siliconでは元に戻りません）なんとかintel macのpremiereがサポートしている間に機能を追加して欲しいですよろしくお願いします

Implement tracking sky masks that span across entire clips. ideally the mask would track even as sky disappears and reappears in the clip. If the adjustments don’t work well for the creator across the entire clip, the creator can cut up the clip into smaller pieces to customize the adjustments across smaller clips.

Can we please get a default option on sorting media? Currently the default sort is by framerate in my project window and there is not way to change that. I'm so tired of having to change it manually for every single project. It seems like something that would be really simple to implement. And the default sort set in bin view is user order. Both of these default sorting options dont help my workflow and are just annoying to change all the time. 

Have an option to hide recent files in Adobe Premiere at start up. Clearing recent files is a convoluted process right now.

remove dead spacesPlease remove the large empty spaces in the Properties panel, especially when working with text layers.For example, when I select a text layer and want to change alignment, position, or other basic properties, there is often so much unused space between sections that I have to constantly scroll up and down to access controls that could easily fit on the same screen.It would be much faster and more efficient if the most commonly used properties were organised compactly and kept accessible on one page, particularly for text layers.I really wish Adobe would put more focus on saving users time and making the software faster and more efficient to use, rather than continuing to add more and more AI features.AI can be useful, but there are many small UI and workflow improvements like this that would make a significant difference to people who use Adobe applications every day.Less scrolling. Less wasted space. Faster workflows.Love you all

In my workflow, I have to do alot of image/video cropping, and I find it frustrating that every time I do it, I have to go either into the properties or effects control panel and nudge numbers, instead of just dragging the left/right/top/bottom pins of the frame (like how you would resize a image/video). If, let’s say, I click on the “Motion” tab in “Effects Controls”, and I press a hotkey (ie. Alt or Option) and click and drag one of the left/right/top/bottom pins, that would crop the image/video.