Feature Requests

Sono un utente professionista di Adobe Audition da oltre 25 anni specializzato nel sound design e nell'editing audio multipista per il settore del fitness musicale ad alto livello (Indoor Cycling / Aerobica ecc). Per il mio flusso di lavoro chirurgico sulla forma d'onda, utilizzo ancora oggi con enorme soddisfazione la storica versione Audition 3.01, che ritengo imbattibile sotto molti aspetti musicali. Con questa nota desidero sottoporre alla vostra attenzione una forte richiesta di feedback a nome di una vasta fetta di professionisti dell'audio: il reinserimento del motore di estrazione e analisi dei BPM e della griglia temporale basata sui quarti musicali, strumenti che erano nativi e perfetti nella versione 3.01 e che sono stati successivamente rimossi nelle suite Creative Cloud. Oggi, nel 2026, il mercato multimediale è dominato dai contenuti short-form (Reel di Facebook e Instagram, TikTok, Shorts di YouTube). Chi lavora nel montaggio audio e video ha la necessità assoluta di sin

Please make it more intuitive to rename speakers after transcription without having to manually pull up the source file and open the text option in the source file. When attempting to rename speakers in the timeline mode, automatically bring me to the source file and into the rename option… save me some steps and make this more intuitve please. 

In Premiere 26.3.0 (build 93), blue alerts currently slide in at the bottom-right of the UI to confirm actions like exports and imports. For example:Exporting a still frame shows a blue alert with the full path to the exported file, such as: “Exported frame /Volumes/WK_SSD_4TB_A/GFX/STILLS/…Still003.jpg.” Using the Watchtower panel to import files from a monitored Finder folder into a specific bin shows a blue alert like: “[PROJECT].prproj: 1 file imported in 03C_PHOTOS, STILLS.”  However, clicking these alerts only opens the Events panel. The Events panel shows a log of recent events, but in the moment when the alert appears, what I actually need is quick navigation to the asset or bin referenced in the notification. The alert already contains the exact filename, path, project, and bin information—yet none of that is actionable with a click. This creates friction in everyday workflows:When I export a still, the very next step is usually to reveal that image in Finder/Explorer or bring

when I hover over the program panel to scroll through the timeline with my scroll wheel on my mouse the update apparently makes it zoom into the video instead of scrubbing through the timeline. This is extremely frustrating. Zooming into the frame is never a feature I wanted so it's completely useless. I need to be able to scrub the timeline with the cursor over the video in the program monitor for more than one reason. One, to fine tune my cuts which is the majority of what I do when I'm editing all day. So, I need this to not be a problem I have to constantly deal with all day every day. The way it suddenly is now there's a fine, unseen line between where I can scrub the timeline and where it zooms into the video and half the time I cross that line and zoom into the video. I then have to select "fit" until it happens again and knocks it out of "fit" into some percentage. Another time when I need the program panel to scrub with the cursor over the video is if I'm moving an object to c

When I hover over a clip in the timeline a popup appears showing the clip duration etc, which is useful.When I hover over an empty gap in the timeline, even if I’ve selected that empty gap, a hover > popup does not appear. It’d be useful if one would appear telling me the duration of that gap, so I know how much footage I need to fill it.

I had following problem when transcribing sources: There is no way to change the options for it (for me in that example the number of speakers). An such, there will be only one speaker using that way of transcribing the source clips.Only one button that has no way to open the settings (sorry for the German UI): Unfortunately there is no way to select that clips and trigger a transcription in the context menu from the timeline window as there only one transcription command is available “ignore transcript”: In the project window/panel however, there is a command “transcribe again” and that one will show the transcription settings window where I can set “multiple speakers”: Problem with that is, I have to search the clips in the list of files. Often I don’t want every clip to be transcribed for a reason as transcribing b-roll clips will just add clutter to the transcription panel. Easy fix(es): Add the “transcribe again” option to the context menu in the timeline window or/and a way to ha

It’s 2026, AI, robo-dogs, bases on the Moon, but Premiere still has no means of automatic horizon leveling in the footage. Isn’t it time already?I understand that to add such a feature Adobe have to think through the mechanism of analyzing a video since it demands one, so an automatic horizon leveling could be easily incorporated into the Warp stabilizer since you analyze your footage anyways when you need to fix something there. No need to add it into the Search or any other AI features as separate ones, just an old good Warp stab. 

There is this tiny option the Effect controls panel in (any) Premiere called  Anti-flicker FilterIn all my 15 years of video editing in Premiere this feature did nothing. Ever. It does not remove flicker or even change anything when you bump it up. In no case. Not a single one.The official info page dedicated to this feature says:Thin lines and sharp edges in images sometimes flicker when shown on interlaced displays, such as Anti-flicker Filter control in Effect Controls > Motion can reduce or eliminate this flicker. So it is rather a redundant feature that is of no use in 2026 because it has never produced any results that can be seen on old or new monitors or TV sets.It does not help here: or here:(these are no-fields by the way)I haven’t found any case where the result of what it does can be seen. Unfortunately I don’t know where you can get an “interlaced display” nowadays so my verdict is straight forward - this feature is outdated and it just takes some real estate in the Eff

Currently, when using the Caption translate option the text is translated and redistributed over the video but it creates mismatched and oddly timed captions. Sometimes the translated version merges lines from different speakers which is useless. There should be a checkbox like “keep original timing” so the text is translated line by line, maintaining the original captions’ TC.In the screenshot below you can see the original caption in the bottom track and the translated version above it. As you can see the cuts are totally different. Above in the monitor you can see the original text (red) and the translated version. They do not match. 

It's great that the "remove punctuation" option was added for subtitles. Thanks for that, Adobe.To round out this update, would it also be possible to add an option to remove capital letters?Thanks.

I apply Warp Stabilizer to most of my clips, but I cannot batch-apply it because Premiere tries to analyze all clips simultaneously. This overloads and freezes my computer.Please change Warp Stabilizer to process queued clips one at a time. This would allow us to batch-apply the effect safely without having to manually wait for each individual clip to finish before moving to the next.

it will be very useful if you can let us rotate the video material in project pannel from horizontal to vertical as ther is a lot of rcorded video is been catched in vertical model using l shape gimble and its been shown in premiere in horizontal and we cant rotatet it to see it the project pannel  

It would be super nice to have a search function inside of the project manager, or an option for it to display folders in the projects-tab. looking for a sequence inside of a list of every sequence you ever made in the project is a little tedious.  or maybe also let me select multiple timelines in the projects-tab and put them all into proj manager with the “project manager” shortcut, so they are all ticked as selected right away and I dont have to look for individual seq’s in a huge list. xo

Allow users the ability to see the filler words by checking a box or allowing it as a preference. Right now, we see [filler] or [...], and I’d like the option to see what the person actually said, or at least a guess by AI. Also, you cannot export a transcript with the filler words, even with the indicators for filler words. 

I'd like to request Indonesian language support for Premiere Pro's Text-Based Editing / auto-transcription feature.Currently, auto-transcription doesn't support Indonesian, which means Indonesian-language creators can't use the transcript panel to text-edit their footage (e.g., deleting a line in the transcript to cut the corresponding clip from the timeline).If native Indonesian transcription isn't feasible in the near term, an alternative would be very helpful: allow users to import an existing .srt subtitle file and have it populate the Transcript panel, just as auto-generated transcripts do. This would let us:Bring in Indonesian subtitles created elsewhere Use the transcript/text panel to edit — deleting a caption line removes the matching clip from the sequence Get the same editing speed benefits English-language users already haveThis would be a big workflow improvement for Indonesian and other underserved-language creators using Premiere. Thanks for considering it!

Video uusage and audio usage in bin metadata display need to be tracked through different projects in a production. On many occasions it would be important to know exactly in which sequences and projects a certain file has been used in a production. Now it seems that video and audio usage is tracked only within one project but this doesn't work if I have individual projects for music, audio or graphics and edit final sequences in different project inside the production.This would be super helpful when making music or archival reports ina bigger project. 

Feature request: The ability to create embedded AAF files larger than 2GB.In version 25, Adobe broke Premiere’s ability to create AAF files with embedded audio, larger than 2GB. Version 24 does not have this handicap. Professional editors who work on large projects and export AAF files for Audio Post in ProTools now have to export their projects in multiple parts, so that the AAF file for each part does not exceed 2GB.   For editors who need to export AAF’s every week, the fact that this introduced bug has not been fixed for a full version (up to v26.3 now) and still requires a workaround, is a constant reminder that perhaps Premiere is no longer for Professionals.   The Breaking out to mono and Rendering components of the AAF exporter still work fine.The problem is with the file writer that collects the individual files and embeds them into a single file - Premiere ASL error number: -2147286767.

the rounding of clips on the timeline has divided the userbase a lot from what i've seen, why not just make it customizable so everyone is happy

Premiere Proのエッセンシャルグラフィックスにおけるシャドウのグラデーション挙動について、ご報告と要望があります。Premiere 2024から2025頃にかけて、シャドウのグラデーションが「文字ごと」ではなく「テキスト全体」を基準に計算されるようになりました。Premiere 2025では、「塗り」をグラデーションに設定すると、シャドウのグラデーションが再び「文字ごと」に適用される挙動となり、この方法で従来のデザインを維持することができました。ところがPremiere 2026では、この挙動が変更され、塗りの設定に関係なく、シャドウのグラデーションが常に「テキスト全体」で計算されるようになっています。その結果、Premiere 2025までの挙動を前提に制作したテロップテンプレートやモーショングラフィックステンプレートで、デザインが変わってしまう問題が発生しています。もし意図しない挙動であれば、修正をご検討いただけますと幸いです。一方、仕様変更である場合は、既存テンプレートとの互換性を保ち、用途に応じて使い分けられるよう、・文字ごと・テキスト全体を切り替えられるオプションを追加していただけると大変助かります。ご検討のほど、よろしくお願いいたします。 I would like to report an issue and make a feature request regarding the shadow gradient behavior in Essential Graphics for Premiere Pro.Around Premiere 2024–2025, the shadow gradient behavior changed from being calculated per character to being calculated across the entire text.In Premiere 2025, setting the Fill to "Gradient" caused the shadow gradient to be applied per character again, allowing existing text designs to be preserved.However, in Premiere 20

Please add a Motion Control model to the video generation tool, similar to Kling's motion control

I upgraded to premiere 26.0 which removed the feature where you could create a circular or rectangular mask within the gaussian blur effect. Now you have to manually add a mask to the effect which is so time consuming and not suitable for the kind of work I do with premiere. Please bring back that feature!

Please add the option to Reload Footage from the project panel.Example:You have an image sequence in your timeline. You edit the sequence in AE (for example) and re-export, having now a sequence that is 1 second longer. This doesn't update in Premiere, which see there have been changes to the sequence but it doesn't realize it's now longer.You now have to select your sequence in the project panel, click Replace Footage, navigate back to where the sequence is (very annoying) and select it again. Just add an option (like in AE) to reload the footage instead.

I'm a bit baffled that the default time interpolation is set to "frame sampling" - which I think sounds much fancier than it is!It's actually whole/hold frames- meaning that by default when an editor puts a clip in the timeline in slow motion, (say 50%), each frame is held for 2 frames, and the result is choppy playback....dating myself here by referring to this as 'reservoir dogs' style - aka stuttery CHEAP!I work with some editors that often forget to check in on all speed ramps and timing work they have done, and then we end up with choppy videos. I would love to see a global preference in pref/media where a user could specify an alternate default for time modified clips. Also, I recently learned (pls PLS correct me if I'm wrong here!) that when 'conforming' a timeline that has clips with multiple frame rates within it, it's the time interpolation that essentially conforms the clips for render output.  I was recently working on a documentary project with many mixed so

When subtitling long conversations, I have a style preference of removing full stops/periods at the ends of sentences, especially if the subtitle is just a single sentence. It makes the subtitles cleaner and the conversation seem less stilted. I'd love to see an option in the Create Captions dialogue box to automatically remove these trailing punctuation marks at the end of subtitles.

From the Transcript tab in the Text panel, click the hamburger menu and choose Create Captions.In the Create Captions dialog, click the blue arrow to expand "Captioning Preferences"Slide the "Minimum length in characters" and "Minimum duration in seconds" sliders all the way to the leftUnder "Lines," choose "Single" Expected: The intent is to have a single-word caption for each word spoken.  No captions should be on multiple lines. No captions should contain more than one word.Actual:Captions frequently (and randomly?) occupy multiple lines, despite me explicitly telling PPro i want single lines. Captions frequently (and randomly?) contain more than one word, despite me dragging those sliders all the way to the left.i read this response to someone else having this problem:https://community.adobe.com/t5/premiere-pro-discussions/captions/m-p/13311192... but the size of the text box is not the issue. Premiere Pro will frequently put two words in a single caption, and w