Feature Requests

Would be great to allow users to access the "Move playhead to cursor" shortcut in order to move the playhead within the effects controls panels. Currently, you have to click and drag this small sliver of the timeline to move the playhead, rather than just using the "Move playhead to cursor" shortcut to freely move the playhead around within this window. 

There’s an issue with ‘project managed’ media - because the first clip of trimmed clips is named the same as the original (subsequent have _001, _002 etc appended)That clip is linked back to the original source, but without aligning timecode, when sections are copied from a transcoded/media managed project to a project with the original source file.All the other instances, that have 3 digits appended, retain the correct link. https://drive.google.com/file/d/1iv8Ihmr3vZRX9EKb77nhmsCoh4JlDp-O/view?usp=sharing hopefully shows the issue. 

I work mostly in documentary editing (but this apply to any format), where media organization often relies on thematic sequences and/or selects sequences (by subject, character, scene, etc.). This is a well-rounded and common system. Then, once the edit is more advanced and/or notes are coming in, I frequently need to revisit source "selects" sequences. This is where I encounter frustration : reopening these sequences is more cumbersome than it has to be. For instance - a shot needs to be replaced and I want to look at my selects around the same scene. I have two options :Less thinking, maybe quicker, but creates a messMatch Frame → Reveal in Project → Full screen the project window → Check video usage → Open my "Select sequence" → Reverse Match Frame.Downside: This opens bins and often long list of media in the Project panel, disrupting my workspace organization. More thinking, flow breaker, but way cleanerMatch Frame → Manually track down the "selects" sequence in the

A long time ago I posted about tweaks to the Export panel.  I have another idea.Problem 1.  The export Range defaults to “Work Area.” By default Work Area view is disabled. This should default to something else, like “Entire Sequence.”Problem 2: If I’m slicing up a timeline to export sections, I’ve been using “Sequence In/Out” as the range selection, but I always forget to check that and change it since it always defaults to Work Area. How about this: If you detect a sequence in/out mark on the timeline, have the export range default to Sequence In/Out.  Likewise if Work area is active, and a work area range is set other than the whole timeline, have it set export range to “Work Area” by default.Happy coding!

I'm a shortcuts person, and I like customizability. Please make the new Header Bar feature of Version 22.3 optional. I have no use for any of the buttons or information on the header, all of which are redundant and can be accessed either through the toolbar or via keyboard shortcuts. I appreciate that the Header may be convenient for new Premiere users, but for power users it is wasted screen real estate.

PPro had a bad trimming mode. In the example i compare Avid Media Composer and Adobe Premiere Pro trimming.1) Screen while trimming.In PPro we can see only in program monitor and when you use laptop, screen is too small to see, what's happening in 2 sides(A-side and B-side). In Avid MC Source monitor is only A-side, Program monitor B-side and it is very usefull when you use laptop(in timeline setting you can choose use source monitor as a trim side or only in program monitor trim A-side and B-side) 02) LiveTime Trimming (Avid and Premiere Pro Examples: https://youtu.be/XedhKrVLAVk) .In PPro when you trimming in trim mode(when you use keyboard shortcut) trim red/yellow/roll "thing" it is stuck and a it is annoing when you trimming, because you did not see movement.In Avid(in DaVinci also)  you can see how a "thing" move when you edit, and it is much more convenient. 03) LiveTime Track Selection (Avid and Premiere Pro Examples: https://youtu.be/ZNeVSCv8Jwg&n

I have two small Premiere Pro workflow suggestions that I think could eliminate a surprising amount of unnecessary clicking.1. Use the Right-Click Position as the Paste DestinationCurrently, Premiere relies on track targeting to determine where copied material will paste, and editors may also use track locks to protect tracks they don't want affected.I think there is a much more streamlined approach.When a user copies a clip, they should simply be able to:Right-click the destination track → PastePremiere could record the exact mouse position of that right-click and use it to determine the destination automatically. The vertical mouse position determines the destination track. The horizontal mouse position determines the approximate timeline position. If the right-click occurs in a gap after another clip, Premiere could snap the pasted clip's left edge directly against the right edge of the clip immediately before it. This would remove the need to manage multiple track targets or lo

With the update today adding gen A.I. right in the toolbar, I found myself looking for ways to hide this unwanted addition and discovered its impossible to remove a tool from the toolbar. A simple change allowing people to choose what tools they see, or overall more options to make these A.I. changes optional instead of them appearing everywhere and sometimes being used by complete accident would be a welcome change. I’m honestly considering looking elsewhere for my work and I know other editors feel the same.

Feature for basic Text Animation adjustable directly in the Text Properties, without the complicated Key Frame setup for more advanced animations. The Text Properties would include a basic Slide in and Fade in animation, that stays relative to the IN an OUT points of the text clip, when adjusting the clip on the timeline. This would also enable to later resize the Text, without affecting the animation setup or the centred position of the text. Thanks!

I’d really love to know when Premiere’s AI will be able to edit, create, and modify texts inside Essential Graphics. This feature is super important because it would save me hours of work! And if the team is already working on it, could you please share an estimate of when it might arrive in Premiere’s beta?

I use Premiere Pro and every single time you know I go to export a video it always warns me that offline media is present I stay inside the same premier file for a long time i'm creating a TV show in Premiere Pro. And this is a hindrance I always know the state of my scene II don't need constant reminders every time I go to the export tab to export something I'm fully aware of with everything in my scene is doing and those warnings are pretty annoying. Can you add a setting to disable those I think a lot of customers probably hate having to click one or 2 times to get past those warnings every time….. i'm sure they're good for some of users but they're definitely not good for all users. Otherwise thanks for an awesome product... Everything is top notch and I'm really impressed with what the software has become with your new object masking capability

Seriously, we can't import .flac audio files into Premiere still?  Am I missing something?Has anyone tried http://valion.net/flacimporter64/ ?  Any good?Not sure why Adobe wouldn't support this FREE, open-source format.  I'm thinking about converting my 8,000 licensed songs, jingles and sound effects from .wav to .flac so I can:have the ability to tag them (8000 clips is a lot to search through one by one)chop file sizes in half.I guess I've asked 2 different questions in the same post, so why not go for 3 as long as I'm breaking etiquette.  Do you see any problems converting a audio library from .wav to lossless .flac?  Anyone ever had any problems with this?

I have like 25 sequences in many of my projects. They are all needed for the future come backs so when I archive then, I need to manually click each one which is an antique approach and wastes a lot of time.What I request is adding 2 features to the project manager:An “Add all” checkbox which will put checkmarks on every sequence. Unchecking the unnecessary ones is usually faster than checking the necessary. Selecting the sequences with Shift and click only one of the selected ones to select several sequences

I really like what you all have done outside of the box and testing on day one. My two suggestions come from the options I have and use with otter.ai which is our current way to auto generate captions that I then clean up. 1. I didn’t see an option how to add speakers to the closed captioning from the transcript. I can do it on the transcript side but then making that into cc names were not included. 2. Give the option of the closed captioning to be 2 lines instead of one easily. I know I can go in there and combine and do return to make them two lines but with otter I can tell it make them to lines and it does without any additional work or time involved. This looks very promising thus far but the two above are what I need at my job to do the entire captioning process in Premiere. Thank you for listening.

PP 24 Build 58   Adobe Immersive Environment is no longer present    It has dissapeared from Preferences/Playback menu and from the menu under the wrench icon. I have reinstalled PP 24    

While VR Rotate Sphere is extremely useful, another type of mapping would be able to create even more interesting 360 videos. I refer to 360 videos from devices such as the Insta360 X series. I am seeing more and more of these out there.That would be something like “VR Move Camera inside Sphere” effect (needs a better name!) where it would be like a rotate sphere in that there is a camera “looking” at the inside of a sphere mapped with the 360 equirectangular image/frame. But the enhancement would be to allow XYZ positioning and animation to the camera in addition to rotation. This would allow a “zoom” into objects that might be too far away to see well. I understand the resolution limits, but a modest 1.5 zoom would make for very interesting videos.I also would have a IPD setting as well to compensate for the move.Currently there is no way to do this in Pro. FOV or Motion effect changes breaks the 360 video seams. The only way to do it currently is to use animation software like Blend

I upgraded to premiere 26.0 which removed the feature where you could create a circular or rectangular mask within the gaussian blur effect. Now you have to manually add a mask to the effect which is so time consuming and not suitable for the kind of work I do with premiere. Please bring back that feature!

I’d like a nicer way to add audio meters or spectrum as a visual animated graphic within the video. Instead of the quite manual and clunky way to do it in After Effects using the audio spectrum and having to generate keyframes.The effect could use either a specific audio track or audio mix to generate this visual effect.As soon as one make a slight change to audio mixing or timing then the generated visual After Effects graphic will be outdated. Would be nice to avoid this :-) Might be plugins or similar that can do similar but not something available today built-in which I’d really appreciate if it could be added.Of course the same effect could/should be added to After Effects :-)

Dear Adobe, I was wondering. You have all these exotic languages supported in your automatic transcription tool, which is awesome. How about you show some love to my fellow Hungarians, by implementing this language too?It would help me and many others who still have to type in captions manually.  

I am aware its in beta.. but it would be great to enable the AI assist to create individual folders+projects in a given production 

In Premiere, when I export a file, a little blue post-it note sort of window pops up informing me that the export was successful, and displaying the file path where the exported file lives. This is nice, but what I'd really like is to be able to click on that file path (or something like it) and have Explorer or Finder open the folder containing the export. Instead, if the folder isn't already open, I have to manually find my way back to it through Explorer or Finder, which costs time.  This functionality is available in Media Encoder, and it's really handy. I don't always use Media Encoder to encode things, but I'd love to have the same ease of access in Premiere.  

मैं एक वेडिंग वीडियोग्राफर हूं और रोज़ाना Premiere Pro पर काम करता हूं। मुझे एक समस्या का सामना करना पड़ा जो शायद कई एडिटर्स के साथ होती होगी:अगर किसी क्लिप का ऑडियो टाइमलाइन से गलती से डिलीट हो जाए, तो उसे वापस लाना बहुत आसान नहीं है। Undo (Ctrl+Z) सिर्फ तभी काम करता है जब गलती अभी-अभी हुई हो। अगर बीच में कई और स्टेप्स हो चुके हों, तो Undo करने से बाकी सारा काम भी वापस चला जाता है, जो प्रैक्टिकल नहीं है।अभी इसके लिए जो तरीके हैं (जैसे History panel, ओरिजिनल क्लिप को दोबारा Project panel से लाकर मैन्युअली sync करना, या Auto-Save बैकअप से रिकवर करना) काफी लंबे और उलझे हुए हैं, खासकर डेडलाइन के दौरान जब समय की कमी होती है।मेरा सुझाव है कि Premiere Pro में एक सिंपल "Restore Audio" या "Re-link Audio from Source" जैसा फीचर होना चाहिए, ताकि linked क्लिप का डिलीट हुआ ऑडियो एक क्लिक में वापस source से जोड़ा जा सके, बिना पूरा Undo history खोए।उम्मीद है टीम इस पर विचार करेगी। धन्यवाद।

Please add the option to Reload Footage from the project panel.Example:You have an image sequence in your timeline. You edit the sequence in AE (for example) and re-export, having now a sequence that is 1 second longer. This doesn't update in Premiere, which see there have been changes to the sequence but it doesn't realize it's now longer.You now have to select your sequence in the project panel, click Replace Footage, navigate back to where the sequence is (very annoying) and select it again. Just add an option (like in AE) to reload the footage instead.

After Effects has this option, and for good reason! Auto bezier leads to all sorts of unintentional movement. This is especially newb-unfriendly.This is Unique ID 148 on my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629