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Enable MR Learning ExperiencesOpen for Voting

Aero Team,I am an instructional designer experienced in developing XR learning experiences for large enterprises and am currently featuring Aero as part of my master's thesis in (Master of Science in Instructional Design Technology).  I want to humbly suggest a feature that will unlock mixed reality instruction sets for enterprise frontline workers. Currently, we mostly use Microsoft HoloLens 2 which, as most of us know, is getting phased out. Enterprises are now scrambling for replacement devices to deliver on-the-job instruction and training via MR for their employees.  Aero currently allows creators to anchor to images, which is great. I tested it, and was able to get an experience to anchor to an image of a QR code. "Great!" - I thought - "Now I can build an experience around a clients' CAD model of their motorcycle (for example), place the anchor on a defined surface in the authoring application, and enable students to easily anchor to the physical motorcycle precisely by using the image scan." This worked initially, however, as soon as my device camera looks away from the image I anchored to, the whole experience disappears! I think this may be for some art studio stuff, but Aero has proven functional for XR learning experiences that enterprises are willing to pay good money for. If you simply make this a toggle (On means the scene objects remain on, even if the camera does not detect the anchor image, Off means the scene objects disappear [current design]) this tech will truly have the potential to enhance training and on-the-job support for frontline workers and generate revenue for your customers, which benefits Adobe by extension. Please feel free to reach out with any questions,Daniel

P: Improved performance for Canon raw video formatsIn Development

[Moderator: I tweak the title to make it easier for people to find this thread.]   Dear Adobe Team,   I hope this message finds you well. I wanted to take the opportunity to share some feedback on my experience using the Canon EOS R5C with Premiere Pro. While I have been utilizing raw files more frequently, I have noticed that the software is struggling with processing these files during playback. Even without any effects or color adjustments applied, Premiere Pro seems to lag significantly, but particularly with small effects like lumetry color.   Upon playback, my CPU usage spikes to 100% on all cores, while the GPU remains relatively calm at around 50%. This makes it nearly impossible to smoothly playback footage at full resolution. When I reduce the playback resolution to 1/16, it does play through, but this compromises the quality and is not an ideal workflow.   Using proxy files is an option, but it becomes limiting when I need to make more intricate adjustments such as color grading or noise reduction.   With these concerns in mind, I would like to inquire if it is possible for Adobe to improve the processing of Canon RAW Light files in Premiere Pro, so as to alleviate the heavy strain on system resources. To provide some context, I am working on a powerful M1 Max 64GB machine which handles 4k HEVC flawlessly. However, the Canon RAW files seem to overwhelm the system.   I genuinely appreciate any insights or guidance that you could offer on this matter. It is my hope that Adobe can continue to enhance the render engine to address these challenges.   Thank you for your time and consideration.   Best regards, Chris