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I want to include PDF files in an online album. It appears that the only files allowed in a lightroom album are photos and videos. My rationale: Say I'm presenting my child's time in college. There are photos of course, and some short videos, but I also want to include a nice 5-page letter that a professor wrote acknowledging my child's contribution to a project. It would be really nice if someone viewing this album could scroll through that letter in an embedded PDF reader and also be able to download the PDF and read it locally if desired. An alternative I tried is Adobe Express -- it seems to have ways to convert a PDF to a group of images, but that's not really what I want. You would think Adobe (the inventor of PDFs!) would have support for this kind of thing. Is there a way to do this? If not, how can I request such a feature?
I use always premiere but I need the Arabic transcription Language to be added I Use other softwares for Arabic transcription and you know them, and I want to only use premiere pro for everything so please add the Arabic transcription ASAP.
I use a custom panel end mark with a graphical legend for my stars and colors. It's handy to have as a reminder when in the library module. Here's an example: It would be helpful to have a different graphic end panel for the development panel group with my workflow reminders like optimal order of steps, finishing notes, etc. Essentially like a develop sticky note. But there isn't currently a way to do this.So, my suggestion is to allow different end panel marks for the left and right panel groups.
Allow me to select multiple photos and apply stars & ratings to the selected photos. Frequently I like to mark all photos as 3-stars, then filter on >= 3 stars. I then start setting photos I don't like to 2 stars to remove them from the visible set. As it is I can't mark all photos as 3 stars in one batch, I instead have to use the desktop to do it.
The Export As dialog in Photoshop currently supports PNG, JPG, and GIF as file format options. Please add WebP to this. At present to save a file as WebP requires either direct Save or using Save As meaning there is no option to take advantage of the Export As options - for example to resize images, add metedata, etc.
The idea is really simple. So simple that GIMP has had it for years. A quick command/action to remove any holes from a selection, i.e. if you have made a selection, then everything that is completely surrounded by that selection is now added to said selection. Say you use the magic wand to select a building, but it didn't select all the windows, because their colour is too different. One keypress and they're added to the selection. I am baffled by the fact that this doesn't exist yet.See GIMP example here: https://docs.gimp.org/2.10/en/gimp-selection-remove-holes.html#:~:text=You%20can%20access%20this%20command,through%20Select%20%E2%86%92%20Remove%20Holes
Following up on this post https://community.adobe.com/t5/premiere-pro-discussions/exports-ale-batch-list-is-it-possible-to-control-which-metadata-entries-are-included-in-the-export/m-p/9295238#M96730 That followed up on a previous post.... (Plus there were adobe user voice posts about this ..) It would be *really* useful in confirm/online/finishing workflows to have an edit index (like Resolve) Absent that - Please give us the choice over metadata that can be reported in an ALE. Exporting an ALE is a VERY useful way of getting a list of all clips used in a sequence. It would be more useful if there were a way to control the metadata therein. In Avid this is driven by the columns chosen in the bin display (although that can be a little annoying) better would be templates, similar to the metadata view presets. In the meantime I'm going to try out https://www.intelligentassistance.com/sequence-clip-reporter/
I set it to be the first tab and suddenly it's the last one. I have 'Import Workspace from Project' turned off, so that isn't the issue.The worst part is that the order can't be determined by switching to your desired workspace, it just doesn't record the order of the project tab, -THE MOST IMPORTANT ONE- I'm sick and tired of manually dragging it back to the first place.
Currently, when working with multiple layers, you can only bring one layer into the Camera Raw Filter. It would be very helpful if you could bring 2 layers into the Camera Raw Filter. Example: When editing a group photo, (layer 1), ultimatley you may need to swap heads of a person from a different photo (layer 2) or even add a person that was not present when the photo was taken. Often the colors, tones, brightness, sharpness, noise, etc, etc, need to be edited to match the rest of the main photo (layer 1). The Camera Raw Filter allows the most options to change all those issues. But since you can only work with a single layer at a time in Camera Raw Filter, you have to make the edit to layer 2, then see if it matches the background photo (layer 1) By bringing both layers 1 & 2 into the Camera Raw Filter, and being able to edit layer 2 and see your edits in real time giving you a much better shot at getting both layers to match, and would take the guess work out of the edit.
Hey Adobe. How are you? Doing ok? I know we haven't talked in a long time, but do you got a second to talk?I was just wondering if maybe you could add some more persistent pop-ups for features I already know how to use, tutorials I don't want to watch or... and this would be really hot, pop-up ads for software I already pay for.You can? Oh honey you are the best.bye baby XXXOOO all my love,Victor
Each time I have a question in Adobe Community, I type my question into the search field. If I don't see a relevant topic, when I click "Post to Community", the question I typed into the search field disappears. Example: If my question is "making proxies for 2 channel mono clips", if I type that in the search field and don't see a relevant topic, I'll click "Post to Community". It'd be wonderful if my search query automatically became the Subject for my new post ("making proxies for 2 channel mono clips"). Currently, I always have to remember to select my search query and copy it before I click on any topics or "Post to Community".
Just a thought. I'm sitting here with Premiere pro, Animate, Character Animator, Media Encoder, and After Effects open. Literally every icon is purple. I get that they are all video apps, but I kinda miss the unique color palettes for these programs.is it just me?ok.
Simple Text Overlay function in LightRoom Classic (and LR too) will be a very welcome additionWe do a lot of social media posts now that requires some non-complex desighFunctions like Text Overlay and Image Overlay (including transparent PNGs) for adding some logo, stickers, emojis and texts within LrC in Edit module without touching Book module will be really helpful and will speed-up common contemporaty workflows.
Aero Team,I am an instructional designer experienced in developing XR learning experiences for large enterprises and am currently featuring Aero as part of my master's thesis in (Master of Science in Instructional Design Technology). I want to humbly suggest a feature that will unlock mixed reality instruction sets for enterprise frontline workers. Currently, we mostly use Microsoft HoloLens 2 which, as most of us know, is getting phased out. Enterprises are now scrambling for replacement devices to deliver on-the-job instruction and training via MR for their employees. Aero currently allows creators to anchor to images, which is great. I tested it, and was able to get an experience to anchor to an image of a QR code. "Great!" - I thought - "Now I can build an experience around a clients' CAD model of their motorcycle (for example), place the anchor on a defined surface in the authoring application, and enable students to easily anchor to the physical motorcycle precisely by using the image scan." This worked initially, however, as soon as my device camera looks away from the image I anchored to, the whole experience disappears! I think this may be for some art studio stuff, but Aero has proven functional for XR learning experiences that enterprises are willing to pay good money for. If you simply make this a toggle (On means the scene objects remain on, even if the camera does not detect the anchor image, Off means the scene objects disappear [current design]) this tech will truly have the potential to enhance training and on-the-job support for frontline workers and generate revenue for your customers, which benefits Adobe by extension. Please feel free to reach out with any questions,Daniel
I'm working more in AE this year and noticing substantial use of CPU and RAM resources when not using AE, coming to realize it is the "cache frames when idle" feature. That's great, but it is stealing power from other applications so I propose we get a way to globally disable that feature and only cache the comps we want to cache, or at least an easier way to disable per comp. If you have many comps it's not ideal but an visual icon that represents this feature is on would be great, either in the Project panel (like the icon that indicates a proxy) or in the Composition view panel
swiping gestures not needed for zoom in and out all the time.this feature creates more problems than help. could you at least make it optional? with apple wireless mouse or trackpod its so easy to swipe lightly with one finger and it's happening over and over again like a hundred times everyday of edditing. why would I need to zoom in and zoom out rapidly? changing between tabs with swipe, why?
HiCould a new option be added to the Warp tools? A 'Mirror/Reflection Warp', which works with a centralized plane and you adjust/warp one side of an object, the opposite side will also be warped exactly the same? For example, changing the shape/profile of a bottle – rather than having to set up lots of guides to try and manually warp evenly on each side, you make the adustments to one side, and the opposite side automatically mirrors what you do?Or is there a way to do this already?! (I've not found it yet!).ThanksB
I would like to request the addition of an "Offset Paths" feature to the Text Animator. Text Animators are incredibly powerful tools for creating text animations, and their flexibility makes them essential for many projects.At the same time, applying "Offset Paths" to text produces visually striking and unique results. However, to use "Offset Paths" on text, we currently have to convert text to shape layers, which disables the use of Text Animators.While effects like "Simple Choker" can achieve a similar look, they are pixel-based and behave differently when scaling shapes.Integrating "Offset Paths" as part of the Text Animator would address these limitations and provide more creative possibilities without compromising workflow efficiency.
For some reason, despite different metadata, file names, etc. Lightroom CC seems to think photos take sequentially from the same camera have already been imported before. This is frustrating as there seems to be no way in app to make Lightroom import these "duplicates". I have tried importing directly from the camera, the CF card and from my NAS, nothing seems to stop LR from classifying these photos as duplicates. All photos are imported to a folder on the NAS with its own date of import. File names are not duplicated. Two things: 1. Does anyone have a work around for this issue and; 2. How do I make a feature request for Adobe to enable this function. I didn't have this issue in LR Classic.
I import a folder to AE, and have AE watch that folder so that any new items placed into that folder can get pulled in either auto or a right click on the Project panel folder and update. For example... I have a SOURCE FOOTAGE folder that is constantly being added to, I can right click on the folder in the projects panel and UPDATE and any new items get pulled into the project (or have new items auto imported when opening the AE project,e etc)
[Moderator: I tweak the title to make it easier for people to find this thread.] Dear Adobe Team, I hope this message finds you well. I wanted to take the opportunity to share some feedback on my experience using the Canon EOS R5C with Premiere Pro. While I have been utilizing raw files more frequently, I have noticed that the software is struggling with processing these files during playback. Even without any effects or color adjustments applied, Premiere Pro seems to lag significantly, but particularly with small effects like lumetry color. Upon playback, my CPU usage spikes to 100% on all cores, while the GPU remains relatively calm at around 50%. This makes it nearly impossible to smoothly playback footage at full resolution. When I reduce the playback resolution to 1/16, it does play through, but this compromises the quality and is not an ideal workflow. Using proxy files is an option, but it becomes limiting when I need to make more intricate adjustments such as color grading or noise reduction. With these concerns in mind, I would like to inquire if it is possible for Adobe to improve the processing of Canon RAW Light files in Premiere Pro, so as to alleviate the heavy strain on system resources. To provide some context, I am working on a powerful M1 Max 64GB machine which handles 4k HEVC flawlessly. However, the Canon RAW files seem to overwhelm the system. I genuinely appreciate any insights or guidance that you could offer on this matter. It is my hope that Adobe can continue to enhance the render engine to address these challenges. Thank you for your time and consideration. Best regards, Chris
I work with a lot of clips fimed at high frame frates and then have to slow those clips down. Not so much speed ramps, litterally slowing down the clips by 40 or 60%. So on every clip I have to right click, click speed and then slow the clip down. I would love to be able to make that a preset like you can with most effects in the effect panel. If I can just drop a preset on the clips, it would save me a ton of time. Make it happen please!Darrell
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