Questions

When I drag and drop B-roll footage into Premiere Pro, it takes 2–3 seconds to appear. I’m also experiencing delays when scrolling through the Project panel some clips only become visible after a couple of seconds.My system has an Intel Core i9 14th Gen processor and an RTX 4070 Super GPU, so performance shouldn’t be an issue. I didn’t face any of these problems in the previous version of Premiere Pro.

My work relies heavily on collaborative project file sharing, we are constantly passing project files back and forth. When I open a project that used the masking tool, I can see all of the keyframe data points for a tracked mask, but the mask is not showing in the Program window. It’s like Premiere is recognizing the mask but not displaying it. I downloaded the “masks” data folder, and Premiere is clearly reading the files since they are not flagged as offline masks.Attached a screenshot of the mask data, showing how the data is there but when I click on the mask it does not appear in Program window, and there is no active mask working on the output. For reference, the mask should be isolating the woman from the background. EDIT: I just isolated the layer and realized it is actually displaying completely black on the Program monitor. When I move the mask back to Unassigned Masks I can see the image again, but moving the mask to Opacity makes the Program completely blank. 

Is there a way to apply an input LUT to a clip using UXP?  In the Premeire Pro UI, with a sequence selected,  it looks like a LUT can be used from Window->Workspaces->color->Lumetri Color→ Basic Correction->Input LUT and pick a LUT. How can this be done through UXP? 

My work relies heavily on collaborative project file sharing, we are constantly passing project files back and forth. When I open a project that used the masking tool, I can see all of the keyframe data points for a tracked mask, but the mask is not showing in the Program window. It’s like Premiere is recognizing the mask but not displaying it. I downloaded the “masks” data folder and Premiere is clearly reading the files since they are not flagged as offline masks.Attached a screenshot of the mask data, showing how the data is there but when I click on the mask it does not appear in Program window, and there is no active mask working on the output. Any help would be greatly appreciated :) 

I’m just so curious why a company that relies on the money of artists, would do everything they can to drive us away from their software. Not only did you install adobe premiere 2026 without asking me, despite me having automatic updates turned off, but the new version has gutted a bunch of video filters I used, making old projects completely fail to work.And what did those filters get replaced with? More AI garbage of course. Only option I have is to maintain two installs of Premiere on my system and hope I don’t ever open the file in the wrong version. I can’t just go back to 2025 completely because if I do, I’ll lose tons of work on new files I had made with 2026.I have used Adobe products for over 20 years, and I have tolerated so much, I’ve paid so much money to have the software initially, then paid monthly fees over and over again. I’ve ignored so many friends telling me to use free software out there instead.And what do I get? A freaking slap in the face with the horrible 2026

Recently I have noticed that, while usually, double clicking a bin opens it in a separate tab, it now closes my projects window. So to say; My “Projects” Tab changes into whatever bin I double click.This was not always the case though - I use several bin-tabs when implementing grading or VFX into a sequence, while also keeping “Projects” open.Also I have a Mac Studio, on which this problem does not exist. A double click still opens a separate bin-tab.I am on a Macbook Pro M4, 48gb RAM. Also on Premiere 26.3.0., but have just updated from the version before that, because I thought it may help (it did not). 

I get that Adobe has suddenly decided to stop supporting my OS (Windows 10) but why do I have to see this warning every time I open an app now? Why is there no option to “don’t show again”??? Ridiculous that I have to edit with a big red warning triangle on the top of the app as I’m using it. Also my sequence zoom scroller hasn’t worked in months. Is that a known bug?   

When I try to add my photos to the pre-made graphic templates from premier pro, the photos don’t show up and don’t work in the place. 

I have a client supplied video file that contains visuals, with a voice-over AND background music.The voice-over and the music are both at the same level, making it difficult to hear the words.I’ve seared for multiple tutorials on how to decrease the background music, but none have been successful.Is it possible to split the single audio track into two, one for the voice-over and one for the music? Tried to do so in Premiere and Audition without success.Ideas?

My Premiere Pro 26.3 just uninstalled itself yesterday, and today Premiere Beta 26.5 downloaded itself. Good thing all the settings were saved, I just uninstalled the "beta" and downloaded the stable one. Why did this happen? What's going on here? What should I disable somewhere so that things like this don't happen without my knowledge? I can provide relevant reports if needed.

I am working on a pretty extensive TV project with project with 20 cameras and 20 audio clips, 3 editors assistants, 6 editors and 24 hours of footage for about a month. This requires a MultiCam template. The template is supposed to be 1 second long because of some empty audio clips that is in there (these were added after the first time we had this problem so is probably not related) and it is whenever you check the duration, drag it onto a timeline or open it in the source monitor. The problem however arises when you use the Overwrite/Insert features, using these the template suddenly becomes 6 hours of empty space except for the first second. Is there any way to change this 6h duration without making a new template and redo everything we have done until now?I am on 26.2.2 Build 3 on a 2023 M2 Max Mac StudioBTW: “Mal” is norwegian for templateThanksThe template in the project windowThe template in a timeline without using Overwrite/InsertThe template in a timeline using Overwrite/Ins

Hello Everyone.I am receiving this message. I am attaching the file. Would you please let me know what to do.Thanks. 

How do I do this without moving each panel independently?26.2.2

The program works normally during playback and editing, but it freezes whenever I drag property values with the mouse. This happens with text properties, colors, position, scale, and other controls.I've updated my GPU drivers and tested both Premiere Pro 26.2.2 and the latest Beta version. The issue remains the same and makes text editing very difficult.System:Ryzen 9 5950X 64 GB RAM RTX 5070 12 GB Windows 11Has anyone found a fix for this?

Hi, i have a shot where some images of a tv news report is watched through the screen of a smartphone. It flickers  I have tried different methods ( put 2 copies of the shot one on top of the other reducing opacity,  used de flicker ,played with lumetri color) and nothing worked. Any advice?

Ya no quiero Adobe premiere no se usar quiero cancelas mi suscripción 

I've already encountered this problem in older versions of the program. When I play a video, dots appear at the bottom of the screen. When I pause the video, the dots disappear.I updated several versions of the program, I updated several versions of the drivers, I upgraded my graphics card, I upgraded my SSD, I updated the BIOS, I replaced the CPU thermal paste, and I updated Windows. And yes—I cleared the cache))) Especially for fans of this feature) I actually cleared and re-created the cache on the new drive. So how do I fix this problem? What else do I need to update to get rid of the dots? I'll say it again—this only happens in Premiere. The files themselves are fine; they display normally everywhere else.    

Hi folks, thanks in advance for your help. We have been working across two studios for 8 months thanks to lockdowns and state closures, a joy I'm sure a lot of you are familiar with. Now, we are all finally all back in a single studio completing the offline on a feature length documentary. Using the Productions workflow to manage multiple projects with multiple editors has been fantastic, however we're hitting a snag I can't think of a work around for.We have two Productions, one maintained in each studio location, one two different servers. Now we want to work from the master Production that has the most up to date rushes and selects. Using the project import function, we have imported and reconsiled all the projects into the one single Production. We have within our Production monthly projects for rushes and selects, and then we cut scenes (as individual projects to keep things small and manageable) from these rushes and selects projects. Here's my problem - any t

Premiere Pro 26.3 Regression: ComponentParam.createSetValueAction throws "The script object is no longer valid" Environment:- Premiere Pro 26.2: Works- Premiere Pro 26.3: Fails- UXP PanelMinimal Reproduction:const current = await cropTopParam.getStartValue();const kf = cropTopParam.createKeyframe(current.value.value);const action = await cropTopParam.createSetValueAction(kf, true);Expected:Action object returned.Actual:"The script object is no longer valid."Notes:- Parameter is freshly retrieved.- getStartValue() succeeds.- createKeyframe() succeeds.- createCloneTrackItemAction() also appears affected.

Premiere Pro Playback Stuttering with Vivo X300 Ultra Footage (Mac mini M4) – DaVinci Resolve Works CorrectlyHello Adobe Team,I would like to report what appears to be a compatibility issue between Adobe Premiere Pro and video files recorded on a Vivo X300 Ultra.System:Mac mini M4 Latest macOS version Latest Premiere Pro version (2026) Vivo X300 UltraIssue:Video playback in Premiere Pro is noticeably stuttery and unsuitable for editing. The same files play perfectly in DaVinci Resolve, QuickTime Player, and other macOS video players.I have spent considerable time testing different configurations and the issue remains consistent.What I tested:Standard Video mode Pro Video mode H.264 / AVC H.265 / HEVC Hardware Accelerated Decoding ON Hardware Accelerated Decoding OFF Different recording settings and resolutionsThe issue occurs in every tested configuration.MediaInfo reports the following characteristics for all affected files:Frame rate mode: VariableFrame rate: 30.000 FPSMinimum frame

This feature was introduced in version 25, and in version 26 it's already driving me crazy. I have to wait 5 minutes for it to find all the files. I don't want to wait that long—how do I turn it off altogether?Everything used to work fine without this feature.    

I shot a bunch of vertical videos in 6kThey came in vertically automatically. I had to interpret the footage, and it made them all horizontal.  I manually changed the EFFECTS and rotated them back, but now I have the black bars on the sides of the video, and I have to resize the video.Has ADOBE seriously not updated the system to automatically encode (interpreted) videos in VERTICAL mode to STAY IN VERTICAL?There are all these other solutions like dropping them all in the timeline, but it just creates more time and an unwanted workaround to edit.ADOBE, can you create and fix this? Let us work in Vertical nativelly. (even when i switch to VERTICAL editing mode, it still does not work. 

Hi,I’m trying to clarify the recommended Premiere Pro workflow for syncing video and external audio.In the official “Premiere Pro Best Practices Guide.pdf”, adobe recommends avoiding “merged clips” and using multicam source sequences instead, mainly to preserve metadata and avoid conform issues later.But in real projects I often have to sync picture and sound manually in a timeline, because there is no shared timecode, no usable scratch audio, or no automatic sync option that works reliably.I usually end up with a full manual sync mapAfter that, what I need is basically the practical result of a Merged Clip: one clean source item per take, with the synced video and external audio staying reliably together during editing.But I’m trying to avoid merged clips because of adobe’s own recommendation...The problem is that I can’t find a clear way to create individual multicam source sequences from clips that have already been manually synced in a timeline.The workarounds I’ve seen seem to cre

was working fine last week seems like on monday it started to bug out very slow when i dragged a vid into edit