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I've been playing around with the video editor and noticed that it seems I am only able to change opacity on video layers, not set any kind of blending mode. I can see the video editor being a good on-the-go rudimentary solution, but the lack of blending modes really limits its professional use for me.
Idea:When subtitles are auto-generated, they should automatically align with the video’s cuts.Why:This keeps subtitles in sync with the rhythm of the edit, makes them easier to read, and saves time adjusting timing manually.Image Example:This timeline shows newly generated subtitles (in orange) placed above video clips (in blue). Currently, the subtitle segments don’t match the video cuts — they continue across edit points.It would be very useful if generated subtitles automatically aligned with the video cuts, so each subtitle starts and ends within a single shot. This would save time for making the final edit look cleaner and more professional.
Can I suggest adding colours for actions - when not in button mode - which let's face it doesn't display either folder names, toggle item on/off and toggle dialog options on/off. So if youf you have lots of actions your options are somewhat limited. Hense the suggestion. You know its a good idea.
as an editor . i always prefer to edit my videos on primier . this days i wont beacause of bad export quality engine in low bitrates . when i use vbr 1 pass i can see my videos pixels moving (some little squares) its making the video quality worst . vbr 2 pass is 10 times worst than vbr 1 pass . i should say that i export the same video and the same settings and the same bitrate in davinchi . and what happend . i didnt see any pixels or quality loss . so i want to tell adobe company (fix primier pro export engine and export quality ) it sould give the editors and creators the best quality export better than davinchi
Dear Adobe Photoshop Team, I am writing to provide feedback on a change I’ve noticed in recent versions of Photoshop regarding the file-saving process. In older versions of Photoshop, users were able to save a PSD file and, while that file was being saved in the background, initiate another "Save As" operation to save the file in a different format (e.g., JPG) and even edit the file name without having to wait for the initial save to finish. This feature greatly enhanced the workflow, allowing to work more efficiently, especially when dealing with large files or saving multiple versions of an image. However, in the latest versions of Photoshop, this behavior has been altered, and users are now required to wait for the current save operation to complete before they can start a new save process. While I understand that this change may have been introduced for stability or performance reasons, it has unfortunately slowed down my workflow and reduced my productivity. I would like to kindly request that Adobe consider restoring the ability to save multiple files concurrently, as well as the ability to start a "Save As" operation (including renaming the file) while another save is still in progress. The previous behavior allowed for a much smoother and more efficient workflow, and its removal has created an inconvenience for many users like myself. Thank you for considering this request. I hope this feature can be reintroduced in a future update to improve the overall user experience in Photoshop. I know this issue already has several years but hope it can be fixed ThanksPedro Campos
Unser Vorschlag für die Generierung der Bilder: Einstellung Dateiname bzw. Dateibenennung fortlaufend. Dabei sollte sich der Dateiname anpassen lassen. Bsp: Firefly-ICONIC-7020-01.png und fortlaufend mit -02, -03 usw.
A long time wish: The Fill effect becomes much more versatile, when it could blend with the layer it is applied to. In the current version, it replaces the layer content completely. The effects Opacity setting acts as layer Opacity rather than the effect's Opacity.
Submiting an idea for way to have a Color picker and Sliders open at the same time in photoshop.The only way currently, is to use ctrl + option + command to have the 'quick color picker' hud apear while using the brush tool. Its quite labour intensive. Expecially when changing the hue with the 'quick color picker' ctrl + option + command + space.If there was a way to pin the 'quick color picker' so it is always on or add an option to have the Hue Cube/Wheel and Sliders stacked at the same time within the Color panel.Reference Image Attached('quick color picker' on left, RGB Sliders on right, open at the same time)*Edit adding a image of examples of other apps that have the Sliders as a seperate panel from the color panel Thanks
As an Assistant Editor, I'm frequently needing to select/de-select specific tracks. Ex. I want to jump to the next event on V3 and Mark Clip. I can do this using the mouse, but it'd be so much easier if I could map keyboard shortcuts for each track (ex. V1 = 8, V2 = 7, V3 = Shift-8, A1 = 9, etc.).
I like how I can export images to my phone with a watermark of my choice but I would like to be able to either export the photoes with the watermark to a Adobe file then share as a link. Another idea is when selecting multiple photos and choose to share the shareable link, have a setting gadget wheel where you can add a watermark to every photo
Ability to browse the presets and see its effects with the up and down keys
Hi, long time Photoshop user, first time suggesting a feature. Apologies if this is an old request. I'd like to propose a feature within the Brushes panel, for sorting and filtering brush types in Brush Presets. I often get lost in the Brushes panel when searching for specialty brushes. For instance, what if I want to see only Mixer Brush presets? Currently these are spread across many of the add-on brush preset folders, downloaded from Get More Brushes. Like in Fonts, where you can sort and filter by font classes; serif, sans serif, script, etc. Or in Layer type filtering. This could work well for brushes, with different categories of presets. This would improve efficiency in locating brushes for particular tool types and workflows. It could be expanded to sort and filter by brushes with certain characteristics, such as presssure sensitity. Thank you from a grateful Adobe user and instructor.
Bridge recently updated so that more than one window of bridge can run at the same time which has been incredible. In the meantime, I can only open up one Lightroom catalog at a time. I want to be able to export one wedding and while that loads open up the next wedding catalog to start working on that. Instead I have to wait the 20-40 minutes to export all the images before I can close one catalog before I can open another catalog.
Hello!I work as a video editor at a post production house that specializes in reality TV. We parse through hours and hours of content to find the right moments and craft stories in the edit. We sort our footage on timelines and markers play a huge role in our organization. One feature that would dramatically help our pipeline within premiere pro would be a marker that dynamically changes the in and out point based on the footage below it. If this can already be achieved, please advise. I think this can be accieved by nesting clips and placing a marker within the nest. This method is clunky and would not give an accurate duration of the segment. However, having a marker that holds it's original in and out points no matter what is deleted from the sequence would be a life saver. Imagine cutting a multicam interview that needs to be an exact duration for promotional purposes.First, place a marker, drag the in and out of the marker between the start and end of the interview. As you cut angles and ripple delete segments of the interview, the markers original in and out adjusts to reflect the edits that have been made. To determine the total duration of the interivew just double click on the marker and you have the duration. I know setting an in and out to the beginning and end is an easy task to determine the duration. However, creating this dynamic marker would shave off clicks and keyboard commands to create those in and outs. This feature would be invaluable to our pipeline because of the time it would save me and the rest of the team in crafting our projects. Thank you and have a nice day!
It would be nice if LR had a crop guide overlay that can be toggled on or off without using the actual Crop tool. For instance, my camera shoots in 3:2 aspect but I would like for there to be a 4x5 / 8x10 cropping overlay that can be constantly on (or toggled off) so that I can edit for common crops that my clients might purchase such as for an 8x10. If there's already a way to do this, please advise, but otherwise, it would be a VERY helpful feature. Thanks in advance!
A suggestion on a feature for Photoshop... The ability to easily change the "eyeball" position (with a slider or some other method) so that the subject who was not looking at the camera now appears to look directly at the camera. If Adobe does not have this feature, it would be a great addition. It would be especially great for group shots where one or more persons are not looking at the camera when the photo is taken.
There should be a feature to locally lock a clip in place in the timeline so that it does not move while you place other clips around them. This feature would be really useful because you don't have to worry about putting them on another layer and mess up the syncing of other clips placed on that layer. By placing locked clips in the timeline you can confidently say I know I want this here let me use tools such as ripple delete, lift, and ripple paste knowing it won't affect the locked clips. This is a much quicker way of organizing the timeline.
I never save files to the .ait format under the SAVE AS menu. But I will inadvertenly select it when I'm in a hurry instead of PDF. This has to be one of the least used formats under SAVE AS. Moving it to the EXPORT menu won't cause a great amount of confusion. If you feel the same please vote. ThanksRick.
Me parece muy buena idea el generador de texto a locución. Los modelos en español son de España América. La versión español de España no están logrados. ¿podrían mejorarlos? Por ejemplo que no tenga el efecto de seseo. En españa la "C" se pronuncia como "C" no como "s".
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