Adobe Premiere

I have a multicam 90 minute long converstation with 2 people. Each person has their own audio file. I would love to clean things up with text editing but I'm only seeing the transcript for the audio on the first audio channel; A1. Seems like a simple fix but couldn't find anything when searching.  Is there a solution?  I am using version 25.5.  

ProblemaLa función de transcripción automática en Adobe Premiere Pro genera texto, pero la transcripción es muy imprecisa, con errores constantes, palabras incorrectas y frases sin sentido, como si el sistema no reconociera correctamente el idioma, a pesar de que el audio está claramente en ese idioma y se selecciona correctamente durante la transcripción.Pasos para reproducir Abrir Adobe Premiere Pro (última versión disponible). Crear un proyecto nuevo o abrir un proyecto existente. Importar un archivo de video con audio claro. Abrir el panel Texto. Seleccionar Transcribir secuencia. Elegir correctamente el idioma del audio. Iniciar la transcripción. Resultado esperadoQue Premiere Pro reconozca correctamente el idioma seleccionado y genere una transcripción precisa y coherente con el contenido del audio.Resultado realLa transcripción se completa, pero el resultado es muy deficiente, con errores graves de interpretación del idioma, como si el audio estuviera en otro idioma

I have footage from a Ronin 4D 8K camera which continued to look overexposed despite the raw footage having no such problem. Talking to the camera team, they said that the D-Gamut/D-log color space allowed for proper exposure on the footage while Rec.709. No matter what I did in Lumetri though, the footage continued to look overexposed and I couldn’t even get it to look raw, due to the default Rec. 709 Media Color Space in Lumetri. I started to get somewhere when I changed the color space of the source clip in the Effect Controls to D-Gamut/D-Log, like this:With that setting in Effect Controls, the footage finally looked like its normal Raw self. Once I had it looking that way, I achieved the perfect look by just turning on Color Manage Auto Detected Log and Raw Media. I wanted to try it manually as well, and so when Auto Detect was checked off, if I overrode the Lumetri Media Color Space and made it ARRI LogC3/Wide Gamut3 (that’s the media color space that just really worked!), I had

 Premiere Pro Freezing on Import & Crashing on Export (v25.1, Windows 11 24H2)Issue Summary:I've been experiencing frequent freezes in Premiere Pro (v25.1) on Windows 11 (24H2). The program consistently freezes when importing footage—whether using Ctrl + I or the File > Import menu option. In the past week alone, it has frozen five times, requiring a force quit via Task Manager.Additionally, Premiere crashed my system completely during an export, forcing a full machine restart.System Specs:OS: Windows 11 (24H2)CPU: Intel i7-14700KFGPU: NVIDIA RTX 4070 Ti SuperRAM: 64GBStorage: 1TB Kingston Renegade NVMe (dedicated cache drive)Premiere Pro Version: 25.1Troubleshooting Attempts:Reset preferencesEmptied cacheRestarted Premiere ProEnsured GPU drivers and OS are up to dateAdditional Notes:The issue occurs randomly but frequentlyPremiere becomes completely unresponsive when importing, requiring a force quitNo other programs exhibit similar crashes or freezesThe crash during expor

Greetings.   I hava a timeline that contains both 608 and 708 caption tracks.  The issue I'm having is that both the 608 and 708 cc streams are not embedding in the output file when I export via Media Encoder - Just the 708 stream is being encoded.  The file format being rendered to is MXF XDCAM 422 1080i.  If, however, I do a direct render from Premiere, both streams are embedded as they should be.  Both methods of exporting are using the exact same render preset. I'm working on a windows 10 system.  I have not had this issue previously.

I’m really distraught as I have had this same problem with the last two videos where exporting is either ridiculously slow (predicts something like 31 hours; I do schoolwork on this laptop, and it isn’t feasible for me to not use Chrome for so long), and hangs over and over. The last video I exported hung no matter what I tried, and it wasn’t until rendered it, turned the video into a Quicktime ProRes 422 LT, reimported back into Premiere, and exported as H.264 did it work. I’ve been using Premiere since 25.0 in August, and I didn’t run into this issue back then. It became progressively worse the longer I used Premiere, so I’m not sure if it’s a usage thing or. An issue I’ve run into on my last and current export is the encoding part never starting and getting stuck at 0%. Sometimes it starts and get stuck at a random percent (it was also random, which meant it wasn’t a corruption on any of the clips specifically). On my current uploading have tried Hardware Encoding and Software Encod

Hi, I have the latest Pr 25.5.0 on Windows 11.Everytime I open any project file, Pr starts "relinking the media files" again, and it takes ages...My assets are on very fast external SSD's, also my Cache designated SSD is fast and external.I've been working this way since a year now and it was blazing fast.But now it all stopped, I think with the newest Pr version.No idea what happened... Jan

I am using Captioneer in Premiere Pro. When I go to package the file and then I open the packaged project, I get greeted with “The project could not be loaded, it may be damaged or contain outdated elements.”How do I fix this? Thanks

The following Object mask issues make its use rather complicated:Object Mask + timeremapping: when used together without nesting, the mask is tracked at a normal speed, lagging behind or going further from the tracked object:Applying the object mask and THEN timeremapping brings a visual glitch during the remapped part: This visual glitch remains even if after the timeremapping you nest it and then track and apply the mask. RateStretch + render and replace - object moves inside the cutout, though without rendering the mask is perfect: Reversed time and object mask freezes the mask when rendered and replaced: Transform + Object mask - object moves inside the cutout (I don’t need to mention that motion blur is available only in the Transform effect). Only nesting helps but in some cases to apply certain effects you have to nest the nest inside the nest which totally ruins the workflow: The same happens with any other transform effect. But at the same time transitions work alright, affect

Hi all, I am experiencing a glitch with Premiere Pro where any form of dragging does not work. For example, dragging any ‘effect control’ value will treat it as a click and opens the text box, dragging to extend a clip or move a layer simply won’t work, and even dragging to scrub the playhead does not work. It’s a super frustrating glitch that I first noticed in January, but today it’s playing up more-so than usual. This is an intermittent glitch; dragging does & can work, but only half of the time.This issue occurs when using either the trackpad or external mouse, so it can’t be a hardware issue.I have reinstalled Premiere Pro numerous times in an attempt to fix the issue, but the glitch still continues. I’ve attached a screen recording to show exactly what I’m experiencing.I am running Premiere Pro Version 26.0.1 (Build 3) on a MacBook Pro (Nov 2024), 48GB memory, running Tahoe 26.3.I’d appreciate any help and support on this!

Hello,I am experiencing a severe productivity bottleneck in Premiere Pro and would appreciate any expert advice. Despite having a high-end system, I am facing a 2-3 second delay in the Program Monitor whenever I navigate the timeline after switching between applications.System Specs: CPU: AMD Ryzen 9 9850X3D GPU: NVIDIA GeForce RTX 5080 (Latest Studio Driver) RAM: 64GB OS: Windows 11 (Latest build) The Issue: I mainly edit heavy game footage (e.g., Crimson Desert) with source files often exceeding 90GB. My workflow involves frequent context switching to external tools like 'Everything' to locate sound 효과(SFX).The problem occurs when I return to Premiere Pro: When I move the playhead (C TI) to a new position, the preview screen does not update immediately. It hangs on the previous frame for about 2-3 seconds before finally refreshing. During this delay, the 'Play' command is completely unresponsive. Troubleshooting Steps Taken (No success so far): Cleaned all Media Cache. Di

I am an editor based in China who primarily works on the final cut of films and TV series. I have been using Premiere Productions for many years and am very fond of it. However, Adobe faces many challenges in China. I would like to voice a common concern shared by most editors in our country and hope you can help us resolve it.FirstWe can’t even find a single place in China where we can buy genuine Adobe software; we have to go all the way to Hong Kong to purchase it. I find it unbelievable how Adobe has neglected us.SecondIn China, we are unable to access many Adobe features, such as Adobe Firefly and Frame.io. We hope you can help us gain access to these powerful tools.ThirdWe hope you will introduce more practical features specifically tailored for film and TV productions. In many countries and regions, the editing software ecosystem is being dominated by DaVinci Resolve, as Resolve holds the final say over the output process. However, I still believe that Premiere’s editing capabil

I need to download premier pro 2023 and I can't see the previous versions because my computer can't support the latest version 2025, so I need the 2023 version, thanks

So you cannot just post a question here easily any more you have to job through hoops just to post a question. Adobe how do you live with yourself. Insanely poor experience. I have the latest version of Premiere and the Morph transition not only never starts the analyzing it never finishes either. When you do a search you get posts from 8 to 10 years ago with no ability to filter based on date! How does this get past your QA???? you are a software company how do you not understand how insane this is. I am not trouble shooting software from 10 years ago, nobody is.  

How can I break out one stereo track in my timeline into two discrete mono tracks? I know how to do it on a clip, I modify the audio channels. But I have a sequence where there are two audio channels on one timeline track, and I want to break them out into two separate mono tracks so that I can edit them independently, but I have searched all over the web for years for this one and cannot find the solution. Can someone please help?  The sequence is too long modify all the source audio clips and re-cut them in.