Questions

Throughout the work day, there are always emails and messages to respond to along with my heavy use in Premiere. Whenever I need to respond to those types of communication, I’ll navigate away from the Premiere window, craft my message, send it off and then return to Premiere.Every single time, without fail, the clip I have selected, and was scrubbing through in the source monitor before sending the aforementioned message, becomes unresponsive for 4-5 seconds, the program monitor freezes or goes black and the timeline suffers a similar lag as I click the keybind to go to the next edit point. I’m just stuck there twiddling my thumbs waiting for premiere to respond.As long as I never navigate away from the Premiere window, this does not happen. I can switch between program and source scrubbing easily. I can queue up different files in the source monitor no problem. There is no lag whatsoever. This happens exclusively when I leave the premiere window to go to any other open application on

A strange, new-to-me audio artifact: Final export of straightforward master multicam sequence (includes dialog track, simple SFX, and music) via Media Encoder (as usual) kept resulting in files in which the dialogue was doubled – meaning it had a single echo, same amplitude as source. But none of the other audio clips were doubled, nor did it occur if I exported a brief section. It continued even after deleting renders and media cache. There are no submixes or other FX on clips or tracks. Finally, exporting directly from Premiere worked. So, seems like something in the ME pipeline? I obviously have a workaround this time, but need to solve this for the next project. This workflow and type of project is not new to me, but I suppose there are plenty of gotchas I wouldn’t know to look for. Thanks for any insights.

In the latest version of Adobe Premiere Pro, there is an issue when placing keyframes. The last keyframe cannot be set on the final frame of the clip or timeline. Instead, one frame at the very end remains without a keyframe. To place a keyframe on the final frame, it is necessary to resize the interface and make the panels/windows extremely narrow. Only then Premiere allows placing the keyframe on the last frame. This behavior did not occur in previous versions of Premiere Pro.Screenrecording - https://drive.google.com/file/d/1y2GxQsV6Rri05YD0cUIqBaqcJPPLLGrt/view?usp=sharing

In premiere, the audio file that I have is only playing from the left side. I have followed all of the YouTube videos on how to fix this, from modifying the audio channel to adding the "fill right audio with left" effect. After adding the effect, the audio file in the timeline still only plays from the left, but in the source it shows that both the left and right audio channels are filled. And when I play the audio file in the source window, it is playing from both the left and the right. So basically, in the timeline, I only get left audio, but the source shows both left and right. Any ideas on how to fix this or what I need to do to make both sides play in the timeline? Thanks!!

Hello,I'm having a bit of an issue with anchors points. I want to zoom in the corner of a video but with using an Adjustment Layer.Then I apply the Transform effect to the Adjustment Layer because I want the shutter angle property for a blur effect.But when I move the Anchor Point of the transform effect, it moves my whole video. Is there a way for it to not do that, the same it does when your just the Anchor Point of Motion part of the pannel?Thank you !

Hi everyone, So I've been recording my voice over's with no issue in Premiere Pro.... until now. It suddenly stopped working... it gives me the countdown and seems to be recording but when I stop it, there's no audio file on the timeline. Any clues on why this might be? I'm already checked System Preferences, Audio Hardware in Premiere's Preferences- both with computer audio and with an external microphone and nothing works. After reading forums for hours I decided to post in here in case anyone can help me... Very frustrating. Thanks in advanced everyone! 

Issue - I edit in list view, with many layers of bins to organize my project. Bins twirl down and back up all the time depending on what I am doing. I leave my bins open in the state I left them when I close a project so I can pick right back up next time. Lately, however, when I re-open a project, all the bins have been collapsed so I have to re-twirl everything back down. This ALSO happens when I switch between Workspaces.Adobe Premiere Pro version number: 24.6.3 (Build 4) Operating system - Windows 10 Home Version 10.0.19045 Build 19045System Info: CPU, GPU, RAM, HD:CPU: Ryzen 5950xGPU: GeForce RTX 3080GPU driver (PC): Studio Driver 565.90RAM: 64 GBHard Drive: Media on internal 16TB RAID 1 / Project on internal 1TB NVME / Proxies on internal 4TB SSDVideo format: N/A this occurs across all project currently. Currently working with XAVC-I 4:2:2 10-bit footage in MXF wrapper.Workflow details: N/A this occurs across all projectsSteps to reproduce -Start new project: creat

I’ve got a project that on export is burning in captions despite setting it to just create a sidecar file. The odd thing is that I have another project from a week or so ago that is able to export properly without burnt in captions. The one that doesn’t work, the sequences have an AE file, it’s a full animation/motion graphics project. The captions are in a normal subtitle track. The project that doesn’t have issues exporting with a sidecar file, that’s got a video track with a ProRes master, some AE supers, and a normal subtitle track. I’ve tried saving an export preset from the project file that’s working, that didn’t work. For the life of me I can’t see a setting in the project or export options that would be forcing the subtitles. Same languages and font usage, nothing has changed in my approach to this new project that’s not exporting properly. I’ve also tried changing settings in ME but that doesn’t seem to solve the issue either. The captions still burn in in ME or if I got sequ

Why do I not see the mask options in Opacity like the square or circle in Premiere 25

How can I remove this person in Premiere 

Hi folksI'm trying to create bars and tone programmatically using the API. I can't figure out the format of timebase, it either fails or creates a 29.97 bars and tone (I want 24fps)Docs sayapp.project.newBarsAndTone(width, height, timeBase, PARNum, PARDen, audioSampleRate, name) Here's what I've tried.Fails     var audioSampleRate = sequence.getSettings().audioSampleRate;var bars = app.project.newBarsAndTone(1920, 1080, "24.00", 1, 1, audioSampleRate, "filler");var bars = app.project.newBarsAndTone(1920, 1080, "24.00 fps", 1, 1, audioSampleRate, "filler");So it's not a string, even though the docs say a timebase is a string Sequence.timebase¶app.project.sequences[index].timebase Description¶The number of ticks per frame in the sequence. Converted to seconds, this is commonly referred to as the frame duration of the sequence. Type¶String; read-only. Creates 29.97 , which is assumed is the default?   var bars = app.project.newBarsAndTone(1920, 1080, 24.00, 1, 1, audioSampleRate, "filler"

When I'm in the link media dialogue and click on a specific external hard drive and then click "search" it doesnt search that specific external hard drive, it starts searching my entire Macintosh HD. I dont remember this being the case in the past. can this be fixed?

I've seen a lot of articles discussing the best video, sequence & export settings to get that crystal clear resolution on Instagram, but none of them are consistent with each other lol. If I'm shooting video on an iPhone 13 or newer, is 4k at 30fps best? 4k at 60fps? or 1080 at 30fps? Should I be shooting HDR? It gives that weird bright look that also dims the screen which I don't like at all. What about the format? Most compatible? And then in terms of the sequence settings in premiere....I'm assuming 1080x1920? Do the sequence settings have to match the settings of the video I recorded? Or can they be slightly different? In terms of the export I get totally lost, I need to learn more about bit-rate anyway, but for codec I've heard adaptive medium bitrate at H.264 is best, but I'm not sure. What about CBR/VBR? Are the aspect ratios for stories and posts different? Do I need to shoot with a specific camera to get that better-than-eyesight look? What about using slow motio

I have tried all solutions found through google and used the adobe cleaner to do a fresh install of premiere, nothing seems to get this DLL to load properly. I do have an active Adobe CC subscription as well. OS: Windows 10Version: Adobe Premiere Pro Version 15.2.0 (Build 35)System: 1700x 32gb RAM RTX 3070rakcFootage form Canon R5: H.265 4:2:2 10-bit UHD 4k @ 59.94fps

Was the lens flare effect removed from Premiere? I am not finding it. Was it renamed? Combined into another effect? If it was removed, why? I am in Premiere Version 26.0.0 (Build 72). Working on a Windows 11 machine. 🖥️ COMPUTER HARDWARE:Processor    12th Gen Intel(R) Core(TM) i9-12900   2.40 GHzInstalled RAM    64.0 GB (63.7 GB usable)System type    64-bit operating system, x64-based processor💾 OPERATING SYSTEM:Edition    Windows 11 ProVersion    25H2Installed on    ‎3/‎21/‎2025OS build    26200.7623Experience    Windows Feature Experience Pack 1000.26100.275.0

Hi everyone,I’ve been getting into much larger projects than I’m used to and I’m hoping to get some workflow advice from people who have more experience with post-production pipelines than I do. Sorry this is kinda long, I just have a lot of specifics that complicates things for me.Here’s my situation.My camera records .MOV files using H.264. Because my editing style involves a lot of animation, color work, and round-tripping between Premiere Pro and After Effects, I’ve been transcoding all my footage in Mezzanine files before editing.Right now my workflow looks like this:Record footage on camera (H.264 .MOV). Before importing into Premiere, I transcode everything in Adobe Media Encoder into mezzanine ProRes 422 files. >Important: I edit using those ProRes files and export clips to After Effects when needed and then back into premier as linked AE files. Everything works well performance-wise and quality-wise, so I’m happy with editing in that format.The problem comes after the proje

I have big project with some dupes in it. So when I try to use "Edit > Consolidate Duplicates" it does nothing. So I ended up cleaning all project to three clips that are linked to exact same raw footage, no proxies attached and I nothing else in project panel, just those three clips:Still "Consolidate Duplicates" does nothing. Maybe I should look for some other places where Premiere thinks that those are different clips? Any ideas?

HiIssueAudio output randomly disappears in Premiere Pro 26 on macOS, especially when using Bluetooth audio devices. Additionally, export sometimes renders only the first frame. Steps to reproduce  Open Premiere Pro 26 on macOS Import video with audio Play timeline → audio works Change sequence / edit / switch panels Audio disappears in Premiere (system audio still works) Reconnecting Bluetooth headphones restores audio Export sequence → sometimes only first frame renders  Expected resultAudio should remain stable in Premiere regardless of Bluetooth device state.Export should render full sequence. Actual resultPremiere loses audio routing while macOS audio continues working.Export occasionally renders only the first frame. Environment Premiere Pro: 26.xmacOS: Tahoe (latest)Audio devices: Sony WH-1000XM4 (Bluetooth), SonosMultiple Bluetooth peripherals connected When did the issue beginImmediately after installing Premiere Pro 26. Does it affect all projects?Yes, including ne

Why does part of the audio track in a squence lose it’s quality within a sequence after I open it again in Adobe Premiere Pro? How do I resolve this issue? 

The original drive was named LaCie, as was the replacement drive (the system now sees the new drive as LaCIe 1). The new drive is APFS-formatted with a GUID Partition Map. It seems that I can save to a different folder, but I have no option for scratch disks other than the system drive, on which I’m storage space-challenged. Is there a way for me to update the existing app installations for permissions to reference the new drive?

Hi, I'm considering buying a MacBook Pro M4 Pro 14" (12-core CPU / 20-core GPU / 24GB) for video editing and I've been reading reports from early 2025 about Premiere Pro not fully utilizing Apple Silicon on M4 — low GPU usage (30-40%), stuttered playback with Lumetri + effects, and long export times compared to DaVinci Resolve or Final Cut.My typical workflow:H.264 / HEVC footage (standard camera, no RAW) 4K timelines, occasional multicam Effects: Lumetri Color, Noise reduction, transitions No mixed frame ratesHas this been addressed in recent Premiere updates (25.3+)? Is real-time playback with color grading and effects working properly now on M4 Pro?Any firsthand experience from M4 Pro users running Premiere in early 2026 would be really appreciated.Thanks

Hola, Al Sincronizar dos videos mediante el audio se tarda demasiado, incluso dos clips de 10 seg se tarda 5 minutos en sicronizarse, antes no me ocurria esto, estoy desesperado porque no encuentro ninguna info al respecto, ya intente actualizar el driver de mi tarjeta de video (radeon 7700xt) ya vacie el cache del programa y no se que mas intentar 

Good afternoon,I have an .srt file (language not supported by Adobe's transcribe service) with roughly 10 sec time stamps.Some of them create 3-4 lines of text. I've limited the display to two lines with Essential Graphics settings, but some content is not shown.I've tried splitting them in the captions window, but the tile doubles.Based on other discussions, there is an issue with caption splitting. So, is it possible to limit character length on .SRT, like it is possible when creating a caption from an Adobe-generated transcript?So I can display all content, but in up to two lines.Thank you,Version 23.5.0 (build S6)

Essential Graphics Properties Panel Empty/Missing (all Templates with Audio)I am experiencing a critical issue with Essential Graphics templates created in After Effects and used in Premiere Pro. The templates work correctly for a short period, but after making initial adjustments, the Properties Panel (For Essential Graphics) goes blank with only the standard settings (crop,audio,transform) that are available for every clip, regardless of the type of clip.Expected behaviorunExpected behaviorIn the example, I show that even if you use the button in a different place in the interface, the window does not update its content.to this ----When I drag a fresh instance of the Essential Graphics template into the project, the settings appear correctly, but only for that specific clip. As soon as I select a different template clip in the timeline, the panel fails to refresh correctly: while the 'Headline' of the Essential Graphics panel updates to show the correct template name, the settings/pa

***EDIT 2 - SOLVED*** Well, as always seems to happen, after hours of trying to solve issues, after giving up and posting on whichever forum is applicable, the next effort worked. I noted that in addition to ‘Premiere Pro’ in my updates available list, there was ‘Premiere’. I had assumed it to be a different program, but updated anyway after posting, and this has solved the issue.Leaving the post up for anyone else finding it (likely me, in a couple of years time). ==============================================I see variations on this question but I can’t find any question that matches, so apologies if this has already been answered elsewhere. Problem:Opened Premiere Pro today, my last project, and have no audio during playback (was fine when I closed it yesterday). Sound bars show the audio, I have gone into preferences > audio hardware and changed, then reverted, to my speakersI updated Premiere Pro (now 24.1.0 build 85)‘M’ is not selected on audio track, audio plays fine everywhe