Questions

A client wants the copyright symbol (®) to be superscript on a set of captions. Is there anyway to do this. I can only edit an enitre line of caption at a time. 

Hi there!  New to multicam editing. I have a 1hr 15min recording with 2 cameras that are made up of seperate clips and an external audio recording. I figured that the easiest way of me putting it together was to sychronise everything then nest the seperate cameras and create a multicam sequence from those nested sequences.  Now my problem is that I want to grade the cameras to make them match better. I thought that putting an adjustment layer in the nested sequences made the most sense. While this has worked in those sequences, the effect does not seem to translate to the multicam sequence. Is there something I’ve done wrong? A particular setting that needs to be turned on?  I have already edited the multicam sequence so I’d rather not add the adjustments to every individual clip. And I can’t add an adjustment layer to the multicam sequence as the cameras need different grades. Is there another method that could work?  Any advice would be appreciated! 

Apologies for being a bit slow on the uptake but has Lens Flare been removed from Premiere 26? I can’t find it anywhere; it’s not even among the Legacy effects.

I’m trying to figure out an issue with some audio mixes where the duration shown in the Premiere browser and timeline does not match the actual duration of the WAV file, even though Media Properties in Premiere show the correct duration (photo attached).I’m working on a Apple Silicon Mac running Sequoia 15.7.3, and editing on Premiere Pro v25.6.4 (although this issue has also happened in previous versions of Premiere and macOS). I sent an AAF to the audio engineer, and the mix he sends back from ProTools comes in with the wrong duration when imported into the same Premiere project.The mix has the initial sync beep, but it appears to be a few frames short at the end. We’ve tested multiple exports:– 24-bit renders– Printing the mix internally in ProTools, then exportingAll results are the same.I also tried importing the file into a completely different Premiere project, and it still reads the duration the same way, so I’m not sure where else to look.Thanks for any insight.  

My Q and W shortcut keys for ripple triming left and right of the playhead are not responsive.I've tried selecting the default keyboard in the dropdown menu of the keyboard shortcuts interface. That did not work.  Edit>Keyboard Shortcuts>Keyboard Layout Preset: Adobe Premiere Pro DefaultI briefly searched the Adobe community for help and the top result involved saving a .kys file for the default keyboard into a folder in my Adobe user profile. This also didn't work.Anyone have any ideas?

See screen rec, CTRL + ~ key does not work as intended:https://drive.google.com/file/d/14MQewn4k0JARiZMowW7ZHDlwAzK3HpuT/view?usp=sharing SPECS Intel Core i9-14900HX NVIDIA GeForce RTX 4060 64GB DDR5 RAM 1TB m.2 SSD [OS, APPS, PROJECTS, EXPORTS] 2TB m.2 SSD [CACHE] All latest Adobe 2026/Win11Pro/and video drivers DELL SE2419HR 24"

je ne peux pas finaliser mon  projet avec PP beta v 26.2  mais oui avec PP v26.01

 I’m currently migrating a panel built with CEP to UXP, and I’ve run into an issue with a specific function.In CEP, there is a function called ProjectItem.findItemsMatchingMediaPath().I used it directly from the root item like this:var matchedItems = app.project.rootItem.findItemsMatchingMediaPath(path, true); This allowed me to search the entire project tree from the root and return all items whose mediaPath matched.However, in UXP, this function appears to be available only on ClipProjectItem.I attempted to cast it as follows, but it does not work:const ppro = require(‘premierepro’);const activeProject = await ppro.Project.getActiveProject(); const rootItem = await activeProject.getRootItem(); // is FolderItem const rootProjectItem = await ppro.ProjectItem.cast(rootItem); // is ProjectItem const rootClipProjectItem = await ppro.ClipProjectItem.cast(rootProjectItem); // is null Is this behavior intended?If so, it seems the only option is to traverse the entire root tree manually to fi

When playing back Red footage, specifically in a proxy workflow, premiere pro program window goes black while audio continues to play fine.  This has been happening since PP 24.  To fix, in the past, I would switch to the software renderer and that would return video image.  Now, I have to restart PP and either switch that on in startup or continue to work until it fails again. I am on windows 105950 AMD CPUNvidia 3090 GPUAll drivers up to date64 GB ramFootage is on a samsung SSDPP updated to 25.3 but as mentioned, has been occuring since 24 The footage will playback fine and then it won't and I only seem to having issues with Red footage in this manner.  Expected result is continally fine playback with no video dropouts.

Same problem across several versions.  EVERY time I open a project with assets on a cloud drive, including LucidLink, requires manually relinking, and the locate/search function will NEVER search in the folder I have selected. It will literally search every folder on every drive on my machine.  Just fix it. 

Hi!I m an Apple Laptop user and am already forced to loose the camera notch bar space when being in full screen mode of my actual screen as MacOS blacks out the whole Notch line, even though the notch is at a place where no crucial informations are placed = easy to tolerate. But no. Not possible. (?) And being added to that - in Premiere, there is this huge Home bar on top which additionally kills so much space which I dont use while editing. Means with those two conditions I m loosing around 15% of my Laptop screen hight already for nothing. I cant find any solution to switch it off or make it narrowed. And this question is already up for years. So, is there finally a solution??? 🙏 🙏🏼 🙏🏻 🙏🏿

I have another question while migrating marker logic from CEP to UXP.In CEP, the previous code looked like this:var newMarker = markers.createMarker(Number(markerInfo.in)); newMarker.name = markerTitle;newMarker.comments = markerComment;newMarker.end = Number(markerInfo.out);if (markerInfo.colorType) { newMarker.setColorByIndex(Number(markerInfo.colorType));}Since createMarker() returned the marker object, I could immediately modify properties like color.In UXP, however, markers are added using actions.When I use createAddMarkerAction, I’m not sure if there’s a way to: get the newly created marker object back, or keep a reference to it after creation. const project = await ppro.Project.getActiveProject(); let success = false;project.lockedAccess(() => { for (let i = 0; i < markerInfo.length; i++) { const markInfo = markerInfo[i]; const duration = markInfo.out && markInfo.in ? ppro.TickTime.createWithSeconds(markInfo.out - markInfo.in) : ppro.

Hi guys, I’m working on a TV show and i’ve inherited some part of footage from my assistant editor. The workflow we use for audio is standard STEREO 2 ch. However the part my assistant made was set to “adaptive audio”. I just copied/pasted it into my stereo seqence and.. there is “Audio Playback Issue”. Fixed by duplicate etc. Now my sequence looks fine. All files are “mono, 7 ch.” as they should be - however I cannot control Volume as they still act as adaptive. After doing some research I’ve managed to walkaround this - duplicate sequence, delete all audio from the new one and drag/drop it from the previous one using “sent to source”. That brings back my volume settings. However… after reopening project it’s back to “act-as-adaptive” mode.Render and replace also does the work - but I want to keep the files as original. How to fix it, for good? (without re-editing the whole thing) [Premiere CC26] 

^^^ Source Window EXPORTED FRAME: crazy blown out ^^^ Source Window, screenshotted (Windows+Shift+S) - so this is what the Source Window LOOKS LIKE to me as I’m working^^^ The same clip in my program monitor in my timeline (no effects added onto the clip in the timeline) -- EXPORTED FRAMECan someone explain why when I export the frame from the Source Monitor that it comes out looking blown out? It doesn’t look like that in the User Interface of Premiere.I have some lumetri color correcting going on in the source, so there’s no difference between the source and the program.Turning off the lumetri effect on the source clip, I get this as an exported frame:But this as a screenshot of the UI in Premiere: Here are my lumetri settings: 

I’m one of four Assistant Editors on a docuseries and we’re very close to turnover on three episodes. I’ve created & saved a custom Label Color preset and would like to share them with the other AEs so they don’t have to recreate the wheel. I can’t find the Label Color preset in Documents (we’re on Mac). Where does Premiere save custom Label color presets?

Just wondering and looking for confirmation regarding what the title sez.

Hi zusammen, ich arbeite auf einem Mac und nach dem export sieht das Bild so aus (unten rechts) was mache ich falsch…?? Danke schonmal!😁

Why do you need this button if it does nothing? 

I am currently working on a television project that has multiple cams (GoPro's, Sony's, and a RED Gemini 5k). I have setup all my RAW project files for each day under a production, and have had no problems with any footage, until I began importing R3D files. I made sure not to change the file structure when copying the files off of the production RAID and onto our company's server. Then, I used the media browser to import all files. The problem is that every second or thrid time I go to re-open a project with R3D files in it, it does the following things: 1. It will begin relinking media, then stop at a certain percentage, and not go any further.2. If I try to manually relink the R3D files (which have not been moved or touched since first ingest) the program freezes and stops responding until I close it. I have tried every solution I could find including:- resetting app preferences- resetting plugin load order- deleting my media cache files- changing my media cache

Hi All, My wife and I record gaming content through OBS, we play multiplayer games so I am on my PC and she is on hers. I have it setup so that, through both of our OBS, the game audio records to one track, and the mic audio records to another so that I can individually adjust volume if required. This means that when I import both sets of footage into premiere pro there are 4 separate audio tracks, 2 x game audio, 2 x MIC; and I have just started using multicam to edit this footage which is going great so far. However, the challenge I am currently facing is that, each time I switch to the other persons footage, I have to manually mute the game audio track from the footage I have just switched from so that you can only hear the game audio from the current persons perspective.  My question is: Is there a way, given the above scenario and using multicam, where each time I switch to the other persons footage; I can mute just the game audio track of the footage I have just switched from?  T

I’m an Assistant Editor and am needing to un-nest nested video and audio sequences in order to export an EDL to our archival producer reporting which archival clips are being used in our cut, and what the Source TC In/Out of those clips are.Is there an extension that quickly un-nests nested audio & video sequences (the audio ones are usually ringouts). I don’t need to carry over any effects, resizes/repositions, etc.; I just need to have the assets within the nested sequences in the sequence so they will show up in the EDL.

Input data: Premiere Pro 23.6.0 and Premiere Pro 26.0.0 installed on the same PC with 14600K, 64 GB of DDR4 Ram, RTX 3080, Samsung М.2 SSD. Media: mp4-h264, 4K, 29,97 CFR, 4:2:0.The test performed is here:In this video you can see 2 obvious things: 1) insane lags (actual frame skips) in Pr 26 with silky smoothness in Pr 23, and 2) the difference between iGPU versus dGPU operation.Question: how come? One and the same system, one and the same media on one and the same storage. It’s outta question that before these tests the cache had been deleted and the Premieres started anew. No aggravating circumstances!Opinion: out of all the new features, AI, clever search and generative extend I’d prefer to get the old iGPU over dGPU priority back and have the same fast and fluid timeline performance as it used to be. 

Hi, everyone, I am an occasional user, so I hope it's just a blunder on my end, but I can't seem to find a solution online for this. I am stabilizing a video footage by using the warp stabilizer. It works (i.e., I can see the footage stops shaking in the preview window) but when I go to File->Export Media; it does not export the effect. It will produce an exported video file, but the footage will be the shaky original. Why?!? All I'm doing is:Creating a new project, draging the video to the timeline, applying warp stabilizer (waiting for it to complete processing), and then trying to export. Do I have to apply the changes or something like that? The tutorials in the web do not seem to do that! Thanks in advance! 

Hi, there how to edit the captions timeline mins and seconds in captions tracks and in timeline mins and seconds for caption and from captions track Thanks KevinThe timeline not right in mins and timeline in captions track and in timeline check in Adobe Premiere Pro 2026