Bug Reports

I’m on 26.2.2 but it still hangs when I’m converting/upgrading captions to graphics. And also in the properties section, it hangs when trying to change the font size and type.

Default media scaling does not work when update to 25.6.1This had already happened in a previous update and then they corrected it.Now it fails again imac M1 16GB ram macOs Sequoia 15.7.1

Issue: Closed Caption embeded on file, burn on midia. Steps to Reproduce: Create a Closed Caption on sequence, send to render on Media Encoder, with the config to Embed a Closed Caption File, but this burn on media file. Expected Result: not burn, embed. Actual Result: This problem is happening to now version, because started with the last update, I use the Closed Captions in every project, and later the update, some files burn, another files not burn, this is inconsistent. Screen Recording:  Premiere Version: 26.0.2 Operating System: Win11. GPU Driver (Windows only): Intel(R) Xeon(R) w5-2455X (3.19 GHz) NVIDIA RTX 4000 Ada Generation (20 GB). Video Format: XDCAMHD 50 NTSC (422) Full HD (1920 x 1080) 29,97.

Hiragino Gothic is not recognized in Premiere version 26.2.2 build 3. 

Premiere Pro y la version Beta tengo problemas con la funcion de transcripcion, no detecta nada y dice que las pistas de audio estan silenciadas, no transcribe ningun clip por mas audio que tenga 

Issue – starting from premiere 25.1 changes to recordered multicam provoces serious lagsSteps to reproduce – Record multicam, using shortcut keys move to any of edits, using shortcut keys switch previously recorded angle.Expected result – Immidiate change of angle in preview multicam windowActual result – Several seconds of premiere thinking and only then angle changesAdobe Premiere Pro version – 25.5Operating system – Windows 11 Pro 24H2GPU driver version (Windows only) – 581.29Video format - UHD with 720p proxiesVideo attached shows about a second long lag. I'm sorry I have to blur the video, but you can see the moment when I switch camera in the history panel and then when yellow square changes its position. I also attach screenshot of your internal utility with frame prefetch latency when this lag happens. Second similar problem happens when you press keyboard shortcut to extend the edit and it waits several seco

Subject: Bug Report — Custom Effect Presets Not Appearing in Effects Panel (Premiere Pro 26.00) Hello Adobe Support / Premiere Pro Product Team, I would like to report a bug in Adobe Premiere Pro version **26.00** related to saving and displaying custom effect presets. **Issue Summary**When I save a custom effect preset (via Effect Controls → right-click → “Save Preset”), Premiere Pro successfully generates the preset file (e.g., “Effect Presets and Custom Items.prfpset”), but the preset **does not appear in the Effects panel** under “Presets.”  In some cases, the folder appears briefly but disappears when the Effects panel is closed and reopened. The preset never stays visible even after restarting the application. **Steps to Reproduce**1. Open Adobe Premiere Pro 26.00.2. Apply motion/keyframe adjustments to a clip.3. Open **Effect Controls**.4. Right-click the effect group (e.g., Motion / Transform) and select **Save Preset…**.5. Name the preset and click OK.6. Open the **Effects** p

Use the template below to provide us with information: Issue – Aucune image affichée sur arrêt video. Steps to reproduce – quelque soit l’endroit de la vidéo, si je fais un arrêt sur image, l’écran est noir.  Expected result – normalement dans la fenêtre Edition on voit l’image. Actual result – voir la video en PJ.  Adobe Premiere Pro version – 26.0.2 (build 2) Operating system – Apple M2 Ultra Studio 26.3.1 (a) Video format – issue is related to video playback 3488 × 2616HEVC. Comparative information helps us understand more about when the issue occurs:  All projects  avec la nouvelle version j’en profite pour dire que la langue est passée en Anglais sur les menus   

Have Premiere transcribe a clip and then make cuts manually. If the cut is close to a word at the end or beginning of a clip then sometimes it will remove that word from the transcription even though I can still hear the full word clearly.This has only been a problem recently and the transcriptions were nearly perfect before the past few updates.If this sensitivity is intentional then it should be fixed because it’s important in short form content to leave very little dead space between sentences/clips

We work in broadcast TV and our source material is recorded and broadcasted in 1920x1080 50i (interlaced).Version 26 is not treating interlaced video the same as previous versions (25.xx)Issue: Interlaced footage not playing back correctly when speed has been changed Steps to Reproduce: Right click on shot and change speed Expected Result: Smooth looking speed up shot (works fine in v25) see attached Actual Result: Combing and ghosting – jerky playback in V26, see attached Premiere Version: 26.0.2 Operating System: Windows 11 Enterprise, Version 25H2, OS Build 26200.8037 GPU Driver (Windows only): 31.0.101.5522Attached is the same frame in both versions.V26 is not playable quality wise.We cannot upgrade our systems because for this. 

Premiere 26.2.0 build 65 Since the update, I've been experiencing instability and slowdown issues in the interface.

Please fix this major issue: Every time I set my media cache files and media cache database, when I close and re-open Premiere, it defaults back to internal. My external drive is always online and so Premiere should see it but it is not.  This causes major slow-downs on my system as going to internal drive can’t keep up while running the software from the same drive. Result: very sluggish playback.Thanks for looking into this.

Gostaria de relatar um problema recorrente que venho enfrentando no Premiere Pro em relação ao gerenciamento de cores, especialmente ao trabalhar com arquivos gravados em S-Log3 / S-Gamut3.Cine.Ao utilizar a conversão automática do Premiere (tone mapping com preservação de matiz), o resultado apresenta cores bastante imprecisas, principalmente nos realces e nos tons de pele. Em situações de iluminação mais complexa, como pistas de dança ou ambientes com luzes coloridas, o problema se intensifica significativamente, gerando aberrações visuais indesejadas.Ao alterar o método de mapeamento para “Canal”, há uma melhora perceptível na imagem. No entanto, essa configuração precisa ser ajustada manualmente clip por clip, o que torna o fluxo de trabalho inviável em projetos maiores. Não há uma forma clara de aplicar essa alteração globalmente em todo o projeto ou sequência.Uma alternativa encontrada foi trabalhar com sequências em ACES, o que resolve parte do problema. Porém, essa abordagem nã

Premier pro is working very differently in multi and single monitor setup. Premier tends to freeze every time i switch suddenly from anything, any tab / window to another. it also pickes up the colour incorrectly from the second screen. it get's the position all wrong.

The “Export Frame” function shifts the gamma of the frame before exporting, making it useless for making mattes or extending the frame in a Photoshop roundtrip workflow.It should be very easy to click “Export Frame,” open it up in Photoshop and make adjustments, and then have an easy matte that can be applied with the new masking tool.However, as shown in the example below, the Export Frame function applies some kind of gamma shift, rendering this otherwise extremely convenient workflow completely useless.Right side is original frame, left side is a PNG from the Export Frame function simply re-imported and laid on top.I’ve already tried changing the “override color space” in interpret footage to every conceivable setting that could make sense. None of them make the frame match the original footage, so I have no idea what transform Premiere is applying to these exports. 

Posted in another community, reposting here.  In Premiere 26, there seems to be a bug with the drop shadow.   I made graphic, I used the new Object Mask tool (which works great by the way) to make a stat box pop out.  Moved it to the opacity section so I can have it get larger. It was white on white so I wanted to add a drop shadow.  When I do that, no shadow comes up even with opacity all the way up, distance, etc.  When you click to show shadow only, it’s there.   This is the top layer of 3 on a timeline.  I got advice from another editor to try nesting.   That worked, but when I exported the entire effect was off in the export.    

When using “flip horizontal” effect on a clip in a sequence, the object mask tool detects the object but masks it as if the clip has NOT been flipped. You can see in the image it’s masking correctly, but since the footage has been flipped, it’s showing the mask from the pre-flipped footage. 

Issue: On Render, click Send to Media Encoder and bug layout preset. Steps to Reproduce: I have an preset layout configured in 2 screen visualization, where i see project, effects and pgm on left screen and the sequence, lumetri and proprieties on right screen. I Export by Crtl+M the sequence that contain CC, videos and audios, clickin on Export to Media Encoder… Later this when I go back to the Premiere, I don’t have the right screen configuration, not anymore, but still on my preset layout selected. I need to click on another preset, and later go back again to preset to “reset” the configs again. Expected Result: Everything like the same way that was after render. Actual Result: bug preset and continue select, but without the right screen. Screen Recording: left screen bug right screen bug​​​​​​ Premiere Version: 26.0.2 Operating System: Win11. GPU Driver (Windows only): Intel(R) Xeon(R) w5-2455X (3.19 GHz). NVIDIA RTX 4000 Ada Generation (20 GB). Video Format: XDCAMHD 50 NTSC (422)

After multiple TrackItem.move() calls on a duplicated sequence, the           ▎ sequence's display and selection state become desynced from the data model:   ▎ clips play correctly and report correct start/end values, but the timeline    ▎ draws ghost clips and Edit > Select All only finds a subset. Cutting and   ▎ pasting the affected clips fully resyncs the state.Steps to reproduce                                          1. Open a Premiere project with one source sequence whose video timebase        reports as 16 fps (a Microsoft Teams MP4 export reproduces this; happy to  attach a sample if useful).                                                     2. Run a CEP/ExtendScript that:                               - calls sourceSequence.clone(),                                                 - razors the duplicate at multiple time boundaries via                        qe.project...getVideoTrackAt(i).razor(timecode),                                  - removes clips outside the kept

I found a localization error in the Italian version of Premiere Pro regarding the export presets.The issue occurs with these two specific presets:"Come sorgente - Bitrate elevato adattivo" (Match Source - Adaptive High Bitrate) "Come sorgente - Bitrate basso adattivo" (Match Source - Adaptive Low Bitrate)The two presets are swapped. When I select "High Bitrate," the system applies the "Low Bitrate" settings, and vice versa.Language: Italian (it_IT)Platform: MacOS  

As stated, when I open a sound file in the source monitor and display the waveform, the interface becomes choppy to the point of unusable until I close out the waveform from the monitor. This bug has existed for years even back on my Intel Mac. Can we please fix this before spending time on fancy new features?!M4 Max MBPlatest Ppro and TahoeXDR Monitor