Feature Requests

the rounding of clips on the timeline has divided the userbase a lot from what i've seen, why not just make it customizable so everyone is happy

Premiere Proのエッセンシャルグラフィックスにおけるシャドウのグラデーション挙動について、ご報告と要望があります。Premiere 2024から2025頃にかけて、シャドウのグラデーションが「文字ごと」ではなく「テキスト全体」を基準に計算されるようになりました。Premiere 2025では、「塗り」をグラデーションに設定すると、シャドウのグラデーションが再び「文字ごと」に適用される挙動となり、この方法で従来のデザインを維持することができました。ところがPremiere 2026では、この挙動が変更され、塗りの設定に関係なく、シャドウのグラデーションが常に「テキスト全体」で計算されるようになっています。その結果、Premiere 2025までの挙動を前提に制作したテロップテンプレートやモーショングラフィックステンプレートで、デザインが変わってしまう問題が発生しています。もし意図しない挙動であれば、修正をご検討いただけますと幸いです。一方、仕様変更である場合は、既存テンプレートとの互換性を保ち、用途に応じて使い分けられるよう、・文字ごと・テキスト全体を切り替えられるオプションを追加していただけると大変助かります。ご検討のほど、よろしくお願いいたします。 I would like to report an issue and make a feature request regarding the shadow gradient behavior in Essential Graphics for Premiere Pro.Around Premiere 2024–2025, the shadow gradient behavior changed from being calculated per character to being calculated across the entire text.In Premiere 2025, setting the Fill to "Gradient" caused the shadow gradient to be applied per character again, allowing existing text designs to be preserved.However, in Premiere 20

Please add a Motion Control model to the video generation tool, similar to Kling's motion control

I'm a bit baffled that the default time interpolation is set to "frame sampling" - which I think sounds much fancier than it is!It's actually whole/hold frames- meaning that by default when an editor puts a clip in the timeline in slow motion, (say 50%), each frame is held for 2 frames, and the result is choppy playback....dating myself here by referring to this as 'reservoir dogs' style - aka stuttery CHEAP!I work with some editors that often forget to check in on all speed ramps and timing work they have done, and then we end up with choppy videos. I would love to see a global preference in pref/media where a user could specify an alternate default for time modified clips. Also, I recently learned (pls PLS correct me if I'm wrong here!) that when 'conforming' a timeline that has clips with multiple frame rates within it, it's the time interpolation that essentially conforms the clips for render output.  I was recently working on a documentary project with many mixed so

When subtitling long conversations, I have a style preference of removing full stops/periods at the ends of sentences, especially if the subtitle is just a single sentence. It makes the subtitles cleaner and the conversation seem less stilted. I'd love to see an option in the Create Captions dialogue box to automatically remove these trailing punctuation marks at the end of subtitles.

Keyframes are something we constantly use in Premiere Pro, especially for common tasks like zooming in, zooming out, or zooming to specific corners. Over time, people have come up with creative ideas to make this process less tedious and more enjoyable. I'm not suggesting getting rid of the Effects Panel, as we still need the ability to fine-tune keyframes in detail, but I think there should be a quicker, more intuitive way to work with keyframes—something more engaging and fun than constantly clicking on stopwatches.One feature I’d love to see in Premiere is something similar to DaVinci Resolve’s Dynamic Zoom. Essentially, you’d have a set of presets with quick access in the Effects tab, and Premiere Pro could apply a default zoom effect to all clips, which would save a lot of time. Another tool I’m a big fan of is a plugin called DragAndZoom Pro for Premiere.It allows you to drag a box over the area of the screen you want to zoom into, and a transform effect is automaticall

Hello,I would like to submit a feature request regarding timecode-based synchronization in Adobe Premiere Pro.In my workflow, I regularly work with a large number of clips (e.g., 100+ clips from multiple cameras) that are already perfectly synchronized using timecode. My goal is to align all clips directly in the timeline based on their individual timecode while keeping them as fully independent timeline elements.At the moment, this is not possible in Premiere Pro. The Synchronize function only works for a small number of selected clips, and larger selections are restricted. This forces users into multicam workflows, which are not always appropriate, especially when full individual clip control is required.What makes this limitation even more surprising is that external tools such as PluralEyes have been able to perform this type of batch synchronization easily for years, including large-scale multi-clip synchronization based on timecode and/or waveform analysis. Given this, it is diff

Dear Adobe, it probably makes no sense to write, cause the problem persists for many years already, and users ask for that for many years, but if there is a slight chance, PLEASE, do aling mouse functionality across your product, so that the middle mouse would be hand/pan on the timeline in Premiere Pro.😟

Problem:When working on long-form projects with high audio track counts, the timeline panel becomes cluttered. Scaling up audio tracks to see waveforms forces the video tracks completely off-screen, requiring constant vertical scrolling.Proposed Solution:Allow users to split the view of a single sequence timeline into two stacked or side-by-side workspace panels—similar to the historical Final Cut Pro 7 layout. One panel could be scrolled/scaled to focus exclusively on top video tracks, while the other panel focuses strictly on bottom audio tracks.Why native workarounds fail:Duplicating the sequence or loading a sequence into the Source Monitor breaks active editing flow. The timelines do not mirror dynamic cuts or clip movements in real-time, making a native, unified split-view necessary for complex audio-to-video alignment.

Changing / Enlarging UI Text (via AdobeCleanFontSize) has been removed.    XXXX   However, the 'AdobeCleanFontSize' has been removed. Can this be reinstated?   Moderator note:Edited due to Adobe policy prohibiting discussion of use of the engineer's console on their forums.

Would love to see AI-powered face retouching tools built directly into Premiere Pro similar to what's available in Facetune, TikTok, Instagram filters, or apps like YouCam and Snow.This would help creators and editors easily apply natural-looking skin smoothing, blemish reduction, teeth whitening, eye brightening, or even makeup enhancement , without needing to switch to third-party apps or use After Effects workarounds.Key features could include:One-click auto-beautifyManual sliders for skin texture, tone smoothing, under-eye correction, and contourReal-time previewAdjustment masking for facial features only, leaving background untouchedThere’s already demand for this type of non-destructive, professional beauty filter, especially among:YouTubers and influencersShort-form content creatorsCorporate clients who want light retouchingWedding and event editorsPlease consider adding this. It would save a lot of time and improve workflow for so many of us.

My request is to have the option to color speakers within the text transcript panel. That way you can easily pinpoint responses from a specific speakers at a glance. The color can either be applied to just the speakers name or it can be a combination of the speakers name and the related text. 

When editing the Transcript (correcting spelling, search & replacing words, etc.), I'd like an option to automatically sync those changes to already-generated captions — without having to manually locate and update each caption separately.This becomes especially problematic in two common scenarios:1. Late-stage corrections with multiple aspect ratiosWhen delivering the same edit across multiple sequences (16:9, 9:16, 1:1, etc.), finding a single spelling error or needing to replace a word means manually hunting down and correcting that caption in every sequence individually — extremely tedious at scale.2. Regenerating captions after sequence editsIf I've made sequence edit changes that require regenerating captions, but my corrections only exist in the on-screen captions (not the transcript), regenerating wipes all of those changes — requiring all caption corrections to be redone from scratch.Suggested implementation: a toggle or checkbox in the Transcript panel that enables auto-s

Often scrolling the Markers-panel is extremely slow, which is weird since they are just markers. I suspect generating the thumbnails is what is taking most of the computing power – everything else is just text in there. I rarely need the images; color coding and large text boxes are the tools I need when browsing markers. Option to toggle the thumbnails with only the marker color flag would be welcome. (At least if I'm correct and that would fix the performance issues with that panel)

Another update has arrived (26.3) But it's sad. I didn't see the Ukrainian language in the list again. I don't understand why, because 4 years ago a request was created that gained a lot of support among users, everyone wants native language support in Premiere, without boring transcriptions by third-party services and importing into the program. Give at least a hint whether we should expect this wonderful update in the near future?

Surprisingly, from the makers of Photoshop, the industry standard graphic design suite, the UI of the Premiere sequencer section is underwhelming. Sequencer (Timeline section):-Many sequencer options, selection tools and editing features, that are standard in other software, require multiple clicks and workarounds in Premiere.-When trying to edit the clips on the Timeline or clear the selection by clicking on an empty area on the track, the selection cursor brackets only render the track with an extra bracket or white background.-The selection Brackets and the Playhead don’t visually align with the precise edit points compared to other sequencers in the market.-When automating clips to the Markers based on Audio tempo, they aren’t evenly rendered in the Timeline, requiring the user to move them back and forth, to finally end up with the correct clip length and visual timeline width for the edit.Recommendation to start using Pro Tools for a while to see the contribution an amazing Seque

Premiere Pro desperately needs a Global Audio Effects Mute button (or an "All Audio Effects Bypass" toggle per track/sequence), functioning exactly like the current Global Video FX Mute feature. Currently, processor-heavy VSTs and track-level audio effects cause severe playback stutter—especially when utilizing the J−K−L keys to edit at 1.5× or 2× speeds.The Problem & Workflow BottleneckFor editors handling long-form content (podcasts, interviews, voiceovers), applying track-level effects like denoisers, compressors, and EQs early in the workflow is standard practice. However, these effects are highly CPU-intensive.When scrubbing through a timeline at accelerated playback speeds to make quick cuts, the audio processing cannot keep up, resulting in extreme stuttering, digital artifacts, and lagging.Why Current Workarounds Fail "Add Effects Last": Suggesting that editors add audio effects at the very end of a project is unrealistic for modern, fast-paced workflows where clients requi

A selective FX mute button for the timeline would be incredibly useful. Right now, we only have the global FX mute in the monitor window, but I'd love the ability to mute only specific heavy effects on the timeline that cause playback stutter, like all Noise Reduction FX for example, while keeping others active, such as my Lumetri Color adjustments.What I’m envisioning is something similar to the Remove Attributes function, but instead of deleting the selected effects, it would let you temporarily disable certain effects on your timeline. Ideally, you could toggle certain effects on and off for the whole timeline at once, like you would for individual clips.

There's a very useful 'replace clip' function that does not have a keyboard shortcut, be very useful if it did, e.g.  'Replace with Clip > From Bin, Match Timing'. As an additional - 'Replace with Clip > From Bin, Match TimeCode' and 'Replace with Clip > From Source Monitor, Match TimeCode' would also be usefulBrief overview of drag behaviour:Shift + Alt + Drag from BinMatches playhead-relative position between selected timeline clip and dragged bin itemExample:If the timeline playhead is 5 seconds into source clip 1, the replacement will begin 5 seconds into source clip 2. If the 2 items start with the same timecode then it is the equivalent of 'Replace with Clip > From Bin, Match TimeCode'2nd+ selected clips → remain in temporal sync with the first (no shot repetition)

A helpful addition to the Project Manager would be to include an option to keep folder structures when collecting files and moving to a new location. So instead of having just one folder with all the media content, premiere pro will output the files into the same folder structure created within premiere. After Effects saves the folder structure. Could Premiere Pro do the same?

Subject: Adobe Creative Cloud User Experience Improvement SuggestionsDear Adobe Team,I am a long-time Adobe Creative Cloud subscriber and professional content creator. Over the years, Adobe products have become the industry standard for creative professionals. However, there are several workflow issues that regularly consume valuable production time and create unnecessary frustration.I would like to share the following suggestions for improvement.1. Improve Adobe Fonts Library OrganizationCurrently, font families are automatically expanded to display all font variations such as Light, Regular, Medium, Bold, Black, and Italic.For users with large font collections, this creates an extremely long and cluttered list. Finding fonts becomes difficult, and users often spend time manually collapsing font families just to navigate the library efficiently.Suggested Improvements: Keep font families collapsed by default. Add "Expand All" and "Collapse All" buttons. Provide better filtering and

Dear Adobe Premiere Pro Team,As a professional video editor, I rely heavily on speed and keyboard-driven workflows. After Effects has FX Console, which allows instant searching and applying of effects using a single shortcut.Premiere Pro currently lacks a similar fast, global effect search and apply system. Adding an FX Console–style feature—where editors can press a shortcut, type an effect name, and apply it directly to selected clips—would greatly improve productivity.This would be especially valuable for editors working with large effect libraries, presets, and frequent repetitive workflows.I strongly believe this would be a high-impact quality-of-life improvement for Premiere Pro users.Thank you for your continued development of Premiere Pro.Sincerely,Tarang Singh

I want to be able to apply any effects whereever I am inside Premiere Pro just by calling up a search bar for effects. For example I do CNTL+Space and a search bar pops up and I simply search for the effect I need.There a third party plug-in from Video Copilot for after effects. Foundry Nuke has the same thing, you just need to press Tab and everything is ready to go.

I would love to see Adobe Premiere Pro's new Color Mode expanded with dedicated film-emulation controls, allowing users to achieve cinematic film looks without relying on multiple third-party plugins or complex effect stacks.Suggested additions:Halation Control Adjustable intensity Highlight threshold Color tint options (red/orange film-style halation) Film Glow / Highlight Bloom Soft highlight diffusion Radius and strength controls Film-inspired optical bloom behavior Film Grain Multiple grain profiles (16mm, Super 16, 35mm, 65mm) Grain size, intensity, and response to exposure Resolution-independent grain rendering Gate Weave & Subtle Film Movement Optional micro-movement simulation Adjustable strength Film Texture Controls Halation Grain Glow Color separation Highlight roll-off Shadow softness The new Color Mode already provides an excellent foundation for modern color grading. Adding integrated film-emulation tools would streamline cinematic workflows, reduce de

Premiere Pro urgently needs a native tool for creating modern social media captions without relying on plugins or MOGRTs.Right now, the workflow is far too cumbersome compared to CapCut. To achieve the caption styles that are now standard on TikTok, Instagram Reels, and YouTube Shorts, users often have to convert captions to graphics, manually animate them, or purchase third-party solutions.In CapCut, these styles can be applied in seconds. In Premiere Pro, the same result requires significantly more time and effort, making the process inefficient for creators who produce short-form content regularly.Features that would make a huge difference include:Word-by-word highlighting. Automatic pop-in and scale animations. Presets for popular Reel and TikTok caption styles. Easy customization of fonts, outlines, shadows, backgrounds, and colors. Automatic emphasis of key words through animation or color changes. The ability to apply these styles directly to generated captions without convertin