Feature Requests

@R Neil Haugen @IanB_360 Maybe its time that Adobe deals with VFR...  at the VERY least, when you create a proxy, maybe the proxy can be CFR.....  frankly, it seems like a pretty minor thing to fix if a free bit of software can do it... adobe should address this once and for all.

Hi there, would it be possible at all to allow scrolling while dragging items in the project window? Currently the only way to get the project window to scroll while holding an item is to hold your cursor at a very specific spot (that isn't really overly clear at all) and then just pray it moves at the correct speed and doesn't move at either the speed of a snail or completely teleport to the top/bottom. Organising large projects is really important and sometimes it really does just feel like I'm fighting premiere to get it done and the only way to get on with my day is manually close all bins that aren't the bin I'm after. Allowing mouse wheel scrolling would allow the user to more naturally search for the bin they're after in the list and place a file where they want it to be. In the same vein I feel like `Shift + MouseWheel` should allow the user to scroll horizontally in the project window as well, but that might be a discussion for another post. I'm unsure if this is may

I'm having trouble changing the voice speed in Adobe Premiere. If I enable the auto-pitch correction feature, the voice breaks (echoes and distortions appear). This problem has been going on for over a year. Can you tell me how to fix it? I've already tried everything.

ソースモニターに波形の表示できるのはすごくいいんですが波形トラックの高さを狭くしたりできると嬉しいです。現状だと高さ変えれても全体の高さは変えれないのでいまいちです。 

Implementar curva de velocidade renovada como ja tem na concorrência e no propio after efcts 

INSERIR URGENTE LEGENDAS ANIMADAS E COM AS PRINCIPAIS MODELOS UTILIZAVEIS 

How will the idea help your workflow? Adding keyboard shortcuts for "Extending Previous Edit to Playhead" & "Extending Next Edit to Playhead" have changed my edit game in terms of speed. Would love to see this capability extended to Captions in the Caption Track. Currently, they don't work even though the Caption Track is Targeted. Maybe a bug, but gonna request as a Feature I'd like to see implemented. I do a lot of captioning so not having to toggle tools saves me a lot of time spent elsewhere.

Hi all, I am recording videos at my kids' school, and their stage lighting is horrendous. Half the kids are lit, the front is overly lit, and there are no lights in the mid to back stage. See screenshot. Can we please have this panel added to Premiere? (Second screenshot below) I need to have the ability to edit the people individually and light them as needed. Plus sharpening, color corrections, etc. Thank you! 

I have 20 4k clips on the timeline, I made corrections to them and at the end, I want to apply "Warp Stabilizer".If I do it at the same time for all the clips my iMac is not able to do it.Often some of the clips are not stabilized and I have to press "analyze" again.Even worse, sometimes the computer hangs because of the hard work because it tries to apply the "warp stabilizer" effect to all the clips at the same time.I need to find a way to overcome this issue. The best thing would be if Premiere would apply the effect to the clips sequentially, but I don't know how to do it.I hope you can suggest a new way to solve this problem, thanks.

Hi everyone. I got the new version of Filmoa. There is a feature where you literally press one button, and this allows you to whiten you teeth with a slider. It works so, so well. For a guy like me, with disgusting yellow teeth, this is a godsend. (The rest of me isn't much better but that's another story.) I would like Adobe to seriously consider installing this apparently simple feature. I will even pay them to do it. I've got Beauty Box, which is great, but doesn't have a teeth whiten function (to my knowledge). I've tried countless times to mask, edit, hue etc, and failed miserably each time, and wasted counted hours (I'd probably just save time by, like, brushing my teeth). Anyway, can someone please tell me how to refer this to the Adobe Gods, and get it in the timeline? My teeth ain't gettin no whiter in the meantime. Thank you all. 🙂

This would be the most useful thing in the world for doc editors. Say I have a bin full of A-camera files, a bin full of B-camera files and a bin full of audio files. All with correct timecode. I want a way to take all of those files and have Premiere put them all on a timeline - A-cam on V1 / A1 & A2, B-cam on V2 / A3 & A4, Audio on A5, A6, A7, A8, whatever, in real time order. So whatever the earliest timecode of any of the clips is, - say 09:12:14:03 - that becomes the timecode for the beginning of the sequence. And every clip gets put into the sequence at the correct timecode for that clip. So you have a sequence that basically represents the entire day of shooting, with gaps where nothing was rolling, but in theory everything synced between each camera and audio where it can be.

Every single time I go to Transcribe audio, it's set to Auto-Detect.We have a guy with a thick French accent and the software almost always detects the wrong language. Basically everything I do is in English, so can you please save my preferred Transcription language? Having to pick English every time seems unnecessary. Plus, for people who don't have issue with the Auto-Detect, they can keep it on that setting and it's no extra steps for them.Win-win situation!

This feature request ist related to a broader idea i have in mind:Music Stem Mixing & Remixing features – Enhanced A... - Adobe Product Community - 15453030Inspired by tools like Loopmasters’ Loopcloud, it would be amazing to re-pitch and time-stretch stems to match other audio elements. This would open up creative possibilities for blending different songs, make it easy to transition between different songs (because they are in the same key and same bpm), removing repetitive sections, and making music evolve organically within a scene.

This feature request ist related to a broader idea i have in mind:Music Stem Mixing & Remixing features – Enhanced A... - Adobe Product Community - 15453030To keep the timeline clean, it would be great if we could nest/collapse stems to a single clip. Editors could expand the group only when needed to adjust individual stem volumes or apply effects. This would reduce visual clutter while maintaining flexibility.Another way to solve it would be to have one nested clip but give the stems seperate faders.See epidemic sound: Integrating stems with Essential Sound features could allow dynamic control over the energy of a scene. For example, reducing the loudness of high-frequency stems could soften the mood, while boosting rhythmic elements could increase intensity. It would be amazing if I could design a crescendo for the intro (think of YouTube tutorials) and then start the main part calmly.

I’m a big fan of Premiere Pro’s Remix feature—it’s a powerful tool for adapting music to fit video timelines. I’d love to see this functionality evolve to support music stems, enabling more granular and creative control over audio.Remix with Stems Instead of Full TracksThe next step in my audio workflow would be the ability to remix individual stems (e.g., drums, bass, vocals) as if they were one song. This would allow editors to tailor the music more precisely to the mood and pacing of their content. Here is a link to the broader idea i have in mind.Music Stem Mixing & Remixing features – Enhanced A... - Adobe Product Community - 15453030

I’m a big fan of Premiere Pro’s Remix feature—it’s a powerful tool for adapting music to fit video timelines. I’d love to see this functionality evolve to support music stems, enabling more granular and creative control over audio.1. Remix with Stems Instead of Full TracksThe next step in my audio workflow would be the ability to remix individual stems (e.g., drums, bass, vocals) as if they were one song. This would allow editors to tailor the music more precisely to the mood and pacing of their content.Feature request: Nested Audio (Grouping Stems) - Adobe Product Community - 155504062. Nested Stem Groups for SimplicityTo keep the timeline clean, stems could be collapsed into a single nested clip by default. Editors could expand the group only when needed to adjust individual stem volumes or apply effects. This would reduce visual clutter while maintaining flexibility.Another way to solve it would be to have one nested clip but give the stems se

I havent been able to find a solution for this yet, so I am not sure if it exists, but whenever I record VO via the premiere timeline (tapping on the mic symbol + record R) , it fills my project bin with a ton of VO clips, which I then have to manually drag into an appropriate bin.Is there a way to select a location before recording? If not, that would be a well-needed addition.It would also be great to be able to specify group names for the VO clip sessions before hand, so you can easily differentiate them. Thanks

When entering vertical workspace or in general, it would be nice to have built in social media overlays to see if our video doesn't touch any of the like, share, comment icons. Would be nice if it was built in rather than having to find and download 

Since, I'm not a professional video editor, I have really struggled getting up to speed with Adobe Premiere Pro.  However I've found Rush to be very helpful Now Adobe is discontinuing Rush, I'd like to know if there is any way to simplify and make Premier Pro behave more like Rush in terms of user interface?  Are there any simplified editing panels?

Would be great to be able to pause media analysis if you started the process, but then had to jump onto some CPU intensive work and then have the option to resume analysis when you went on a tea break for example. Currently, if you cancel the analysis to work on something you have to start from scratch and it's easy to forget to start the process when you leave for the day so that it can run overnight.

Hello ! Context :I've been a Premiere editor for a long time. But my recent jobs have forced me to work on Avid Media Composer. This has required me to completely rethink the way I edit: Premiere being more suited to drag-and-drop workflows and Avid more keyboard In/Out workflows. On Avid, you tend to create multiple sequences for your selects. Then, use those sequences in your Source Monitor, and use the "Toggle Source/Record" function to show the source timeline, and integrate clips on your sequence. Now that I'm back to using Premiere as my main editing program, I wanted to bring this method to the way I edit. But doing it on Premiere is kind of frustrating on specific points. I think this kind of workflow has a lot of benefits compared to pancaked timelines: you can edit more precisely, as you can anticipate the exact start and end frames you're going to insert. You are also working more efficiently because of the keyboard centric approach and using two monitors

Currently in Premiere Pro, you can’t add keyframes to several highlighted properties with one click, you have to enable keyframing for each property individually. It would be great to have a shortcut or command that lets us toggle or add keyframes to all selected properties at once in the Effect Controls panel. This would speed up animation workflows and make Premiere feel more consistent with After Effects, where multi-property keyframing is already possible. It’s a small feature request but would make a big difference for editors who animate frequently within Premiere.

Hello ! Context :I'm using Premiere Pro daily with a timeline opened in my Source Monitor to have a similar configuration than the "Toggle Source/Record" from Avid. I find this workflow to be a lot more precise and pleasing than pancaked timelines, as you can anticipate exactly the start and end frame when puttings clips on the program timeline, and use the two monitors efficiently. This way of working in Premiere works actually works, but there are a few annoying bugs and small things missing that are really painful when using this workflow daily. This bug/feature which is here since a long timeline is one of the reasons this workflow sometimes feels painful (see this and this topic). The bug :Open multiple timelines both in the Program Monitor and the Source Monitor through the wheel and "Open in Timeline".Save the project and close Premiere Pro.Reopen the project.The previously opened timeline in the Program Monitor will be reopened, but the previously opened tim

Hello ! Context :I'm using Premiere Pro daily with a timeline opened in my Source Monitor to have a similar configuration than the "Toggle Source/Record" from Avid. I find this workflow to be a lot more precise and pleasing than pancaked timelines, as you can anticipate exactly the start and end frame when puttings clips on the program timeline, and use the two monitors efficiently. This way of working in Premiere works actually works, but there are a few annoying bugs and small things missing that are really painful when using this workflow daily. This bug/feature which is here since a long timeline is one of the reasons this workflow sometimes feels painful (see this and this topic). The bug :Open a timeline in the Program Monitor.Open this same timeline in the Source Monitor.From the Source Monitor, click on the wheel and "Open in Timeline"The previously opened timeline in the Program Monitor will be closed, and nothing will be opened anymore in the Source Monito

Could we not have the DV capture window from version 23 as a stand alone app, so we dont have to run 2 versions of premier pro and media encoder if you want to keep this functionality. I know there are third party options to do this but its always a bit sketchy downloading from unknown websites.