Adobe Premiere

I’m not having the wonderful experience with the new color management i expect. I thought it was a feature of my Intel MacBook Pro and its GPU but it seems others are having this problem. If I apply a Lumetri creative LUT and i’m in an Aces color space timeline I get a weird solarised effect. This happens if I select Aces or Rec 709 in the color space box. So i’m assuming the LUTs are not designed for Aces color space. So is there a work around for this ? There should be a way to block or grey out the Rec 709 LUTs so they cant be used if that’s the reason.Or can the LUT be applied on export to Rec709 ? Is there a plan to tackle this problem in a future release ?Thanks Jonathan

Premiere automatically replaces a deleted video file with another file with the same name found in other folders on the drive. More details. I was given two flash drives containing video from different cameras, even from different shooting days. But the file names in the folders are the same. Both are Sony cameras. The files in the first folder start with C001, and the files on the second flash drive also start with C001. I import these files into Premiere. All the files are in different folders. Each camera has its own Composition (Sequence). I start editing. I find the defective shots and immediately delete these files from the computer drive so they don't take up space. Previously, Premiere would immediately display an error that the file is now unavailable (it can't find the file), and Premiere would open a window asking me to find the file manually. I see which files it can't find and then simply delete them from the project. But now Premiere simply replaces the deleted file from

Hi, ​@Mathias Moehl Is there a way I can script a ‘get audio tracks of project item’. It’s not a built in block, but I see the API has a get audio tracks code.I’m still struggling with the custom-code block, but I’ll get there some day.The goal here is to identify project items that have 10 channel audio (or don’t when they should).

I had an issue with Premiere not sending the projects to Encoder, then I noticed they both have a new update so unfortunately I updated them. Since then I am can't start either of them getting the error 0Xc0000142 message. Other adobe applications such as After Effects, Audition and Photoshop are still working fine. I have tried the following fixes depending on what I found on the internet: * Uninstall and reinstall the applications. * Turn off / Unplug my second monitor. (tried with both monitors). * Made sure windows is up to date. * Reverted to an older version of windows. * Disable all windows startup programs. * Turn off windows defender / enable premiere and adobe CC through it.   My PC is strong enough for the CC applications, and I never had any issue with them while they are running, but I am noticing that everytime there is an update I am facing a new issue right afterwards.   Any idea what I can do? I was working on a project I need to export ASAP!

Yesterday I closed the big Production that I do most of my work within, to work on a small stand-along project.Today, I’m back to working within the main Production. From the ‘recents’ screen on startup, I selected the Project I was working in before the weekend. It opened perfectly fine, but the Production itself didn’t open. The Project opened as a stand-alone, which it’s not supposed to be, it was created inside the Production. The Production is no long in my ‘recents’ lists, so I can’t open it from that shortcut. When I go to File/Open Production/Browse and select the folder by the name of the Production I’m working in, it warns me ‘The selected folder is not a Production. Do you want to convert this folder to a Production?’.I’m scared to do so, I don’t want to change or corrupt all the files the production was built on.How do I get the Production open again??? How do I find the actual folder that is the Production, if the one I’m navigating to isn’t (apparently) a Production??? I’

My media cache only, as far as I knew, was in one folder location. Now, I am finding the ridiculously oversized audio files all over the place, which is utterly destroying the free space on my C drive. I don't know if this is a bug, but I never used to have this problem.  Currently, I have found in the hidden folder in the main user "AppData" folder under "Roaming->Adobe->Common" in the "Media Cache" and "Media Cache Files" (where it's always been) and also under "Peak Files." The strange additional location that I have no idea why it's putting them there also is under the "Public" user folder in the "Public Documents" folder ("Media Cache" and "Media Cache Files). I have a few questions: 1) How to I find if there's any other places Adobe is putting the files? I need to DELETE these space sucking monsters if there's anymore any place for old projects.2) Why is Premiere making multiple files of these giant sound files and putting them in multiple locations? How

I have Premiere set to save the cache in my D drive. I’ve had this set this way for some time and never had an issue since I did it.Today, the program keeps saving on my C drive, in the public folder for some unknown reason, even though it’s still set to put those files in my D drive in a set cache folder. 

Sometimes I need to delete some effects from clips in the effects control panel. This takes a long time if there are a lot of clips. Is it possible to automate this using Automation Blocks? The same question applies to transitions between clips—sometimes I accidentally press CTRL+D, don't notice, and then end up doing wasted work. 

After creating Object Mask 01, Premiere Pro does not highlight or enable the options needed to create a second object mask. While Object Mask 02 is technically created, no overlay appears. To restore the subject highlighting, I have to save the project, close Premiere Pro, and then restart both the application and the project.

In Premiere 26.0.1, when I create guides in the program monitor, they work fine. But when I switch to full screen, the guides are present but they are not correct.  See attached.  Running Premiere 26.0.1 on a 2025 Mac Studio running Sequoia 15.7.4 

cross dissolve boxes on clip when mousing over in timeline, how do you remove them? I’m on 26 and this a new 

I am finally getting to upgrade to a laptop that would work better with Premiere and Photoshop, and possibly After Effects.  My IT department has not been that helpful “get what you want for around $2,000.”  I work from a few different buildings - so I need a laptop rather than a desktop. IT suggested lookjing at Lenovo. I just got an email for what I think is a deal - $2,250 for Legion Pro 7i Gen 10 Intel (16") with RTX™ 5080 - Ultra 9 275HX Processor, NVIDIA® GeForce RTX™ 5080, GPU 16GB GDDR7, Memoriy: 32 GB DDR5-6400MT/s (CSODIMM)(2 x 16 GB), Storage: 1 TB SSD M.2 2280 PCIe Gen5 Performance TLCThanks for any insight!

When using the “Export Frame” button, the PNG format option let’s me choose a Depth setting, but unlike the Path and Format settings, for example, this one does not remember what I picked and always defaults to 8bit on every new frame export. 

screenshot of the video I am editingI am trying to add a blurred version of the video to the top and bottom to get rid of the blur and I cannot work out how to do it at all, any help would be amazing!

Whenever I go to add auto captions on my iPad, it gives me the message “No media in the project can be transcribed”.

Although I’ve been using Adobe Premiere for years, I believe this is my first time creating an account on the community forum.I’m reaching out regarding a terrible issue that Adobe hasn’t resolved, and it’s driving me insane day after day.It has become almost impossible to edit files from my Sony A7III camera (4K 4:2:2 10-bit) unless I create proxies.Alright, I’ve accepted the fact that for every bigger project I’ll need to generate proxies in order to edit smoothly.However, “CREATING PROXY JOBS” takes at least 10× longer than actually creating the proxies themselves.And this is driving me CRAZY!This was NOT a problem before!Some people on the forums say that Media Encoder scans all files in the folder and that it depends on the number of files — but I call that nonsense.I tested this with a folder containing only 10 short clips and the result is exactly the same.IS ADOBE PLANNING TO FIX THIS OR SHOULD I CANCEL MY SUBSCRIPTION???