Product updates

 Discover the new generation and editing experience in Adobe Firefly (Private Beta), where image and video creation, editing, and asset organization come together in one seamless creative workspace. Creative work rarely happens in a straight line. You start with an idea, refine the details, organize assets, and bring everything together into a final masterpiece.What if you could do all of that in one place? The new generation and editing experience in Adobe Firefly (Private Beta) connects AI-powered creation, editing, and project management into a seamless workflow. Generate an image, fine-tune specific elements, save and organize your assets, transform images into videos, and keep editing without ever leaving your workspace.From first spark to final deliverable, Firefly keeps your creative flow uninterrupted.For more details on Firefly’s new generation and editing workspace, check here  Try it and tell us what you think! Join the waitlist. Reply with your first impressions, what's clicking, what's not, or what you made first. If you run into anything unexpected, drop a post in the community and we'll help you sort it out.Hit 👍 if this was helpful, and ⭐ Subscribe to catch future Firefly updates as they land.

The June 2026 Photoshop update is here, bringing more creative choices and meaningful workflow fixes. What’s newThis release expands creative choice in Generate Image with access to custom‑trained AI models, similar to what you’ve seen with Generative Fill. You can now choose from Adobe and partner models, including Firefly Image 5, Flux.2 Pro, and Gemini, making it easier to explore different visual styles, achieve stronger photorealism, and get results that stick closer to your prompts. Whether you’re experimenting with concepts or polishing production‑ready visuals, having multiple models at hand gives you more control over how your ideas come to life. Bug fixes — thanks to you!Your feedback continues to shape these updates. In this release, we’ve addressed several customer‑reported issues to make everyday workflows more reliable:Canvas size relative mode fields display incorrect default values, reject zero and negative values, and use incorrect increment steps. Add support to rename smart objects. Image > calculation > Source Dropdown list does not show other copies. Canvas size relative values are not captured in Actions when the Modern User Interface is enabled. Unable to resize Dynamic Text   bounding box when only a few words are present in a large text box. Transform tool no longer retains the selected interpolation method after restarting Photoshop.For a complete breakdown, see the full list of fixed issues in the release notes. How to updateTo get Version 27.8, open the Creative Cloud desktop app and update Photoshop from the Apps tab. Once updated, you’ll see the new model options available directly inside Generate Image. Join the conversationHave you tried the new image models yet? We’d love to see how different models change your creative output, share what you’re generating, what’s working best for your prompts, or any feedback you have for future updates.

This release brings sharper precision, deeper color insight, and more control to every edit. What’s NewThe June update for Camera Raw v18.4 brings sharper precision, richer color insight, and more control in your editing workflow. You’ll notice significantly improved subject detection when masking, making it easier to isolate subjects, even in complex, busy backgrounds, for faster and cleaner edits.Color workflows get a meaningful upgrade with the introduction of Vectorscope, which lets you visualize hue and saturation distributions for more accurate color grading and consistent skin tones.Alongside this, the new Bidirectional Gradient mask opens up creative possibilities with two-sided gradients, helping you create smooth transitions and highly targeted adjustments.This release also expands support for the latest DJI and Canon camera models, as well as Canon and Sony lenses, ensuring you can seamlessly edit files from newer gear without compatibility concerns.Learn more about what’s new in the Camera Raw release here. Bug FixHistogram isn't visible in Adobe Camera Raw (version 18.3.1), but it displays correctly when using the Camera Raw filter in PhotoshopHow to UpdateOpen the Adobe Creative Cloud desktop app, go to the Apps tab, and update Lightroom to the latest version. Turn on automatic updates to get new features as soon as they’re available. Join the ConversationWhat are you excited to try first in Lightroom v9.4? AI‑powered photo‑to‑video, faster culling, or smarter selections? Tell us how these updates fit into your creative workflow and share your feedback with the community.

The June 2026 update to Lightroom (v9.4) lets you add AI-generated motion to your photos, recover and sharpen blurred images using AI Sharpen, explore people-focused culling, and organize smartly.  What’s NewThe Lightroom ecosystem (v9.4) brings more creative flexibility, speed, and control to everyday workflows. On desktop, the new Faces panel streamlines people-focused assisted culling with Eye sharpness and Eyes open scores, making it easier to pick the best shots quickly. You can also bring photos to life with Generate Video, turning a single image into a short video using a simple text prompt. AI Sharpen (powered by Topaz) restores detail in slightly out-of-focus images, while improved subject selection when masking and the interactive Histogram give you more precise control over edits. Custom color labels help streamline organization and keep projects easy to track.On mobile, iOS users can now edit photo location data directly in-app, while Android users get seamless blemish removal built into the Skin tool in Quick Actions.Both platforms also gain expanded camera, lens, PSB, and WebP file support for greater compatibility on the go.Learn more about what’s new in the Lightroom ecosystem and the latest release here. 👉 Download the latest version of Lightroom here. Bug Fixes(macOS) An error message, “Some images were exported with outdated AI Settings”, displays when exporting photos from Lightroom The sequential file naming is incorrect when using the Filename options for export Colored borders may appear lighter or display a gamma shift after exportSee the full list of bug fixes here. How to UpdateOpen the Adobe Creative Cloud desktop app, go to the Apps tab, and update Lightroom to the latest version. Turn on automatic updates to get new features as soon as they’re available. Join the ConversationWhat are you excited to try first in Lightroom v9.4? AI‑powered photo‑to‑video, faster culling, or smarter selections? Tell us how these updates fit into your creative workflow and share your feedback with the community.

The June 2026 update to Lightroom Classic (v15.4) adds a new Faces panel for people-focused culling, automatic duplicate detection, keyword sync across the Lightroom ecosystem, and more precise subject selection when masking. These updates help photographers handle large shoots and organize catalogs with less manual effort. What’s NewLightroom Classic v15.4 is built to help you move through large shoots with more speed and confidence. The new Faces panel in Assisted Culling brings a people-first approach to selection, surfacing Eye Focus and Eyes Open scores so you can instantly identify your best frames. New auto duplicate detection scans your catalog for exact matches and neatly groups them into stacks, making cleanup far less manual. Masking also gets a boost with more precise subject detection, helping you separate subjects from complex backgrounds with cleaner, faster results.On the organization side, AI-powered metadata filters and Smart Collections make it easier to sort, find, and manage your images, while keyword syncing ensures your tags travel seamlessly across Lightroom desktop, web, and mobile. The update also adds support for new cameras and lenses and brings smoother, more responsive brushing while masking.Learn more about the latest updates here. 👉 Download the latest version of Lightroom Classic here.Note: Lightroom Classic 15.4 includes a one-time catalog upgrade. It will upgrade a copy of your catalog and leave your original intact.​​ Bug Fixes:The local adjustment settings reset after adding or updating brush strokes when masking photos While running background AI operations, white and black borders appear around Filmstrip thumbnails A large number of files fail to sync when you deselect Denoise while using Auto SyncSee the full list of bug fixes here. How to UpdateOpen the Adobe Creative Cloud desktop app, go to the Apps tab, and update Lightroom Classic to the latest version. Turn on automatic updates to get new features as soon as they’re available. Join the ConversationWhat are you excited to try first in Lightroom Classic v15.4? Assisted Culling, duplicate detection, or faster subject selection? Tell us how these updates fit into your editing workflow and share your feedback with the community.

Go from first prompt to publish-ready — without leaving Express If you've been in the AI Assistant beta, you already get the idea. Today, it gets a lot more powerful.Starting June 18, the AI Assistant imaging update is live in Adobe Express, and this is the version we've been building toward.  What's new?The earlier beta let you describe what you wanted and see the assistant take action. This update goes further: re-imagine any image in a single prompt while keeping the parts you love intact, then keep layering. Crop, add filters, adjust lighting, and more until every detail lands exactly where you want it. Prompts and manual edits work together in the same flow, so you're never choosing between AI speed and hands-on control. Here's what that looks like in practice:Turn a casual snapshot into a polished professional headshot in seconds. Spin up product shot variants for a campaign without a full reshoot. Remove distractions, swap backgrounds, or take yourself from city to beach. Kawaii your cat. Remove the person who always blinks. Make a meme. Go wild. When you're done, drop your finished visuals straight into a social post, flyer, or presentation — without ever leaving Express.  Why did we build this? Honest answer? Because fast and finished are not the same thing. We kept hearing the same thing from creators: the AI output gets you most of the way there, but the final details (the crop, the lighting tweak, the background swap) still mean jumping to another tool. That breaks the flow. This update is built to close that gap. How to find it: Head to our AI Assistant landing page, toggle on AI Assistant Beta, then select Edit image. Not sure where to start? Browse the built-in presets (Kawaii, gel lighting, professional headshot, and more) to find a style that fits, then use prompts to make it yours. From there, dial in the details with Express's full manual editing toolkit. Already using Brand Kits, the Content Scheduler, or the Clip Maker? This fits right into that same workflow. Create, refine, and publish without breaking stride.  A few things to know! AI Assistant is in beta on desktop only, available to personal Premium and Free plan accounts. Teams, Enterprise, and Education plans aren't supported yet. Access is rolling out gradually worldwide; if you see "coming soon," you're in the queue. No sign-up needed: if you're eligible, a welcome message will appear when you visit the link above.On credits: image editing actions like restyling, adjusting, and modifying your existing photos don't consume your free daily generations. Actions that generate entirely new content (like inserting objects or generating a new image from scratch) do. Free plan users get a daily allotment; Premium users get monthly generative credits for more.AI Assistant is available in English, French, German, Japanese, Hindi, and Brazilian Portuguese, with more languages on the way. Give it a tryJump in, run a few prompts, and see where it takes you. Whether you've been in the beta from day one or this is your first time, share your before/after or favorite result in the replies. We'd love to feature what you're making. What's the first image you're going to transform: a headshot, a product shot, something totally unexpected? Drop it below. 

AI Assistant in Adobe Illustrator (Beta)Illustrator (Beta) v30.7 now has an AI Assistant to support you with your production workflows. It analyzes your Illustrator document, helps make decisions, recommends actions and executes multi-step workflows using natural prompt language.What is AI Assistant?AI Assistant is a production-focused assistant that understands your document in terms of layers, artboards, colors, text, artwork and its context and then tries to determine the actions required to execute multi-step production workflows with ease.It’s designed to support you with repetitive, structural and production level workflows such as organizing documents, updating content across objects and artboards, preparing for export, running production checks and even suggesting workflows needed for your goal.Think of the AI Assistant as a production partner that takes care of repetitive, time-consuming tasks, so you can spend more time doing what matters most: designing, creating, and making creative decisions.Common Use CasesAI Assistant is optimized for production workflows, helping you automate tasks such as:Batch edits File cleanup and organization Export and handoff workflows Quality checks before delivery or printA few examples:Rename layers based on the content. Run quality checks before sending files to print. Replace text, colors, or other elements across your document at scale. Organize complex files in seconds.But this is just the beginning. We’re excited to see what workflows you discover.Explore the AI AssistantThe AI Assistant is now available in Illustrator (Beta) v30.7 & above.Open/ Update to Illustrator Beta (v30.7 or later). Click the new AI Assistant button in the top-right corner of the application bar. The Assistant panel will open. (The assistant will work only on an open/ active document.) Describe the task you want done in a natural language prompt.Pro tip: The more specific you are, the better the results. Tell Assistant both:What you want it to do Any constraints or things you want it to avoidVideo: https://drive.google.com/file/d/1cp69L1wLpgkVeq51hTeQRuYSUhXAlTKp/view?usp=drive_linkWe need your feedbackYour feedback is incredibly valuable and will help us better the AI Assistant. After every response, you’ll see "thumbs up" 👍🏻 and "thumbs down" 👎🏻buttons. Please take a moment to rate the result and share your thoughts. Whether something worked great or missed the mark, we’d love to hear about it. Give it a try, push it with real-world production tasks, and let us know what you think. We can’t wait to hear your feedback and see how AI Assistant helps streamline your workflows! 😇Please note: The assistant is being rolled out gradually and will be available to everyone by Tuesday, June 23. So in case you don't see it, there's no action required on your part, you'll get access soon. 

What's New in Adobe Premiere 26.3Premiere Pro 26.3 is here, bringing new tools for social video creators, improved Firefly workflows, and new creative effects for editors who want more control over their visuals.Single-Word CaptionsIf you've been manually splitting captions to create that one-word-at-a-time style popular on Reels, Shorts, and TikTok, you can finally stop.Premiere can now generate single-word captions directly from a transcript. Simply choose Single Word when creating captions, and Premiere automatically synchronizes each word to your audio. Customize the styling, export your captions, and you're ready to publish.For social-first creators, this is easily one of the most-requested additions in recent memory.Learn more about how to create single-word animated captions › Faster and More Resilient Object MaskingObject Masking continues to improve in 26.3.This release introduces: Faster mask tracking performance New Restore Mask Data functionality for recovering object mask information after project transfers Improved reliability for complex masking workflows If you regularly blur faces, isolate subjects, or create targeted corrections, this is one of the most meaningful under-the-hood improvements in the release. Productions Upgrades: From Hours to MinutesFor editors working with large Productions, this may be the biggest update in 26.3.Premiere now uses a just-in-time upgrade workflow. Instead of opening and resaving every project during an upgrade, Premiere upgrades projects only when they're opened.The result? Production upgrades that could previously take hours—or longer—can now complete in minutes.Automatically Create Sequences from Firefly BoardsIf you use Firefly Boards to plan your edits, Premiere can now do some of the assembly work for you.When importing multiple assets from Boards, Premiere can automatically create a sequence using the same order you selected in Boards, helping you move from concept to timeline with fewer manual steps.Learn more about automatic sequence creation › Workflow Improvements You'll AppreciateThis release includes several smaller improvements that can make a big difference in day-to-day editing: New Timeline preference that lets you control whether Premiere automatically creates additional audio tracks when editing clips into a sequence Significantly faster workspace switching VRAM compatibility warnings to help identify underpowered systems before they become a problem Adobe Stock licensing directly from the Stock panel New Creative Tools New Shape Dissolve TransitionCreate customizable geometric transitions with control over shape, motion, feathering, and timing.From subtle wipes to stylized motion graphics transitions, Shape Dissolve gives editors a new creative option for connecting shots.Learn more about modern transitions ›New Magnify EffectNeed viewers to focus on a specific detail?The new Magnify effect creates a customizable magnifying lens with controls for zoom, shape, borders, shadows, edge softness, and lens distortion. It even includes a Surprise Me option for quickly exploring different looks.Learn more about modern effects › New in Premiere BetaSmarter Object MaskingPremiere Beta introduces a new segmentation model that can identify foreground objects, background objects, and smaller scene elements that were previously difficult to select.Complex masks that once required manual work can often be created with a single click, making Object Masking even more powerful.ARRI Core Codec SupportBeta users can also test support for ARRI's next-generation ARRI Core codec, including workflows designed for extremely high frame-rate capture with the Alexa 35 Extreme camera.Notable FixesPremiere Pro 26.3 also includes numerous fixes and stability improvements, including: Improved reliability for Object Mask workflows Fixes for transcription issues on some Intel Arc systems Program Monitor stability improvements Better handling of HEVC and H.264 media imports Fixes for caption exports, media relinking, and Production workflows Improved compatibility with long-form and compressed media Audio export and audio ducking reliability improvements As always, review the full release notes before updating active projects. Single-Word Captions will probably get the most attention, but the sleeper hits in this release may be the Object Masking and Productions improvements.Which feature will have the biggest impact on your workflow? 

We're back with the next round of our "similar tools" series. Last time we broke down the most commonly confused tool pairs. This time we're looking at two groups of tools that share a job but not a method - because Illustrator gives you more than one way to select an object, and more than one way to set type, and each tool works at a different level.Pick the wrong one and a quick edit turns into a fight with your own artwork. Pick the right one and you stay in full control. Selection Tool vs. Direct Selection Tool vs. Group Selection Tool — Same click, three different levelsThe Selection tool (V) grabs an entire object or group and lets you move, scale, or rotate it as one unit. The Direct Selection tool (A) goes a level deeper, letting you pick individual anchor points and path segments to reshape the artwork itself. The Group Selection tool sits between the two - it selects a single object inside a group without breaking the group apart. Object, path, or group: once you know which level you're working at, selecting stops being a guessing game and becomes precise control. Learn more here.Type Tool vs. Area Type Tool vs. Touch Type Tool — Three ways to set text, one right tool for the jobThe Type tool is your go-to for headings, labels, and short freeform text placed anywhere on the canvas. The Area Type tool flows text inside a shape or container, wrapping it neatly within the boundary you draw - ideal for paragraphs and structured layouts. The Touch Type tool lets you nudge, scale, and rotate individual characters while the text stays fully editable, so you can fine-tune your typography without outlining it. Three tools, three jobs: placing, containing, and refining.Learn more here.Share Your FeedbackWhich of these tools do you reach for most - and which one used to trip you up? Drop a comment and let us know. And if there's another set of Illustrator tools you'd like us to break down next, we're listening.If you found this post helpful, click 👍 Like. Use ⭐ Subscribe to stay informed about future updates. You may also share this post with others who might benefit from these enhancements.

We've all got a beach photo we love — a sunset, a shoreline, one perfect afternoon — sitting at phone resolution, too small to ever print. For this challenge, let's set one free.Welcome back to the Illustrator Creative Challenges, our monthly nudge to open Illustrator, try something new, and share it. Last time, we designed bakery logos; this month, we're tackling one of the most-searched things designers ever do — turning a photo into clean, scalable vector art. A beach, with its bold light and clear depth, is the perfect place to learn it. The BriefTake a beach photo — a holiday snap, an Adobe Stock frame, a sunset you can't forget — and rebuild it as vectors. Flatten it into bold poster shapes, chase a glowing gradient sunset, or go fully graphic: three colors, hard edges, travel-poster energy. The photo is your reference; the look is your call.What to includeA clear focal point — a palm, umbrella, surfer or boat to anchor the eye. Three layers of depth — sky, sea and foreground, on separate layers. A palette and a look you commit to — flat, gradient-rich, or line-art.    Here's mine — and how I got thereI started with a photo from Adobe Stock: https://stock.adobe.com/in/images/woman-enjoying-sunbathing-at-beach/206356322?prev_url=detail.Concept to Vector did the heavy lifting — I placed the photo and picked the Gemini 3.1 [Nano Banana 2] model, and within seconds had editable vectors instead of pixels. I hit Expand, then spent most of my time in Generative Recolor, pushing the palette toward a warmer golden hour set than the original. Finally, a little Pen tool cleanup, and done.Total time: about 15 minutes - most of it spent choosing colors, not drawing. That's the fun of this one: the tools get you 80% of the way fast, and the taste is all yours.Your toolkitThis challenge is built around two ways in — pick whichever suits you:Concept to Vector — our newest tool: feed it your photo, describe the style, get editable vectors. Image Trace — the classic engine. Pick a preset, tune Paths, Corners and colours, then Expand. Recolor Artwork — clean up the palette or reinvent it. Gradients & Gradient Mesh — for skies and water flat shapes can't carry. Pen & Shape tools — to refine whatever the trace doesn't nail.Use all of them, or just Image Trace and a coffee. The goal is to make something you like.How to submitReply to this thread with:Your final vector and the original photo — we love a good before-and-after. A line or two on your process — which features you used and one choice you made. Honestly, this is the best part to read, so don't skip it.Not ready to post art yet? Reply with the beach you're starting from — drop the reference, and we'll cheer you on.Share your feedbackUp next: you choose Challenge #3. We're torn between two ideas the logo-design world can't stop posting — a t-shirt graphic or a tattoo design. Tell us which one you want below — and if you've got a different idea, drop that too.If you found this helpful, hit 👍 Like. Tap ⭐ Subscribe to be first to see the next challenge. And feel free to share it with anyone who'd enjoy joining in.

Want your 3D scenes to feel like they were shot through a real camera lens?With Depth of Field in the Advanced 3D renderer, you can now pull focus on your 3D scene right in the engine, keeping your subject sharp while everything in front of and behind it falls into a soft, natural blur.It works across 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more. No compositing tricks or post blur required. What can you do with it?Add true, camera-accurate depth of field rendered directly in Advanced 3D Keep your subject in sharp focus while backgrounds and foregrounds blur naturally Apply it to 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more Get realistic optical blur instead of faking it with post effects Put it to use in your workflowDirect the viewer's eye to a hero product, logo, or title Add cinematic depth to 3D type and motion graphics Create dreamy, shallow-focus background plates Sell realism on 3D model and material-heavy scenes How to use itSet your composition's 3D renderer to Advanced 3D Add a camera to your composition Enable Depth of Field on the camera Adjust Focus Distance to set what stays sharp Tweak Aperture / Blur Level to control how strong the blur is Pro tipsUse a focus null or layer to lock focus onto a moving subject Smaller focus distance changes feel more cinematic than big jumps Pair with camera movement to make the depth read more naturally Push aperture higher for dreamy, stylized blur—or keep it subtle for realismRead the full article to get started: Enable in-engine Depth of Field ›Have you tried Depth of Field in Advanced 3D yet? What are you focusing on first?Share your thoughts—or your renders—below!

 The latest version of After Effects is here. Bringing powerful new features designed to speed up everyday workflows and reduce manual effort.Leading this release is Depth of Field in the Advanced 3D renderer, letting you pull focus on 3D models, meshes, materials, and text right in-engine. Alongside it, you can now paste Illustrator and SVG content as native editable shape layers, track masks up to 5x faster, copy a rendered frame straight to your clipboard, create swirling organic motion with the new Curl Noise effect, and quickly filter the font list to find variable fonts. This release focuses on helping you get more done with fewer steps.  What's new in 26.3 Depth of Field in the Advanced 3D renderer Create a Depth of Field effect that lets you focus on 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more in Advanced 3D. Learn to enable in-engine Depth of Field ›   Copy and paste Illustrator and SVG content Paste SVG content from Illustrator or other apps directly into After Effects as native, editable shape layers using Edit > Paste. Learn to copy and paste Illustrator and SVG content ›   Updated Mask Tracker Track masks faster and more accurately with the updated mask tracker, now up to 5x faster, with accessible controls that let you start tracking directly from the Timeline panel. Learn about mask tracking in After Effects ›   Copy a frame to the clipboard Capture the currently rendered frame as a still image from the Composition, Footage, or Layer panel and copy it to your system clipboard in a single click. Learn to copy a frame to the clipboard ›   Curl Noise effect for swirling animated 2D patterns Create fluid, organic 2D noise that feels like smoke, water, or ink—ideal for smooth, flowing motion in backgrounds, textures, and abstract animations. Learn about the Curl Noise effect › Quickly find variable fonts by axis Filter the font list to show only variable fonts, making it easier to find the right font. Learn to work with Variable Font Axes ›     Fixed issues in 26.3 This release includes a large number of bug fixes and stability improvements. For the full list, see the official document:View all fixed issues in After Effects 26.3 ›   New in Beta Duplicate layers using Alt/Option-drag Alt/Option-drag a layer to the Composition panel to instantly duplicate it in both 2D and 3D compositions. Learn more ›   Change anchor point in a more efficient way Effortlessly adjust the anchor point on 2D layers with Quick Set Anchor using the Properties panel or a keyboard shortcut. Learn more ›   Effect Controls panel modernization Use the updated Effect Controls panel, built on a modern framework, to view and manage effects with icon-based controls. Learn more ›   Color labels for effects Assign color labels to individual effect instances in the Effect Controls panel to organize, identify, and work with your effects more easily. Learn more ›    Here's how you can update your After Effects👉 Which feature are you trying first? 👉 What's already improving your workflow?Let us know in the comments!

The Remove Tool just got even easier to use. It now includes a dedicated Contextual Task Bar (CTB) that brings the most important controls right to your cursor—so you can stay focused on your image, not the options bar.Distraction Removal   Brush +    Brush -    Remove After Each Stroke on/off     Create New Layer on/offWhat’s newKey controls at your fingertipsQuickly access the most-used Remove Tool options without moving your cursor across the screen. Distraction removal drop-down Choose Distraction Removal with the drop-down list.   Add & Subtract brushes Easily refine your selection by adding to or subtracting from the target area. Auto-apply after each stroke Toggle whether Remove runs automatically after every brush stroke. Create on new layer Choose to make edits non-destructive with a simple on/off toggle. Quick feedback button Share feedback on results in just a click—this helps us improve the tool for you. Dynamic action buttonsRemove and Cancel appear when you need them.     We’d love your feedbackGive it a try and tell us what you think:What’s working well? What feels unnecessary? What’s missing?Your feedback helps shape what comes next—thanks for being part of the journey!

Audio CDs have served creators for decades, but the way our customers deliver and distribute audio has fundamentally shifted. In an upcoming release of Adobe Audition (25.3) , we will be retiring the application's built-in CD authoring features. Going forward, customers who need to create audio CDs can do so by exporting their finished audio from Audition and burning it through their operating system's native disc tools. This change reflects how production workflows have evolved. The vast majority of today's deliverables are streaming masters, broadcast files, podcasts, video soundtracks, and digital downloads. CD delivery now sits well outside the day-to-day output of most Adobe Audition users, and the disc burning tools built into modern operating systems already handle the small remaining set of cases where a physical audio CD is required.  What is being removed?The following CD authoring features will no longer be available in Adobe Audition: CD Layout view: The panel used to assemble, sequence, and prepare a collection of tracks for a Red Book audio CD will be removed. This includes the ability to arrange track order, set pre-gaps, and configure CD-specific metadata such as ISRC codes and UPC/EAN identifiers from within Audition.  CD Marker type: The dedicated CD Track marker classification will be retired. Standard marker types (Cue, Range, and so on) will continue to function as they do today and will cover the remaining workflows for navigating, splitting, and exporting audio.  CD display format: The time display option that showed playhead position in CD frames (75 frames per second) will be removed. Standard time displays such as, samples, and bars and beats will continue to be available. What is staying?Extract Audio from CD. Ripping audio from a physical CD into Adobe Audition for editing, restoration, or archival work will continue to be supported. Customers working with legacy material, archival projects, or transferring older content into modern formats can rely on this workflow without change.  How to create an audio CD going forward  For customers who still need to deliver audio on physical CDs, the recommended workflow is straightforward:  Finish and master your tracks in Adobe Audition as you normally would.  Export each track as an individual file. WAV at 16-bit / 44.1 kHz remains the standard for Red Book audio CDs.  Use your operating system's built-in disc burning tools to author and burn the audio CD.                      macOS: The Music app supports creating audio CDs from a playlist.                     Windows: Audio CDs can be burned using the disc burning tools included with the operating system. What this means for existing projects Project files that contain CD layouts or CD-specific markers will continue to open. CD markers will be converted to standard markers, and any CD layout content will appear as ordered tracks that can be exported individually. No audio data is lost in the transition. We recommend exporting any active CD layouts to individual audio files prior to updating, so your finished tracks are preserved in a format that is ready for any downstream burning tool. Why we are making this change?We do not take feature removal lightly. Decisions like this are guided by usage data and the broader direction of audio delivery. CD delivery now represents a small fraction of how our customers ship their work, and the tools to burn an audio CD from exported files are built into the operating systems our customers already use. Given this, the CD authoring features in Adobe Audition are no longer needed to support the underlying workflow. There is also a longer-term consideration. Every feature in an application adds weight, and that weight compounds over time. Decades of accumulated capability make it harder for any product to keep pace with new operating systems, hardware architectures, and the broader platform shifts that affect every customer. Reducing surface area that no longer serves modern workflows lightens that load, which matters for every customer who depends on Audition running well on the platforms they use today and the ones coming next.  Questions and feedback If you have questions about the transition, workflow concerns, or feedback you would like to share with the Audition team, please reach out through the Adobe Audition Community Forum, or submit feedback directly within the application via Help > Submit Feedback. We appreciate the trust our customers place in Adobe Audition, and the depth of work that has shipped through this application over the years. Thank you for being part of the Audition community. 

Beta versions of Premiere, After Effects, and Media Encoder now natively support ARRICORE files from the ARRI ALEXA 35 Xtreme camera. ARRICORE files are approximately half the size of ARRIRAW and are similar in size to ProRes 4444. Unlike ProRes, exposure, white balance, and color tint settings can be changed non-destructively after capture, via the Source tab in the Effect Controls panel.  More information about ARRICORE is available on ARRI’s website:ARRICORE overview Sample footageIf you have any questions or comments, please let us know!

Hey everyone!We are excited to share a new feature in Text-Based Editing: Paper Edit. It is in build 34 of Premiere Beta. Many of you have asked for the ability to highlight multiple sections of a transcript and preview them before creating a new sequence.Here’s how it works:Start from a single Source Clip or an existing Sequence. Click the Paper Edit button  Highlight what you want to keep. When you click into Paper Edit mode, you can read through your transcript and highlight the sections you want to use. Before you commit anything to a sequence, select “Preview.” This allows you to playback the selections and make changes. Click on a selection to omit it. If something doesn’t sound good in your preview, just remove it by clicking on the text. Jump between sections in long sequences. If your raw footage is long, you can quickly jump between sections instead of scrolling endlessly.We would love to hear what you think! Give Paper Edit a spin and let us know if there is anything we can change or add before it officially appears in Premiere.  

The Firefly workspace just got a significant update. Everything you need to create is now in one place, built to help you move faster from idea to finished output.The redesign brings your tools, projects, and inspiration together under a streamlined nav. Here's what's new and where to find it: Home is your creative launchpad - featured workflows, quick-access tools for image, video, and audio, and a prompt bar to jump straight into creating.The New menu helps you quickly get started with Firefly tools. It shows options in two groups: Generate and Create, so you can easily begin different types of creative work.From New, you can quickly create images, videos, or audio, use tools like Boards and Timeline, and start bulk workflows for large creative tasks.Image, Video, and Audio sections each have dedicated workspaces with their full tool sets surfaced upfront. Generate, edit, translate, enhance - it's all there without digging.​​​Boards gives you an infinite canvas for moodboarding, references, and collaborating with your team. Timeline is the video editor - organize clips, generate video, turn raw footage into finished stories.The AI Assistant is a conversational interface woven throughout - prompt it to generate or edit content across any workflow. Try generating creative outputs across workflows.Files keeps everything you've made organized in one place: generation history, your projects, shared files, and deleted items. Try it and tell us what you think!Already explored the new workspace? Reply with your first impressions — what's clicking, what's not, or what you made first. If you run into anything unexpected, drop a post in the community and we'll help you sort it out.Hit 👍 if this was helpful, and ⭐ Subscribe to catch future Firefly updates as they land.

We are pleased to announce the release of Creative Cloud desktop app version 6.10! Over the next few days, the update will be delivered to all countries and subscription types. Please see below for the top features included in this release:Limited Beta of AI Assistant integration within the Creative Cloud desktop app Direct access to Firefly boards and Frame.io storage within the Files tab Updated suggestions and guided workflows for in-app and workflow discovery Encountering an error message during the update process, don’t hesitate to start a new discussion in the Download and Install Community. For more information on diagnosing errors, click here. Please bookmark the Creative Cloud desktop app release notes to be kept up to date on the latest refinements and improvements implemented in the Creative Cloud Desktop app. Continue your discovery of Firefly boards and Adobe Firefly in the Adobe Firefly community.   How will these updates improve your experience? Post below. We want to hear your thoughts!

안녕하세요, 여러분!InDesign 21.4가 새롭게 업데이트되었습니다 🎉이번 릴리스에는 작업 속도를 높이고, 더욱 자유로운 디자인 작업을 도와줄 다양한 기능 개선과 업데이트가 포함되어 있어요. 주요 업데이트이번 릴리스에는 여러분의 피드백을 바탕으로 한 새로운 기능과 개선 사항이 담겨 있습니다. 주요 내용을 소개할게요.다시 작성레이아웃을 고려한 ‘다시 작성' 기능으로 텍스트를 더욱 자연스럽게 맞춰보세요.실제 문장처럼 보이는 텍스트를 빠르게 생성하거나, 문장의 길이와 톤을 조정해 디자인 흐름을 깨지 않으면서도 레이아웃에 딱 맞는 카피를 만들 수 있습니다.​ 자세한 내용은​​​​​ 여기에서 확인해보세요.Adobe Express로 편집하기이제 InDesign을 벗어나지 않고도 이미지 편집이 가능해졌어요! 배경 제거 또는 이미지 보정을 빠르게 진행할 수 있습니다. 사용 방법은 여기에서 확인해보세요.대체 텍스트 개선대체 텍스트 생성 기능이 이제 GPT-4.1 기반으로 업그레이드되어 더욱 정확한 이미지 설명을 제공합니다. 또한 기업 환경을 위한 관리자 제어 기능도 추가되었어요. 자세한 방법은 여기를 참고해주세요. 업데이트에 대해 더 자세히 알고 싶다면 What’s New 섹션도 확인해보세요.🚀 지금 바로 새로운 기능들을 사용해보세요!InDesign에서 최신 업데이트를 직접 경험해보세요. 인디자인 시작하기. 🛠️ 버그 수정 – 여러분의 피드백 덕분입니다아래 이슈들은 커뮤니티 멤버분들께서 직접 제보하고 추천(Upvote)해주신 내용으로, 이번 릴리스에서 수정되었습니다. 문제를 공유해주시고 우선순위를 정하는 데 도움 주셔서 감사합니다! 독일어 환경에서 AI 대체 텍스트 생성 문제 Windows 11 업데이트 이후 Times New Roman 및 Calibri 폰트를 찾지 못하는 문제 '검토용으로 공유' 콘텐츠 업데이트 불가 문제 InDesign 2026 macOS 권한 알림 문제 전체 수정 사항은 릴리즈 노트에서 확인하실 수 있습니다.여러분의 버그 리포트와 업보트는 실제 수정 우선순위에 직접적인 영향을 주고 있어요. 앞으로도 많은 의견 부탁드립니다 🙌 업데이트 방법최신 기능, 개선 사항, 버그 수정을 적용하려면 InDesign을 최신 버전으로 업데이트해주세요. 지금 바로 InDesign 업데이트하기.

Adobe製品に関する不具合や機能改善を報告できる場所があるのをご存じですか？製品によっては専用の報告ページ（フォーラムやUserVoiceなど）が用意されており、そちらに投稿することで開発チームに直接フィードバックが届く仕組みになっています。皆様からいただいた不具合の報告や機能改善のアイデアは、実際に製品の改善につながることもあります。 「困ったな」「こういう機能がほしいな」と感じた際は、 ぜひ積極的にご活用ください！  ●まずは投稿先を確認してみましょう製品によって、投稿先が異なる場合があります。日本フォーラムで報告 グローバルフォーラムで報告（※日本語での投稿も可能です） UserVoiceやDiscordで報告適切な投稿先へ報告していただくことで、問題の確認や改善につながりやすくなります。  ●日本フォーラムで報告現在日本フォーラムで報告が可能な製品は以下となります。Photoshop (Beta) フォーラム Premiere (Beta) フォーラム  Substance 3D フォーラム   ●グローバルフォーラムへのアクセス方法と投稿手順 1.表示言語を英語に切り替えますトップページの右上の地球儀アイコンをクリックし、「English」を選択します。選択すると、グローバルのトップページに切り替わります。 2.対象の製品フォーラムに移動します任意の製品フォーラムにアクセスしてください。 3.投稿をしてみましょう画面右上の「Create a post」をクリックし、以下のいずれかを選択します。Report a bug（不具合報告） Report a feature（機能改善の要望）       ●投稿のポイントよりスムーズに対応につなげるため、 質問するときの参考テンプレート も活用いただき、できるだけ詳しい情報を記載してください。不具合の内容や発生状況（できるだけ具体的に） 発生手順 エラーメッセージ（表示されている場合） 製品名とそのバージョン OSとそのバージョン など ●フォーラム以外での報告方法一部の製品では、UserVoiceやDiscordからの投稿を受け付けています。以下の一覧を参考に、該当するページをご確認ください。 フォーラム名 報告ページ Illustrator UserVoice InDesign UserVoice Acrobat / Acrobat Reader / Acrobat DC for Mobile UserVoice Adobe Acrobat Sign / Document Cloud UserVoice Adobe Fonts UserVoice Bridge UserVoice Captivate / Captivate Prime UserVoice Adobe Express 機能改善：UserVoice バグ：フォーラム FrameMaker Tracker  ※Adobe Stockの問題報告についてAdobe Stockサイトにおいて、コンテンツに人物名（アーティスト名を含む）が含まれている、知的財産権を侵害している可能性のあるアセットを確認された場合は、該当のアセットページから問題をご報告ください。 ガイドラインの詳細につきましては以下ページもあわせてご確認ください。コンテンツポリシー：アーティスト名、実在する人物、架空のキャラクターIPガイドライン また、取得したアセットに関する問題やサイトの動作に関する不具合、生成AIラベルが付与されていないケースなどについては、従来通りグローバルのStockフォーラムへご報告をお願いいたします。 ●通常の質問をされたい場合はこちら不具合報告や機能改善のご要望ではなく、操作方法やトラブルのご相談など、 通常の質問については日本フォーラムをご利用いただけます。以下のリンクを参考にお使いの製品フォーラムをご確認のうえ、ご投稿ください。『アドビコミュニティフォーラム』に質問/トピックを投稿する方法不具合の報告や機能改善のご要望は、より良い製品づくりにつながる大切なフィードバックです。気になる点や「こうだったらいいのに」といったアイデアがありましたら、ぜひ投稿してみてください。みなさまからのご報告・ご提案をお待ちしています！

 Welcome back to our series on free After Effects resources from across the web. If you missed the first one, we covered Camera Crew by Motion Ape well worth a look.This time, we're highlighting a tool that, honestly, needs no introduction for a lot of you. But if you haven't tried it yet, you're in for a treat.  Meet DUIK ÁngelaDUIK Ángela is the 17th major version of DUIK, the comprehensive rigging and animation toolkit built by Nicolas Dufresne and the team at RxLaboratory. It's been actively developed for over 15 years, and at this point it's the go-to rigging script for character animators working in After Effects, used in commercials, music videos, indie films, and animated series all over the world.And it's completely free and open source. What you can do with itDUIK brings the kind of rigging tools you'd expect from a 3D application - IK, controllers, bones, constraints, and adapts them for 2D animation in AE. Once you've got a character rigged, you can pose and animate them like a proper puppet instead of fighting with parented layers.But DUIK isn't just for character work. It also includes a deep library of automations that save hours on everyday tasks - wiggle, spring, bounce, swing, wheel, looper, blink, and even walk and run cycles. There are camera controls, expression and scripting helpers, and a full suite of keyframe and interpolation tools for traditional-style animation. Get started: DUIK Ángela Jumpstart by Jake in Motion - a great beginner-friendly walkthrough  Download it here: DUIK Ángela on RxLaboratory  A quick heads-up: DUIK is powerful, which means it has a bit of a learning curve. The first time can feel overwhelming. Stick with it. Once it clicks, you'll wonder how you ever rigged a character without it. The jumpstart tutorial above is the fastest way in.While you're on the RxLaboratory site, take a look at their other tools too - there's quality work across the whole catalog.  Are you a DUIK user already? Drop a comment with your favorite feature, a workflow tip, or a rig you're proud of, we'd love to see it. And if you're brand new to DUIK and try it out this week, share what you make. We celebrate first rigs around here.If you find DUIK useful, consider supporting RxLaboratory - they keep this alive through donations.

 EVENT ALERT: You're Invited!Collectively Creative with Capoor: Exploring creative journeys, one story at a time — we're back with our next designer showcase session!Collectively Creative is a designer showcase series that celebrates the talent within our own community. Each time, one designer takes us behind the scenes of a project they’re proud of - unpacking the ideas, tools, decisions, and workflows that brought it to life. This month, we're thrilled to feature “Nataliia Manych”, Adobe Insider and Adobe Illustrator’s prerelease member, as she dives into a delightful session of creating an artwork live themed "Kawaii Garden: g(d)rowing flowers in Adobe Illustrator" The event is planned for Thursday, 18th June at 8-9 am PST (8:30-9:30 pm IST). You can use the registration link to register - Register here!Whether you're a designer, a curious creative, or someone who appreciates the craft behind good design—this is for you. Let’s get inspired. Let’s learn from each other. Let’s be Collectively Creative! Credits: Gif cover by Nataliia Manych  

EVENT ALERT: You're Invited!Collectively Creative with Capoor: Exploring creative journeys, one story at a time — we're back with our next designer showcase session!Collectively Creative is a designer showcase series that celebrates the talent within our own community. Each time, one designer takes us behind the scenes of a project they’re proud of - unpacking the ideas, tools, decisions, and workflows that brought it to life.This month, we're thrilled to feature “Nataliia Manych”, Adobe Insider and Adobe Illustrator’s prerelease member, as she dives into a delightful session of creating an artwork live themed "Kawaii Garden: g(d)rowing flowers in Adobe Illustrator"The event is planned for Thursday, 18th June at 8-9 am PST (8:30-9:30 pm IST). You can use the registration link to register - Register here!Whether you're a designer, a curious creative, or someone who appreciates the craft behind good design—this is for you. Let’s get inspired. Let’s learn from each other. Let’s be Collectively Creative! Credits: Gif cover by Nataliia Manych  

2026.06.15　問題解消確認済み------------------------------------------------平素よりAdobe製品をご愛顧いただき誠にありがとございます現在、PhotoshopにてFirefly Upscalerを利用するとエラーが表示されアップスケールが実行できない問題を確認しております この問題は弊社技術部門へ修正依頼を上げております。ご迷惑をおかけしますが、問題解消まで今しばらくお待ちいただきますようお願いいたします。 【対象の製品/サービス】Photoshopの生成アップスケール 【対象OS】WindowsとMac【事象の詳細】Photoshopで生成アップスケールを利用する際に「Firefly Upscaler」を利用すると「問題が発生しているため～」とエラーメッセージが表示されアップスケールが実行されません。 【回避策】・生成アップスケールのモデルを「パートナーモデル」の「Topaz」で実行する・ニューラルフィルターの「スーパーズーム」を利用する・Camera Raw で画像を開きなおし「スーパー解像度」を利用する スーパーズームやスーパー解像度の利用方法については以下リンクをご確認ください。画像拡大してもボヤけずきれい！カンタンにできる3つの拡大方法 | アドビ ご案内は以上でございます。調査の進捗や修正が行われた際は当記事にて更新予定でございます。

Hello, The latest Native WinARM Beta Build is now available in CCD.Illustrator on Windows ARM: Now Available in BetaWe are excited to announce that Adobe Illustrator is now available as a native Windows ARM build in beta. This is a first-of-its-kind release for Illustrator on this platform.Known LimitationsThird-party plugins: Not currently supported. CC Libraries panel: Not supported in this build. The panel will not appear in the panel list. AutoCAD (DWG) files: Real DWG format is not supported. Version History panel (cloud documents): Panel does not refresh after saving. Workaround: close and reopen the document. Encrypted PDFs: Not supported. The "Use Precise Cursor" setting is not imported correctly when importing preferencesFor Plugin PartnersWe will share SDK availability details soon.