Questions

In the screenshots, I sent what it shows on my screen. As of right now, I am using a ryzen 7 7800x3d, radeon 9060 xt, 32gb ddr5 ram. My Adrenalin Software for my gpu and cpu says “Up to Date” with a 26.5.1 update

I am attempting to delete filler words, however after I transcribe my media, the button is grayed out and it will not let me delete them.  When I select "pauses" the button becomes active and I'm able to delete the pauses. I am using Version 25.1.0 (Build 73)

Premiere Pro used to not export anything every now and then but now it’s pretty much all the time. When I send something to Media Encoder it doesn’t even register and when I try to export in Premiere it will either export a 5 second MP3 for about half an hour or just won’t do anything at all. I have tried absolutely everything but with no hope. I’ve got a very urgent deadline and so much to do, it’s so crazy for the amount that we spend on the Adobe Suite. A huge part of my editing job is also exporting from After Effects which is also doing nothing at all. I’ve deleted my cache a million times, tried editing the project in a new sequence, messed with every setting you can imagine. The only thing that works is to work from a new user which has it’s own issues as most of my workflow includes things that I don’t know how to send to another user so working from the other user has also been really difficult.I’m on an Apple M3 Max, 48GB, using Sequoia 15.3.2 and version 26.3.0 of Premiere P

I work in a post production facility that utilizes a local nextcloud instance in combination with premiere productions.  This allows for pretty reliable sync times due to every workstation and the server being on the same network.  We haven’t had many issues but, have run into duplication errors due to remote editors jumping into the production when the project locks do not sync fast enough.  The workaround for this at the time being is to remove the duplicate project and then copy it back in through the productions dialogue. This assigns a new ID to the project and the errors go away. We have also moved to consolidating projects for remote editors. This way they do not touch the production that in office editors use. I was wondering if the community had any tips or ideas on methods to increase productivity and reduce these duplicate errors.  Please let me know your thoughts!  Thank you for reading and I hope you have a great day!

I am trying to import .mp4 files from my DJI Matrice 4T but none of the files are able to be imported into premiere. I belive they are recorded in HEVC 265, but that has not been an issue before when using Mavic 2 & 3, I haven't had any problems with HEVC 265 before atleast Any one else seen this?  

Hello Everyone.I have a lot of Photoshop and Lightroom presets, and I’m wondering if there’s a way to convert some of them into .CUBE LUTs for Premiere.Thanks

Won't open

Shouldn’t the center be the origin point? It’s weird when the top left is the origin point, especially considering how you would need to move an images center to the top left to even have it there correctly.

now that Microsoft has extended security updates for Windows 10 until october of next year, it seems silly to me to still stop supporting the system, at least until June of next year.

​@PaulMurphy I’m working on a documentary where they shot on multiple iPhones and insta360 cameras that I have to sync and put in multicam sequences. Since there’s no timecode and it’s thousands of clips, we’re using Syncalia 3 to sync the clips. We’re using LucidLink, so we’re making proxies for all the footage so the multicam sequences will play back over the internet. The iPhones and insta360 cameras recorded audio as stereo. To use Syncalia to sync, we have to export an XML to Syncalia, let it sync, then export an XML to  import into Premiere. The last step results in a “sync map” sequence, which we’re turning into a multicam sequence, that uses a duplicate set of source clips. In order to attach proxies to the duplicate source clips, we need the duplicate source clips to be stereo. Unfortunately, mapping the duplicate clips to mono won’t help because they’re stereo in the sync map that we’re turning into a multicam sequence. Will having a mixture of stereo and mono clips in a mult

Hi Guys,I'm a video editor and recently upgraded my system with an Intel Arc A750. I'm really happy with how it performs during rendering in After Effects and Premiere, but I'm experiencing a strange glitch during H.264 export, as shown in the image. During editing in Premiere, no errors show up, but after export (in Premiere or Media Encoder), some random glitches (just one frame long) appear in the video. If I export the video again, the glitch will always appear in the same spot, but if I change something in the composition, it may move or disappear.I've tried changing the export parameters, but nothing changes. If I export in MOV/ProRes, no glitches appear, but if I try to convert the ProRes to H.264, the glitch comes back. I've tried using an older version of Premiere/Media Encoder (2023), but the problem persists. I've also downgraded my Arc driver, but I still had the same problem. I exported the video without hardware acceleration (only software), and everything was fine.

Hi guys, i've been having some issues with adobe and i cant really figure out wtf is going on, it is very specific so i'll try to give as much details as possible and all the information i can remember.Also please, i KNOW amd is not the best for video editing, but the 9070xt costed me R$4.000 and the 5070ti was around R$6500 at the time so.... you can guess wich one i chose. The non ti 5070 was more expensive than a 9070xt when i got it.First of all my setup:-Ryzen 7 7700-RX 9070XT-32GB 6000mt/s-M.2 nvme 2tb (7000rpm and yes it it have zero issues)-2tb sata ssd (just for backup)-Windows 11 homeFor monitors i use a 27' 1440p180hz as my main.On the left i use a vertical 24' 1080p144hzAnd bellow i use a 15' 1080p60hz (i used to put the preview window there but it seemed to make premiere slower and crash more often)Im using premiere 2025 but i had trouble like this in 2024 and 2026 (2025 is the less broken version, or the one where this issues happen the least). GPU acIm also using premier

I have had issues with PP continuously crashing and have been working with your agents trying to fix without success (see case # ADB-45725768-G8T1).I may have figured out the potential cause of my crashing issues. I hope you can help confirm this may be the cause and a fix (or at minimum a workaround) for it.Since I spoke with your last agent, I still had the issue on that project, but I had to hit a deadline so I suffered though and got through it. I am still not finished with this particular project, just waiting on feedback.In the meantime, I have worked on a couple other projects without any issues (so far). The one key difference between the projects is that the ones that kept crashing use Canon c-log 2 & 3..the ones that don’t use .mp4. Early in my troubleshooting, I did suspect it may be the type of footage that was causing the issue, so I created proxies(.mp4), but that did not resolve the crashing problem so I moved on.From your immense resourceful experience, do you see a

Hello, suddenly I can't move clips at timeline in any project. I put the selection tool and nothing. Someone know?

Hola Adobe Support Team,Quisiera reportar un posible problema de compatibilidad o una regresión en el importador de XDCAM EX de Adobe Premiere Pro.Trabajo con una cámara Sony PMW-EX1, que graba en formato XDCAM EX sobre tarjetas SxS, utilizando la estructura BPAV. Cuando una grabación supera el límite de tamaño del sistema de archivos, la cámara realiza automáticamente un clip spanning, dividiendo la grabación en varios segmentos MP4 dentro de la carpeta CLPR.En versiones anteriores de Premiere Pro (por ejemplo, Premiere Pro 23.x), el software reconstruía automáticamente estos spanned clips, leyendo la estructura BPAV y los metadatos correspondientes, mostrando la grabación como un único clip con su duración completa.Actualmente, utilizando Premiere Pro 26.3.0 sobre macOS Tahoe 26.5.1 en un MacBook Pro con Apple Silicon (M2 Max), Premiere solo importa el primer segmento del clip. Por ejemplo, una grabación continua de aproximadamente 45 minutos aparece como un clip de solo 14 minutos,

HelloI am looking to automate the addition of BITC on an adjustment reading the timecode that is in a nested sequence.drag and drop a selection of sequences in a new sequence. The selected sequences become nested sequences in the new timeline. Add adjustment layer above the video track. Add the Metadata FX to the adjustment layer. Due to the limitation of the Metadata FX, it cannot read the timecode of the nested source video, therefore, I need to copy the timecode start number from the nested source to the offset in the Metadata FX window. Each nested sequence will have a unique adjustment layer Metadata FX.Is this possible with automation Blocks ?Thank you

HelloAre you really considering not supporting windows 10?Does it mean PPRO will no longer work on my machine?I need to know.You need to know that if you try to force me to to go to windows 11, then I AM OUT (I have a subscription with another account), you can forget about me, I am going to competition or worse that competition.When will support end anyway And what does it mean?

The waveforms don’t show up.  I’ve reimported, deleted the previous peak files from the day I imported.  I clicked and generated the peak files, restarted Premiere, restarted my computer.  What is going on?  It’s crazy.  ½ the clips from the day drew the waveforms, but not the other half.  I can hear the audio but can’t see any waveforms.

Hey,When I'm dragging a clip around the timeline, it will snap to the beginning/end of a cross dissolve rather than to the beginning/end of a clip. Does anyone know how to stop the clip snapping to the cross dissolve? I don't know why anyone would want this, and when my timeline is zoomed out, I often can't tell this has happened.Small thing, but would save me a lot of time, and add more of a sense of safety that everything is lined up nicely.(latest versions of Mac OS and Premiere)Thanks!

HelloI have been looking at Premiere pro feature sin term of sdk and automation and extendscript and all that stuff in the past, did not look for a long time, I wanted to have a quick update.Can someone provide it?I believe there was a new feature that was introduced and it had its own forum? I don’t remember where is it.And update me on its capabitilies. ThanksBest

A few months ago, I was working on a project and utilizing the mosaic feature, specifically changing the amount of blocks on the x and y axis so the blocks weren’t prefect squares (192*180 blocks for the whole screen). I also remember being able to click a button to sharpen the edges and have it only affect the vertical lines, so the horizontal lines were still blurred. I can’t find these features anymore, were they removed? Is there a way I can imitate the effect I had by changing the currently existing parameters? I imagine not, if I can’t change the block’s width and height properties, but please let me know.They aren’t there :( 

HelloI am investigating if it is possible to automate the batch unnesting of trimmed nested clipped in timeline, creating new video channels for the “exposed” clips? (Just like Resolve’s decompose clip)I can see a sequence nesting script in the community scripts that I am trying to retro fit for this need.Could it be possible? Any thoughts most welcomeThank you

Looking for a way to import clips using a “starts with” filename match (Premiere Pro / Automation Blocks / spreadsheet-driven workflows)I’m using Automation Blocks for Premiere Pro to automatically pull video clips into a sequence based on file paths generated from a spreadsheet.Previous workflow (worked well): All footage was shot on one camera. Filenames followed a simple, predictable pattern (e.g. 1J1A0001.MP4, 1J1A0002.MP4, etc.). While filming, I logged the clip number in Excel. A formula built the full file path (path + prefix + clip number + extension). Automation Blocks could find each clip via an exact filename match and import it into a sequence. New issue: I added a second camera (Canon R5C recording .mxf). Canon filenames are much longer and include metadata (date, UUID, etc.). The clip number itself still matches what I log in Excel, but it’s now embedded inside a longer filename. Because Automation Blocks requires an exact filename match, I can’t reliably re

Sometimes I need to delete some effects from clips in the effects control panel. This takes a long time if there are a lot of clips. Is it possible to automate this using Automation Blocks? The same question applies to transitions between clips—sometimes I accidentally press CTRL+D, don't notice, and then end up doing wasted work. 

hi, i need a plugin in premier pro so it automatically cut video from a txt file that have times like this:00:23 - 00:3001:00 - 01:40....do you guys know any plugin like this? thanks.