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I’ve been submitting photos to Adobe Stock, but many of them keep getting rejected for quality issues.  Could someone help me figure out what might be causing these rejections?Are there specific things Adobe reviewers usually look for when flagging “quality issues”? I can share a few sample images if that helps. Any feedback or tips would be greatly appreciated!    

Bonjour,Je souhaite installer la version After Effects 23.1, mais elle ne semble plus disponible dans Creative Cloud. Pour des raisons de compatibilité avec certains plugins et projets, j’ai besoin spécifiquement de cette version.Pouvez-vous m’indiquer comment y accéder ou s’il est possible de la télécharger via un lien direct depuis mon compte Adobe ?Merci d’avance pour votre aide,Cordialement,

macOS Monterey ver.12.7.6（21H1320）Adobe Acrobat DC バージョン 2025.001.20841（最新）割と頻繁に発生します。日に数回とか。Finderは再起動します。同様の症状のかた、いらっしゃいますか？回避策があれば知りたいです。

I want to point to a photo from a folder from multiple collections.  Lightroom will not be used to display the photos and I want to force the order in which photos are displayed outside of Lightroom.  For example, photo 199707001 is in folder "Source".  Photo 199707001 in Collection "A" might assigned a sequence number 0100 to be the 10th photo displayed and in Collection "B" photo 199707001 might assigned a sequence number 0150 to be the 15th photo displayed.  In collection "A", when photo 199707001 has 0100 appended, in the folder "Source" the photo id becomes 0100199707001.  In collection "B" if I then update the sequence number of photo 199707001 from 0100199707001 to 0150199707001, the identifier is changed to 0150199707001 in both Collection "A" and folder "Source". For many reasons, displaying photos in chronological order of the date/time stamp when they were taken doesn't work.  Using a subject name is no better because differe

Hi,I’m experiencing a few issues in Illustrator and need some help identifying the causes:Why do shapes (such as logos and icons) become distorted when copied into a new file?Why do fonts automatically convert to outlines when pasted into a new file?Why doesn’t the artboard copy over when pasting into a new file?Thank you,Sammi

Hello everybody,I have a problem with the Illustrator export as pixel based images.JPEGs and PNGs are everytime 1 pixel bigger in width or height in the resulting image than the elements or canvas/artboard dimensionis set in illustrator.Because I have to create a new GUI with background images and afull set of icons it is really inconveniant to open every PNG in Photoshopagain for resizing and re-saving.Ticking the pixel grid button doesn't solve the problem unforunately.Can you help me with it? Thanks for your replys in advance...

Now, every time I try to install it, it crashes. No error codes. Nothing. It just closes after like two seconds. Meanwhile, I'm having even less success with Photoshop, where the installer won't even load. Same with Audition (which I need at the moment). Any help would be appreciated!

There are white color and black color strokes in this text,  but  appearance panel shows only black color stroke. What is the reason? 3 Ways To Get A Text Effect With A Gradient, Strokes And A Block shadow In IllustratorTime 1.21 

Hey everyone! I've been trying to either write a script or come up with a quicker way to do what I've written in the Subject. The idea is, you have a composition with tons of layers, some are going beyond the frame, some are within, but you have a certain crop. If you try to convert everything into a smart object, it will first run "Reveal All" command and then convert everything into a smart object, which means when you go inside that smart object, you will see every single pixel that was there, the original crop would be gone, it will just adapt a new crop to show whatever pixels you had in there. My colleague found a way, that if you save the file that you want to convert to a smart object first and then drop this exact file into itself in photoshop as a smart object, it will actually retain the exact same crop when you try to go inside that smart object. My question, it there an easier way through scripting or some hidden command that I'm not aware of, that you

I have a plugin that kicks off a long running task. The task, obviously, doesn't terminate when the plugin is reloaded and I'm left with a trail of processes. Someone has suggested that there's a _G[] table  or similar that I can store persistent values outside of the plugin's scope in but I'm having trouble making that work. Is it a thing or have I misunderstood?  

Hello,I am struggling to get this expression to work. I thought someone might be able to help me. I want a text layer to move y position depending on an if-else statement. If the text field is one or two line heights or not move to y1 or y2 position... Right now, this code works, but instead of moving the y it displays the y position with the text value. (example: some text1820) I am not sure what I am doing wrong.  Thanks! var l = thisLayervar tx = l.text.sourceText.value; var h = tx.split('\r'); var n = h.length; var y1 = transform.yPosition = [1920];var y1 = transform.yPosition = [1920];var y2 = transform.yPosition = [1820]; if (n > 1) {[value + y2 ]; } else {[ value + y1 ];}

Why does Adobe Stock keep rejecting new AI submissions as “Similar content” when there is clearly no similar image in my portfolio or on the platform?I carefully checked using the Visual Search and manual keyword browsing — and found nothing even close in style, color, composition, or subject.❓ So here’s my direct question:Where can we see what Adobe considers “already existing” in the library?Where is the list of “overused themes or visuals”?How are we supposed to compare before uploading, if these resources are not public?I’m not talking about random gradients or textures. My content is well-styled, curated, and market-friendly. But I get rejected with “similar” without any actual references.If Adobe is moving toward exclusivity — fine, but authors need clarity. We are trying to work with the system, not against it.Please provide real examples or guidelines, not generic advice.Thank you.

Hey there. This just started happening in the last week or two. When I go to use Lumetri Color, the sliders all start all the way to the left as shown in the picture. There default values all show 0 as well. Then, at the slightest touch, the slider will jump all the way to the right and max out the value. So the slider does not work, and it only allows default, or max. no in between. I can adjust settings just fine by typing in the values, but this take way longer and i cant see the change gradually. Premiere is up to date, running 24.1.0 and my macbook is a 16" 2023 with an m2pro chip and 16gb of ram. Sometimes this issue happens and sometimes it doesn't. I have tried resetting my computer, resetting premiere, it just seems to happen when it feels like it. Thanks.

The interviews for the project I am working on were delivered as 6k BRAW files (6144x3456), and Canon avI0 files (2048x1080). Timecodes do not match. If I select the corresponding clips in the Media Browser and use the audio to synchronize, I end up with one camera angle displayed correctly, while the other is zoomed in or shrunk down in the frame. I actually want the mulit-cam to be accessing the proxies (which are all 1920x1080), but I'm not seeing an option to do that. I'm working in a Production, if that makes a difference. With Gemini AI's guidance, I've tried at least a dozen ways to create a multi-cam clip from building sync sequences. I wish I could relay all the different things we tried, but it gives me a headache just thinking about it. It always ends up as a multi-cam sequence with all audio channels mixed down to one channel, never a multi-cam clip with discrete audio channels in the bin that I can then open in the source window. I'm at my wit's end here. Someone

Hello, Until last week, it was possible to add PDF files directly as attachments to a Microsoft Outlook mail.Now an additional button has been added where a link is shared and the file is shared through Adobe's cloud service. Is it possible to turn off the option to send the file as a link (and thus upload it to the cloud) by default? So that all files go directly to Outlook as attachments by default again?

Bonjour, j'ai Adobe Acrobat d'installer sur mon portable. J'ai Windows 11 français. J'aimerais activer la lecture audio et me faire lire mes PDF en Canada Français. Malheureusement quand je vais dans les options de lecture audio et dans la voix, j'ai qu'une seule option en Anglais.Je cherche comment ajouter des voix dans cette option.Est-ce que quelqu'un pourrait m'aider s'il vous plait ? 

I am working on the cover for my employer's next seasonal newsletter, and I am running into a problem with some graphics. They are on a transparent background, and I suspect that has everything to do with it, but I don't know how to solve the issue and I am hoping someone can help. Disclaimer: I am not really a graphic designer, I am a library assistant who makes a seasonal newsletter for their employer (LOL), so I apologize if this is an common, easy to solve issue - I have not run into it before today. I am tring to make the newsletter title font look like it's sitting in some freshly-fallen snow, so I have all these white graphics that look like small piles of snow, and I am using them to create a 3-D effect on a white background by layering them on top of my font, along the bottom edge. I also have some light blue graphics that are meant to look like ice, and they are set on top of the title font across the top, to look like hanging icicles. It all looks great in Indesign

I'm a Korean user using Premier Pro. I'm going to use these automation blocks and Google sheets to create one feature.I want to use this feature to cut a few sections of the video. For example, I want to cut out dozens of these sections, from 1:10 to 1:20 and from 3:10 to 3:25 and so on.I don't know English well, so I'm looking for materials, but there are many difficulties. Can I design this function using automation blocks?      

Hello - The last version of Adobe Acrobat Pro will not save the default printing preferences I set up under Windows Settings/Printers & Scanners/Adobe PDF printing preferences.  I use the USPTO "joboptions" Adobe setting all day long and always had that set up as my default printing preferences but for some reason the setting will no longer save.  It's like every time a new document gets opened up in Adobe the settings revert back to the default "Standard" regardless that I set up my preferences in Windows settings for the printer.  Typically when I set up my printing preferences under the Windows settings for the Adobe PDF printer they are saved but since the latest update it will not and it's been frustrating having to change the preferences many times during the day.  How can I get the printing preferences settings to save again so I don't have to change it per document? I currently have Adobe Acrobat Pro v25.001.20813 and it says there are no updates av

I am trying to turn off the pink smart guides. I find them quite distracting. When I turn smart guides (in the view menu) but have Snap to Grid enabled, the smart guides stay on. It's just the ones related to the grid. This has only just started happening - usually I can snap to grid without any pink guides. Am I missing something? 

I'm sorry if this is a novice question but hopefully someone will answer it.I've just started to use new profiles from my print company.  With their previous profiles I'd noticed little or no difference between Relative Colorimetric and Perceptual rendering intents when converting.  However, with the new profiles I notice a significant difference, even when the source image colours are well within gamut.  So I tested with a B&W mono image and it's the same there.  Why is this?  Is it because of the different way they adjust white points?  Do your B&W images change with rendering intent?

I'm having this problem with my Adobe Illustrator CS3 where I'll be using the pen tool, and out of nowhere (usually after I've undone a couple of things it seems), the program will get stuck on the hand tool, and won't switch to any other tool. Time seems to be the only remedy because the problem will persist even if I try to work on another file, or restart the program. It also carries over to Photoshop, which I don't recall ever giving me this problem. Any help would be appreciated, thanks.

  How to provide Full Disk Access on macOS Since macOS 10.14 (Mojave), Apple introduced a new privacy structure to help ensure that all applications obtain user consent before accessing documents, downloads, desktop, iCloud Drive, and network volumes. This has been reinforced in newer versions of macOS. This change prevents unauthorized access to user files and folders. When Full Disk access & Accessibility permissions are needed, users may be asked to or be required to change the setting in System Preferences > Security & Privacy > Full Disk Access for Lightroom Classic manually.   While for the File & Folders access, the user is prompted to allow or deny when needed.  Why provide full disk access to Lightroom Classic? Insufficient or broken permissions may restrict Lightroom Classic from functioning correctly and break your workflows. All tasks that require access to the computer's storage — importing/exporting images, cross-app workflows, reading/writing metadata, 

I've done this before, but it always feels a bit slow. It seems to take a long time.I need to first check if the myDat group exists, then verify if it contains the dat1@A@B@C style.If the myDat group doesn't exist or the dat1@A@B@C style is absent, create them.If they exist, read the values of A, B, and C into temp1, temp2, and temp3 respectively.Of course, A, B, and C are variables—I'll assign values to them in other ways.Thanks. 

Hi there! I'm just trying to see if anybody had the same issues and what kind of remedy you were able to find to solve this problem. I'm also very new to Ai and that will explain why I made a grave mistake. So when I discovered that Adobe Fresco has vector brushes and I could play with some settings, especially editing taper/smoothness/velocity then I was intrigued. I fell in love with Fr and created over 150 vector illustrations. All was great until I realized Fr does NOT offer paths. Then my whole word collapsed because I need to be able to modify how thick or thin my lines are. It is very crucial for me because I wanted to use my illustrations to create brass plates for foil accents on paper & polymer plates to be used for letterpress. Sadly then I found out Fr offers shapes, not paths, there are no strokes but filled shapes. I had a test and this is what happened when I tried it offset my path (I knew it'd not work but I had to try), I tried image tracing and despite playing wi