Adobe Premiere

screenshot of the video I am editingI am trying to add a blurred version of the video to the top and bottom to get rid of the blur and I cannot work out how to do it at all, any help would be amazing!

I’m not having the wonderful experience with the new color management i expect. I thought it was a feature of my Intel MacBook Pro and its GPU but it seems others are having this problem. If I apply a Lumetri creative LUT and i’m in an Aces color space timeline I get a weird solarised effect. This happens if I select Aces or Rec 709 in the color space box. So i’m assuming the LUTs are not designed for Aces color space. So is there a work around for this ? There should be a way to block or grey out the Rec 709 LUTs so they cant be used if that’s the reason.Or can the LUT be applied on export to Rec709 ? Is there a plan to tackle this problem in a future release ?Thanks Jonathan

Whenever I go to add auto captions on my iPad, it gives me the message “No media in the project can be transcribed”.

Although I’ve been using Adobe Premiere for years, I believe this is my first time creating an account on the community forum.I’m reaching out regarding a terrible issue that Adobe hasn’t resolved, and it’s driving me insane day after day.It has become almost impossible to edit files from my Sony A7III camera (4K 4:2:2 10-bit) unless I create proxies.Alright, I’ve accepted the fact that for every bigger project I’ll need to generate proxies in order to edit smoothly.However, “CREATING PROXY JOBS” takes at least 10× longer than actually creating the proxies themselves.And this is driving me CRAZY!This was NOT a problem before!Some people on the forums say that Media Encoder scans all files in the folder and that it depends on the number of files — but I call that nonsense.I tested this with a folder containing only 10 short clips and the result is exactly the same.IS ADOBE PLANNING TO FIX THIS OR SHOULD I CANCEL MY SUBSCRIPTION???

I recently ran into a frustrating issue where adding proxies to the Media Encoder queue was taking forever—not the encoding itself, just the process of getting the clips into the queue. After some trial and error, I may have found a simple workaround that speeds things up significantly!What’s Happening?If your source footage is stored in a folder with too many files, Premiere (or Media Encoder) seems to slow down drastically when adding proxy jobs—almost like it’s scanning the entire folder before adding each clip. This happens even if you only import one single file from that folder! So, the slowdown isn’t caused by how many clips you bring into Premiere, but rather by how many files exist in the folder containing the rushes.The Fix:I found that simply moving each video file into its own separate folder (or organizing them into smaller subfolders) before importing into Premiere makes a huge difference. Then:Import the organized folders into Premiere instead of all the clips from a sin

When duplicating just about anything in Premiere Mobile instead of putting the duplicated audio item after the current clip, it puts it all the way back at the beginning of the project.  This is a real PITA having to move these all the way down the timeline.

YouTubeなどを中心に動画編集をしているエディターです。恥ずかしい話、そこまで音の編集に詳しくなく、ラウドネスなどを気にせず、これまで編集をしてきました。 今回、担当している動画の納品書をいただきまして、そこにモノラルでラウドネスを-14LKFS（LUFS）と指定がございました。 チュートリアルなどを見て、ラウドネスの正規化を使用して-14LKFS（LUFS）に合わせようとしましたが、実際は-14.20LUFSという数値になりました。 書き出しデータをPremiereに取り込んでエッセンシャルサウンドのラウドネス一致から測定しています。 こちら、ラウドネスは一致していなくても大体合っていれば、納品して大丈夫でしょうか? また、モノラルの書き出しも初めてで、オーディオの取り込みはモノラル、シーケンスのマスターはマルチチャンネル、トラックはモノラル。トラック上にはA１・２にナレーション、A３・４にSE、A5・６にBGMという形です。ソースオーディオを1chにして書き出しているのですが、合っていますでしょうか? 当初ソースオーディオは2chにしていたのですが、メディアエンコーダーの書き出しの時に、ソースオーディオを一致させてくださいと表示がでたので、書き出し時のみソースオーディオを1chにしています。 ソースオーディオを2chにしないと、プレビュー時にイヤホンの両耳から聞こえないので、そうしてますが、そもそも、ソースオーディオを1chにして書き出しても、2chにして書き出しても、mac上のQuicktimeで再生しても特に変化はないので、どっちでもいいんじゃないかと思ってるのですが、間違っていますでしょうか? 本当に素人でこんがらがっています。 書き出し時の設定もお送りします。最後のモノラル部分、ソースオーディオを増やすと増やせるのですが、増やしても変わらないので、1chのみにしています。 おそらくどこからツッコめばという状況かと思うんですが、ご確認よろしくお願いします。 

cross dissolve boxes on clip when mousing over in timeline, how do you remove them? I’m on 26 and this a new 

Hi, there how to edit the captions timeline mins and seconds in captions tracks and in timeline mins and seconds for caption and from captions track Thanks KevinThe timeline not right in mins and timeline in captions track and in timeline check in Adobe Premiere Pro 2026 

I’m editing a video for YouTube which was shot on iPhone. (I work on MacBook Pro, M3) I edited and colored the clips as usual but when I exported it, the file was very heavy and colors almost comically oversaturated, skin was pink, whites was blinding. I moved back and changed the export settings to match the timeline preview (with lumetri completely turned off) and colors and size were back to normal. But I still need to color the video and I saw some tips to turn on the “Auto tone mapping” but this seems to be missing in the v26 version (or is placed somewhere else.). I learned that the Apple pro res uses some wider color spectrum than rec.709, so I changed that too, but I honestly don’t know if it’s working.  In the screenshots are my current sequence and export settings, I’d be grateful for some help on how to get the best results with those clips! Thanks 

I found a training video that uses a blue Matte v1 a video V2, and a text layer v3. The video when running shows a black background to the screen, the text appears as the blue Matte colour.Further in the timeline the video hen appears through the text as an effect.My sticking point is the text is Matte Blue, then transparent to show the video behind. I want the background to be a colour of my choice, NOT black. Any suggestions?Start effectThe end effect is this 

I have markers with durations that I’d like to keep locked on the timeline to avoid grabbing and moving them. I’m not talking about the ripple sequence markers option. I mean, as if you were locking a track.The markers are so close to where you would click to drag the playhead that I sometimes grab them and have to undo. As you can see from the screenshot, when you have a lot of layers, the room you have to move the playhead is minimal.The only workaround I can think of is to create null clip and copy them all to that clip, then lock that track. 

Hi, ​@Mathias Moehl Is there a way I can script a ‘get audio tracks of project item’. It’s not a built in block, but I see the API has a get audio tracks code.I’m still struggling with the custom-code block, but I’ll get there some day.The goal here is to identify project items that have 10 channel audio (or don’t when they should).

In Premiere Pro 26.0.1 on macOS, the Export panel still does not open at all.Clicking Export does nothing (no window, no freeze message).Reset workspace, reset preferences, and clearing media cache did not solve the issue.Media Encoder export works, but Export panel inside Premiere is unusable. Premiere Pro: 26.0.1 OS: macOS sequoia 15.7.3  Projects: large 4K projects Hardware: Mac M2 Max 96G ram

In Premiere 26.0.1, when I create guides in the program monitor, they work fine. But when I switch to full screen, the guides are present but they are not correct.  See attached.  Running Premiere 26.0.1 on a 2025 Mac Studio running Sequoia 15.7.4